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All Journal Jurnal Penelitian Humaniora
Laylatul Mukharohmah
Universitas Negeri Surabaya
Humanities Social Sciences

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COMPLICATIONS OF WILLIAM CHARACTER IN THE NOVEL "WILLIAM" BY RISA SARASWATI Laylatul Mukharohmah; Anas Ahmadi; Muhammad Bahruddin
Jurnal Penelitian Humaniora Vol. 26 No. 2 (2025): Vol 26, No 1: August 2025
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v26i2.10722

Abstract

This study was conducted with the aim of analyzing the inner conflict experienced by the character William in Risa Saraswati's novel "William" from the perspective of Sigmund Freud's psychoanalysis. The main focus of this study is to examine how the id, ego, and superego influence William's behaviour and psychological conflict. Content analysis was used to examine the parts of the novel that reveal William's psychological dynamics. The results of this study found that the imbalance between the id, ego, and superego experienced by William caused serious inner instability. This made William a child who lost his identity and turned into a person full of pretense. This condition shows the urgency of understanding a person's psychological condition when experiencing complex social pressures. This study affirms that the psychoanalytic approach is effective for understanding the psychological dynamics of characters in literary works. Through the character of William in this novel, the findings are highly significant, as they reveal the psychological and social realities occurring within society up to the present day. These findings also show that Sigmund Freud's psychoanalytic study is relevant in a social context and in understanding the identity crisis and inner instability experienced by an individual.
TRAUMA AND THE MEANING OF LIFE FOR THE CHARACTER AKAZA IN THE MOVIE DEMON SLAYER: INFINITY CASTLE Laylatul Mukharohmah; Anas Ahmadi
Jurnal Penelitian Humaniora Vol. 27 No. 1 (2026): Vol 27, No 1: February 2026
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v27i1.13970

Abstract

Penelitian ini bertujuan untuk menganalisis trauma dan pencarian makna hidup tokoh Akaza dalam film “Demon Slayer: Infinity Castle” melalui perspektif psikologi eksistensial Viktor E. Frankl. Metode yang digunakan adalah analisis kualitatif deskriptif-interpretatif terhadap adegan-adegan film dan tinjauan pustaka terkait logoterapi, trauma, dan dinamika tokoh. Hasil penelitian menunjukkan bahwa trauma berulang yang dialami Akaza membentuk penderitaan eksistensial yang menjerumuskannya ke dalam ketidakbermaknaan dan pseudo-makna berupa obsesi terhadap kekuasaan. Namun, kilas balik kepada tokoh-tokoh penting membawa kembali nilai-nilai cinta dan tanggung jawab, yang mendorong pilihan sikap eksistensial positif hingga tercapai transendensi-diri. Penelitian ini memperluas penerapan logoterapi pada tokoh-tokoh antagonis dan menunjukkan bahwa media populer dapat merepresentasikan dinamika eksistensial secara kompleks. Temuan ini berkontribusi pada pengembangan studi psikologi tokoh dalam film dan memperkuat potensi narasi fiksi sebagai media pendidikan psikologis dan reflektif.
CODE-MIXING AND CODE-SWITCHING IN INDONESIAN POP MUSIC: AN ANALYSIS OF THE LYRICS OF THE SONG “MAMA” BY COBOY JUNIOR Laylatul Mukharohmah; Imelda Cristina Candra; Ibnu Choirudin; Dyah Ayu Sholeha
Jurnal Penelitian Humaniora Vol. 27 No. 2 (2026): Vol 27, No 2: August 2026
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v27i2.17616

Abstract

This study aims to analyze the forms and functions of code-mixing and code-switching in the lyrics of the song “Mama” by Coboy Junior. The method used is qualitative descriptive, with data collection techniques in the form of listening and note-taking. The results of the study indicate that the code-mixing found includes outer code mixing in the form of English words, phrases, and clauses inserted into Indonesian. The code-switching that occurs takes the form of inter-sentential switching that appears systematically during the transition from the verse to the chorus. The use of code-mixing and code-switching in this song serves primarily as an emotional expression, a means of reinforcing meaning, and an artistic strategy to highlight specific parts of the song. Additionally, this phenomenon reflects the social identity of adolescents as a bilingual group. These findings indicate that language use in music is not merely linguistic but also plays a crucial role in shaping the song’s meaning, emotion, and appeal.
Co-Authors Anas Ahmadi Dyah Ayu Sholeha Ibnu Choirudin Imelda Cristina Candra Muhammad Bahruddin