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All Journal LITERASI: Jurnal Ilmu-Ilmu Humaniora Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Journal of Environmental Science and Sustainable Development Urban : Jurnal Seni Urban dan Industri Budaya Wacana: Journal of the Humanities of Indonesia Susastra : Jurnal Ilmu Sastra dan Budaya Sawerigading
Wasono, Sunu
Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia
Arts Humanities Education Energy Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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KASTA DAN PARIWISATA: DUA PERSOALAN DI BALIK PESONA BALI Sunu Wasono
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article analyzes Gde Aryantha Soethama’s some selected short stories in his anthology entitled Mandi Api, published by Kompas publisher in 2006. The analysis focuses on two main problems, caste and tourism. In Balinese context, caste as local cultural form arises some sociocultural problems among Balinese, such as a cross-caste marriage. In tourism aspect, the rapid growth of tourism in Bali, in one side, give welfare for the people, but in other side arises some complicated problems especially in cultural and natural commercialization. Those two problems appear many times in the anthology showing them as the dominan problems in Balinese society. Further, for the creative writers such as Aryantha and other writers, the two problems become a kind of obsession to narrate in their creative works. Keywords: culture, caste, commercialization, tourism
Panduan Bagi Calon Ahli Bahasa Wasono, Sunu
Wacana, Journal of the Humanities of Indonesia Vol. 8, No. 1
Publisher : UI Scholars Hub

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Ide Kebangsaan dalam Puisi Antara Sajak-sajak M. Yamin dan Sejumlah Sajak Karya Penyair Malaysia Wasono, Sunu
Wacana, Journal of the Humanities of Indonesia Vol. 6, No. 2
Publisher : UI Scholars Hub

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show that Indonesian and Malaysian literatures grew and developed out of the same old tradition, namely Malay tradition. Indonesian and Malaysian languages are also rooted in the same language, namely, the Malay language. It only makes sense that there a number of similarities This paper discusses the nationalist ideas found in the poems of M. Yamin published in Indonesia Tumpah Darahku and a number of poems produced by 10 Malaysian poets. These Malaysians' poems are found in a poetry anthology titled Puisi-puisi Kebangsaan 1913-1957 (nationalist poems 1913-1957) compiled by Abdul Latif Abu Bakar and published in 1987. Based on a comparison of these two sets of poems, some similarities can be discerned, such as admiration of natural beauty, admiration of past heroes and glories, and appeal by the poets for national unity. These similarities are made possible by similar political and cultural situations prevailing in both Indonesia and Malaysia in certain period of time. The relation between Indonesia and Malaysia that is tied by a common language (Malay) and a sense of being in the same situation (colonial oppression) are other factors that allow a number of Indonesian and Malaysian poets to write poems of similar themes in similar styles.
Paduan dari Berbagai Pendekatan Wasono, Sunu
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 2
Publisher : UI Scholars Hub

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Kontras Manusia Langit dan Bumi dalam Novel Manusia Langit Karya J.A. Sonjaya: Perbandingan Kehidupan Sosial Masyarakat Desa dan Kota Nisa, Iis Khoerun; Wasono, Sunu
Urban: Jurnal Seni Urban Vol 6, No.2: Oktober 2022
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v6i2.79

Abstract

Regional issues can inspire authors to create literature. From the very beginning of its birth, modern Indonesian literature began to lift the local color that was marked by the Minangkabau cultural-themed novel. Along its development, problems of the region that had never been discovered before by authors. Into the 21st century, literature that established paganism kept on the rise. Among other things, it was marked by the appearance of Sonjaya’s Manusia Langit novel, published in 2010. It brought the problems of social life in Nias society to the surface. An interesting aspect of the Manusia Langit novel, the people of Nias, stand in stark contrast with urban society. The study aims to expose the contrast between Nias (manusia bumi) and urban people (manusia langit) as described in Jajang Agus Sonjaya’s novel Manusia Langit. The author examines Manusia Langit’s novel through a literary sociology approach using qualitative descriptive methods to achieve this goal. The study’s result found three contrasts in this novel: the contrast between leadership and culture, the contrast of position in society, and the contrast of education.  Berbagai persoalan kedaerahan dapat mengilhami pengarang untuk menciptakan karya sastra. Sejak awal kelahirannya, sastra Indonesia modern mulai mengangkat warna lokal yang ditandai dengan kemunculan novel bertema budaya Minangkabau. Seiring dengan perkembangannya, problem-problem daerah yang belum pernah tersentuh turut disingkap oleh para pengarang. Hingga abad ke-21, karya sastra yang mengangkat kedaerahan tetap marak bermunculan. Hal itu antara lain ditandai dengan munculnya novel Manusia Langit karya Sonjaya yang terbit pada tahun 2010. Novel ini mengangkat persoalan kehidupan sosial masyarakat Nias. Terdapat aspek yang menarik untuk dikaji dalam novel Manusia Langit, yaitu masyarakat Nias digambarkan secara kontras dengan masyarakat kota. Kajian ini bertujuan untuk mengungkapkan kontras masyarakat Nias (manusia bumi) dan masyarakat kota (manusia langit) yang digambarkan dalam novel Manusia Langit karya Jajang Agus Sonjaya. Untuk mencapai tujuan ini, penulis mengkaji novel Manusia Langit melalui pendekatan sosiologi sastra dengan menggunakan metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa terdapat tiga kontras yang digambarkan dalam novel Manusia Langit yang mencakup kontras kepemimpinan dan budaya, kontras kedudukan dalam masyarakat, dan kontras pendidikan.
Dari Lukisan Barong, Harvest, dan Friendships Karya Made Gunawan Menjadi Puisi “Wajah Barong”, “Seikat Padi”, dan “Gajah Biru” Karya Dewa Putu Sahadewa: Sebuah Kajian Alih Wahana Djaja, Abraham William Hasiholan; Wasono, Sunu
Urban: Jurnal Seni Urban Vol 6, No.1: April 2022
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v6i1.65

Abstract

This research contains analysis from paintings to poetry. The corpus of this research is from the Paintings of Barong (2020), Harvest (2018), and Friendships (2021) by Made Gunawan that transforms into Poetry of “Wajah Barong” (2021), “Seikat Padi” (2021), and “Gajah Biru” (2021) by Dewa Putu Sahadewa. The formulation of problem from this research is the creativity process and the transformation of Paintings of Barong (2020), Harvest (2018), and Friendships (2021) by Made Gunawan to Become Poetry of “Wajah Barong” (2021), “Seikat Padi” (2021), and “Gajah Biru” (2021) by Dewa Putu Sahadewa. One of the methods of this research is ekfrasis. Ekphrasis itself is divided by three methods, such as descriptive ekphrasis, narrative ekphrasis, also descriptive and narrative ekphrasis. The purpose of this research is to analyze the transformation of Paintings of Barong (2020), Harvest (2021), and Friendships (2021) by Made Gunawan to Become Poetry of “Wajah Barong” (2021), “Seikat Padi” (2021), and “Gajah Biru” (2021) by Dewa Putu Sahadewa.Penelitian ini membahas alih wahana dari lukisan menjadi puisi. Korpus yang 25 digunakan sebagai bahan penelitian adalah lukisan berjudul Barong (2020), Harvest (2018),dan Friendships (2021) karya Made Gunawan untuk menjadi sebuah karya puisi dengan judul “Wajah Barong” (2021), “Seikat Padi” (2021), dan “Gajah Biru” (2021) karya Dewa Putu Sahadewa. Penelitian ini akan memaparkan proses kreatif dan perubahan dari karya lukisan (visual) menjadi sebuah karya puisi (verbal). Secara garis besar, pengalihwahanaan dari lukisan menjadi sebuah puisi menggunakan metode ekfrasis. Metode ekfrasis dibedakan menjadi tiga yaitu, ekfrasis naratif, ekfrasis deskriptif, serta ekfrasis naratif dan deskriptif sesuai dengan tafsiran penyair. Hasil penelitian dari penelitian ini akan memaparkan perubahan bentuk lukisan Barong (2020), Harvest (2018), dan Friendships (2021) karya Made Gunawan untuk menjadi sebuah karya puisi dengan judul “Wajah Barong” (2021), “Seikat Padi” (2021), dan “Gajah Biru” (2021) karya Dewa Putu Sahadewa sesuai dengan metode masing-masing. 
Menyimak Kandungan Damai Dalam Sentuhan Karya Shukri Zain Wasono, Sunu
Urban: Jurnal Seni Urban Vol 5, No.1: April 2021
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v5i1.46

Abstract

The idea, creative process, and theme of a poet's poetry can be traced through in-depth reading and interpretation of a number of poems, especially those contained in an anthology. This paper will discuss the thematic and stylistic reviews of Shukri Zain's poems in the anthology Damai Dalam Touch. This study uses descriptive analysis method through reading and in-depth meaning to reveal data, circumstances, phenomena, and is not limited to data collection, but also includes interpretation analysis. Through the analysis carried out, it was found several tendencies of Shukri Zain's poetry in the anthology Damai Dalam Touch, first, thematically, Shukri Zain's poems generally raised themes related to faith and Islam. Second, Shukri Zain's poems tend to be straightforward, but far from bombastic and vulgar. Finally, because the issues raised in his poems are related to matters of faith and Islam, the tone that is built in a number of Shukri Zain's poems tends to advise—not to say patronizing—the reader.Ide, proses kreatif, dan tema puisi seorang penyair dapat ditelusuri melalui pembacaan dan penafsiran mendalam terhadap sejumlah sajak, khususnya yang termuat dalam sebuah antologi. Tulisan ini akan membahas tinjauan tematik dan stilistik sajak-sajak Shukri Zain dalam antologi Damai Dalam Sentuhan. Penelitian ini menggunakan metode analisis deskriptif lewat pembacaan dan pemaknaan mendalam untuk mengungkapkan data, keadaan, fenomena, dan tidak terbatas pada pengumpulan data saja, namun juga meliputi analisis interpretasi. Lewat analisis yang dilakukan, ditemukan beberapa kecenderungan puisi karya Shukri Zain dalam antologi Damai Dalam Sentuhan, pertama, secara tematik, sajak-sajak Shukri Zain umumnya mengangkat tema yang berkaitan dengan keimanan dan keislaman. Kedua, sajak-sajak Shukri Zain cenderung lugas, namun jauh dari nada bombas dan vulgar. Terakhir, karena isu yang diangkat dalam sajak-sajaknya terkait dengan soal keimanan dan keislaman, nada yang terbangun dalam sejumlah sajak Shukri Zain cenderung menasihati—untuk tidak mengatakan menggurui—pembaca.
Citra Jepang Sebagaimana Tercermin pada Tiga Novel Selepas Perang Kemerdekaan Sunu Wasono
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 6 (2007): Susatra 6: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i6.69

Abstract

Even though the Japanese occupation of Indonesia only lasted for two and a half years, it has left a strong impression in the minds of Indonesians. This is visible in three Indonesian novels. This paper discusses the images of Japan as reflected in the three Indonesian novels published after the war for independence: Pulang, Kadarwati, dan Para Priyayi. In the analysis of the three novels, it becomes clear that the Japanese presence in Indonesia had caused terrible sufferings on all levels of the society.
KTSP dan Materi Sastra Beberapa Catatan Sunu Wasono
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 5 (2007): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i5.36

Abstract

This paper discusses literary material and textbooks in relation to the implementation of the Kurikulum Tingkat Satuan Pendidikan (KTSP). There are three issues that need to be underlined: First, KTSP gives schools an opportunity to design their own curriculums. Secondly, KTSP must be supported by textbooks such as literary anthologies. Finally, the standard of competence and basic competence stipulated by the BNSP should not be used as the only reference in curriculum design since the curriculum itself is not without any weaknesses.
CISADON FOREST COFFEE ECOTOURISM MARKETING MODEL: FIELDS NOTES Christomy, Tommy; Koesoemadinata, Fabianus Hiapianto; Ayu, Rahmatia; Wasono, Sunu; Datang, Frans Asisi
Journal of Environmental Science and Sustainable Development Vol. 5, No. 1
Publisher : UI Scholars Hub

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Cisadon is one of the villages that has coffee as one of the main sources of income for the local community. This research develops the marketing of Cisadon Forest Coffee through the ecotourism sector. Based on applied research, this research proves that the synergy between Kampung Atas and Kampung Bawah can improve the quality of coffee production in Kampung Cisadon. Cisadon Coffee production is developed by conducting sports tourism activities in a virtual race with the focus of Cisadon Coffee as a marketing icon. This research aims to increase community engagement and marketing of Cisadon Forest Coffee. By involving the indigenous people of Cisadon, this research indirectly also educates the community to understand that the coffee plant that grows in their area is a natural resource that can be utilized for their welfare. Thus, it is hoped that the understanding of coffee and its marketing techniques can be spread widely and evenly to realize the Cisadon tourism village.
Co-Authors Ayu, Rahmatia Datang, Frans Asisi Djaja, Abraham William Hasiholan Hanifa Widyas Sukma Ningrum Junaidi, Ahmad Syafa'at Koesoemadinata, Fabianus Hiapianto Mustofa, Yatin Nurul Nisa, Iis Khoerun Tommy Christomy Zulyeno, Bastian