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All Journal Jurna lAntropologi Indonesia Yupa: Historical Studies Journal Gondang: Jurnal Seni dan Budaya Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat Journal on Education Journal of Social Research Jurnal Mebang Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi
Mauly Purba
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Gereja dan Adat: Kasus Gondang Sabangunan dan Tortor Mauly Purba
Antropologi Indonesia No 62 (2000): Jurnal Antropologi Indonesia
Publisher : Department of Anthropology

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

From the 1860's up to the 1940's, German missionaries under the leadership of Dr. I.L.Nommensen succeeded in converting many of the Batak Toba to Christianity, and along with the Dutch colonial government developed a Western education system in the Batak homeland. Following this, educational improvement among the Batak Toba helped foster the development of Christianity and the Church. As a further development, the Church has extended its reach from matters of personal life to the collective life of the Batak Toba. While introducing new values to the people, the Church seeks to eradicate traditional cultural values that are not in accord with its own, such as the gondang sabangunan and tortor (the ceremonial music and dance of the Batak Toba) and a number of ritual ceremonies. The Church's desire is today reflected in the book Hukum Siasat Gereja, which deals with the norms of Christian social life. Several articles in the book place restrict the musical activity of Christian Batak Toba, especially the performance of gondang sabangunan and tortor in the context of ritual ceremonies. Through an ethno historical approach, this article examines change in the functions and dynamics of gondang sabangunan and tortor performances among the Christian Batak Toba of North Sumatera. The study covers the period between the 1860's and the 1990's. Aside from discussing a number of social and cultural factors that have led to changes in the function of the ceremonial music and dance, several rulings on the performance of gondang sabangunan and tortor in the Hukum Siasat Gereja will also be discussed. The purpose of this last discussion is to show the extend of the Church's influence in the context of this change. The article also provides a discussion on the response of the Christian Batak Toba toward these rulings.
Continuity and Change of Silat Pelintau as a Cultural Heritage of the Tamiang Community in Aceh Tamiang Regency Elisa Elisa; Mauly Purba; Yusnizar Heniwati
Yupa: Historical Studies Journal Vol. 8 No. 1 (2024)
Publisher : Program Studi Pendidikan Sejarah FKIP Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/yupa.v8i1.2756

Abstract

Silat Pelintau is a traditional art of the Tamiang Malay ethnic community which originates from local wisdom and then became a performing art and underwent changes in function and use. Specifically, this research aims to determine the exact continuity and changes of Silat Pelintau in the Tamiang Malay community over several periods in Aceh Tamiang Regency. The research method used is descriptive qualitative. The continuity and changes of silat pelintau in the Tamiang Malay Ethnic community have connected periods within a certain period of time up to the present. The continuity of Silat Pelintau itself starts from colonialism, independence, the New Order, and up to the present.
Empowering Huruk Gabe Aeksorseang Musical Studio as Bataknese Musical Instrument Craftman in Lintongnihuta Village, Samosir Bebas Sembiring; Mauly Purba; Ishbir Mujahid Adha
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 5 No. 2 (2020): ABDIMAS TALENTA : Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2748.744 KB) | DOI: 10.32734/abdimastalenta.v5i2.5029

Abstract

Huta Gabe Aeksorseang studio is a traditional art studio that helped preserve traditional culture, especially the Batak Toba. The presence of this art studio has stimulated creative economy activities within the region. The problems currently being faced by the Huta Gabe Aeksorseang studio have not been made optimal yet. Products that had been sold nationally but had not well known to many other Indonesian consumers due to there is no product brand. The daily activities of this art gallery cultivate traditional music. This community services is carried out with a focus on solving partner problems by providing appropriate science and technology for the local community, especially for the management of the Studio. The method of making traditional musical instruments is still not optimal so that the resulting sound quality is not correctly produced. Science and technology has been given to partners related to production and marketing techniques that have been carried out. We also provided online marketing strategies to assist the online marketing activities of the Huta Gabe Aeksorseang studio. Technical equipment is also provided to help partners improve product quality and product competitiveness with lower production costs. Heavy equipment such as welding machines in the area makes production costs high. With the help of the equipment provided, partners will be more efficient in production, thereby increasing partner competitiveness.
Improving Musical Instrument Workshop to Improve Product Quality of Craftsman in Siponjot Village Kumalo Tarigan; Fadlin Jafar; Hubari Gulo; Mauly Purba
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 5 No. 2 (2020): ABDIMAS TALENTA : Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1663.015 KB) | DOI: 10.32734/abdimastalenta.v5i2.5422

Abstract

Workshop is a production house for many craftsmen. Siponjot village has a Silaban Margu studio which produces traditional musical instruments despite the lack of inadequate workshop. The main problem with this workshop is that the production equipment facilities are still inadequate to provide optimal work results. Even by the given limitation, this studio has produced several types of gondang as its work. The excess residual material is generally wasted so that the potential economic value of using the material is immaterialized. The main target of this community service is to empower the people of Siponjot Village. The development of this craft workshop is the provision of creative economic access through the use of material left over from the production of musical instruments into fine arts in the form of handicrafts with economic, artistic and cultural values. This service has provided science and technology transfer while providing increased artistic skills through direct training to the community. It is hoped that in the future the community and craftsmen can take advantage of this potential to form an art-based creative economy in Siponjot Village.
SEMIOTIC STUDY OF THE MEANING OF THE ORAL LITERARY TEXT OF THE COFFEE MANTRA IN THE LAND OF GAYO Yusdithira Rifqhy Hikmawan Siregar; Mauly Purba; Ikhwanuddin Nasution
Journal of Social Research Vol. 3 No. 1 (2023): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i1.1761

Abstract

Coffee dominates into the sphere of association and social life. The presence of coffee shops in recent years is also one of the factors of the phenomenon of drinking coffee, such as the form of campaigns that affect the mindset of social communities. The research method used to research Coffee Mantras in Gayo land is the Qualitative descriptive method. This research involves various types of disciplines, both from humanitarian, social, or natural sciences. There are several theories about the origin of the Gayo Tribe. Local people believe that the name Gayo comes from the word pegayon which means a source of clear water where sacred fish and crabs are located. One version says the origin of the Gayo Tribe is related to the Linge Kingdom which was founded around 416 Hijri or 1025 AD. As a result of the excavation of these ancient sites, prehistoric human skeletons were found. After scientific research, the human skeleton found, ranging in age from 3,580 to 4,400 years. Mantra Kopi in the point of view of the Gayo people, is a form of oral literature that will never be abandoned. They believe that with coffee that is spelled or chanted will bring good things
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Ezra Susilawaty Pangaribuan; Mauly Purba; Pulumun Peterus Ginting
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
Faktor yang Mempengaruhi Mood Belajar Piano Siswa Christina Music Course Tarutung Christina Harianti Sitorus; Mauly Purba
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.134

Abstract

This study aims to analyze the factors that influence the piano learning mood of Christina Music Course Tarutung students. This research is a type of qualitative research by observing artistic phenomena, especially regarding the factors that influence the Piano Learning Mood of Christina Music Course Tarutung Students. Data collection techniques using interviews and observation. Data analysis techniques use data reduction, data presentation and drawing conclusions. This research was carried out at Christina Music Course Tarutung. To be able to play the piano, a person must understand basic music theory and understand the basic techniques of playing music. However, this is not only related to the theory of playing the piano, but the student's piano learning mood also greatly determines success in learning the piano. Mood has a positive and negative influence on student learning depending on how students respond to factors that influence mood. Students at CMC Tarutung feel that there are many factors that determine their mood, one of which is activities outside of the course which are quite tiring which has an impact on their mood.
Seni Pertunjukan Hadrah di Kota Medan Analisis Teknik Interloking dalam Ansambel Musik Perkusi Hadrah Muhammad Habibur Ridho; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6164

Abstract

Hadrah is a traditional Islamic music performance art that integrates singing in the form of praises and veneration to the Prophet Muhammad SAW with accompaniment from a percussion music ensemble. Percussion instruments such as rebana, bedug, kecrek, and others play the main role in this performance. This research conducted in the city of Medan focuses on analyzing the specific playing techniques used in the hadrah percussion music ensemble, especially the interlocking technique where the rhythmic patterns played by each instrument interlock with one another, creating a distinctive rhythmic complexity that characterizes the hadrah performance art. Hadrah performances are usually held during Islamic religious celebrations such as the Prophet's Birthday, Isra' Mi'raj, religious study gatherings, and other commemorations. The interlocking technique in hadrah percussion music performances shows similarities with the way traditional Indonesian percussion instruments are played. This research employs an ethnographic approach relevant for observing, analyzing, and understanding the interlocking playing technique and the function of hadrah musical instruments within the context of Islamic religious performances and rituals in Indonesia, specifically in the city of Medan. Through direct observation, the researcher aims to capture the essence of the hadrah performance art as an expression of the cultural identity of the Muslim community in the city of Medan.
Peluang, Tantangan dan Harapan Trio Batak Perempuan di Kota Medan Cahyani Yesika Br Silaban; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6703

Abstract

The rise of modern music is growing in all circles so that the female Batak trio is never noticed and finds a place to look for job opportunities in the city of Medan. This research is a type of qualitative research by observing artistic phenomena, especially the opportunities, challenges and hopes of the Batak Women Trio in Medan City. Data collection techniques using interviews and observation. Data analysis techniques use data reduction, data presentation and drawing conclusions. This research was carried out in Medan City. Research results: 1) This female Batak trio is starting to become less popular with music listeners in the city of Medan, this is due to the many developments in modern music which are more popular for the people of Medan to listen to in the city of Medan. 2) This female Batak trio singer still has a place in the hearts of the people of Medan, but not like before, who was in demand by all groups. As a singer, he hopes that this Batak trio will get more attention, meaning this is the hope of the female Batak trio in the city of Medan. 3) The female Batak trio in the city of Medan must also be able to adapt to the challenges which have resulted in a change in the musical concept from the Batak trio to modern music so that the Batak trio is also able to compete with the existing challenges. Where the Batak trio must change their musical presentation to make it more modern so that Batak trio music lovers feel the same musical perception as their musical tastes.
STUDI FOLKLORE EKSISTENSI SENI PERTUNJUKAN JARAN KEPANG “PATI KENANGA LIMA PANDAWA” MEDAN MARELAN Riki Andika; Mauly Purba
SIWAYANG Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Vol. 2 No. 3 (2023)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/siwayang.v2i3.1637

Abstract

This research aims to determine the factors that encourage the existence of the Pati Kenanga Pandawa Lima jaran kepang performance in Medan Marelan District. The benefit of this research is that it adds to the author's insight in compiling scientific work and it is hoped that this research will continue to maintain the existence of the preservation of Jaran Kepang which is increasingly disappearing as time goes by. The approach used by the author is a qualitative approach. This research uses data collection techniques by observation, in-depth interviews with several informants, namely cultural figures, arts and culture teachers, Jaran Kepang leaders, as well as informants who are involved in Jaran Kepang art performances such as Handlers, Musical Instrument Players, and Dancers. The results of this research show that the Jaran Kepang Pati Kenanga Pandawa Lima Marelan performance is still in demand and appreciated by the local community. Cultural figures consider that the Jaran Kepang Art Performance can be used as entertainment for the local community because it attracts public attention through supernatural attractions.
Co-Authors Bebas Sembiring Cahyani Yesika Br Silaban Christina Harianti Sitorus Elisa Elisa Evawany Y Aritonang Ezra Susilawaty Pangaribuan Fadlin Gulo, Hubari Ishbir Mujahid Adha Kumalo Tarigan Muhammad Habibur Ridho Pulumun Peterus Ginting Riki Andika Ruth Melody Misbow Siallagan Sabrina Maulidia Putri Samuel MH Manalu Sarah Patumona Manalu Sondang P Panggabean Yusdithira Rifqhy Hikmawan Siregar Yusnizar Heniwati