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Konsep Sakti dalam Novel Kecubung Wulung Karya Han Gagas: Representasi Bentuk dan Pemerolehan Kesaktian pada Dukun Jawa Wasono, Sunu; Mustofa, Yatin Nurul
Jurnal Seni Urban dan Industri Budaya Vol 7, No.1: April 2023
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v7i1.78

Abstract

Javanese culture often deals with magical things, including the concept of magic contained in shamanic activities. This sacred concept relates to various forms and processes of acquisition. As a means of documenting the social reality of society, literature can also contain the concept of magic in Javanese culture. In short, this paper examines the various concepts of magic in Javanese culture through the novel Kecubung Wulung by Han Gagas. The two central characters in this novel, namely Suro and Wujil, are narrated as figures who have supernatural powers. The concept of sacredness is studied through these two figures. The supernatural powers represented by the two characters in this novel have contrasting differences, both in terms of the form, acquisition, and continuity of the supernatural powers. This sacred concept is basically a form and example of a phenomenon that occurs in society. To examine the concept of magic contained in the novel Kecubung Wulung, a literary sociology approach is used, while the research method used is descriptive qualitative. From this research, the results show that supernatural powers in the Javanese can be obtained from heredity and/or tirakat performed by a person, supernatural powers can take the form of visible and invisible mediums, and literature can be used as a medium for evaluation and education.------------------------------------------------------------------------------------------------Budaya Jawa kerap kali bersinggungan dengan hal magis, termasuk konsep sakti yang terdapat di dalam aktivitas perdukunan. Konsep sakti ini berkaitan dengan bentuk dan proses pemerolehan yang beragam. Sebagai sarana dokumentasi realitas sosial masyarakat, sastra juga dapat memuat konsep sakti di dalam budaya suku Jawa. Secara singkat, tulisan ini mengkaji konsep sakti yang beragam dalam budaya Jawa melalui novel Kecubung Wulung karya Han Gagas. Kedua tokoh sentral di dalam novel ini, yaitu Suro dan Wujil, dinarasikan sebagai sosok yang memiliki kesaktian. Konsep sakti dikaji melalui dua tokoh tersebut. Kesaktian yang direpresentasikan melalui kedua tokoh dalam novel ini memiliki perbedaan yang kontras, baik dari segi bentuk, pemerolehan, dan keberlangsungan kesaktian tersebut. Konsep sakti ini pada dasarnya menjadi bentuk dan contoh fenomena yang terjadi di dalam masyarakat. Untuk mengkaji konsep sakti yang terdapat di dalam novel Kecubung Wulung, digunakan pendekatan sosiologi sastra. Sementara itu, metode penelitian yang digunakan adalah kualitatif deskriptif. Dari penelitian ini, diperoleh hasil bahwa kesaktian dalam suku Jawa dapat diperoleh dari keturunan dan atau tirakat yang dilakukan seseorang. Kesaktian dapat berbentuk medium yang kasatmata dan tidak kasatmata, serta sastra dapat digunakan sebagai media evaluasi dan edukasi
Cerpen-cerpen Lekra (1950—1965) sebagai strategi perjuangan politik PKI Junaidi, Ahmad Syafa'at; Wasono, Sunu; Zulyeno, Bastian
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 4 (2023)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v6i4.789

Abstract

This study aims to reveal the contents and objectives contained in Lekra's short stories, which were published in Harian Rakjat in 1950–1965. The data source for this research is in the form of short stories: Paman by L.S. Retno, Gambar Pemimpin by Saibun, Kebangunan di Kota Bengawan by Namikakanda, and Loper by Putu Oka. This research is qualitative, using library research methods. The results of the study show that these short stories are loaded with political interests of the PKI as part of the PKI's struggle to influence the masses so that the PKI succeeds in the political competition in Indonesia in 1950–1965. In addition, these short stories show that there is a close relationship between literature (Lekra), politics (PKI), and the media (Harian Rakjat). From this relationship, literature and the media at that time were under political control. Lekra as a cultural institution in Indonesia became a political tool for the PKI to influence the ideology of readers and its supporters, and the Harian Rakjat was used by the PKI as a medium for spreading it. Basically, both Lekra and Harian Rakjat were tools for realising PKI politics, and both were in positions facilitated by the PKI.
CITRA PEREMPUAN INDONESIA MASA JEPANG PADA DUA CERPEN DALAM MAJALAH PANDJI POESTAKA (The Image of Indonesian Women on Japanese Period in Two Short Stories in Pandji Poestaka Magazine) Hanifa Widyas Sukma Ningrum; Sunu Wasono
SAWERIGADING Vol 29, No 1 (2023): Sawerigading, Edisi Juni 2023
Publisher : Balai Bahasa Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/sawer.v29i1.1147

Abstract

The image of women is an impression that arises as a result of individual knowledge and experience that is presented implicitly through literary works. Periodization of literary works can also present images of women who represent certain characteristics. “Isteri Tabib” by Teha and “Putri Pahlawan Indonesia” by N. St. Iskandar are two short stories published in Pandji Poestaka during the Japanese occupation of Indonesia. This research will discuss the image of Indonesian women during the Japanese period presented through these two short stories. The purpose of this study is to reveal that image of Indonesian women more or less shaped by the intervention of the Japanese. The research method used is a qualitative approach to the close reading.  Data collection techniques use by reading the corpus repeatedly and then marking the narratives and dialogues between characters related to the image of women. The results and analysis revealed that the image of Indonesian women during the Japanese occupation was the image of a wife which was closely related to the domestic sphere, the image of a mother, and the image of a woman warrior. These three images exist as a form of propaganda to create an ideal woman who is useful for the interests of Japanese ideals.AbstrakCitra perempuan merupakan kesan yang muncul sebagai hasil dari pengetahuan dan pengalaman individu yang dihadirkan secara implisit melalui karya sastra. Periodisasi karya sastra juga dapat menghadirkan citra perempuan yang mewakili ciri tertentu. “Isteri Tabib” karya Teha dan “Putri Pahlawan Indonesia” karya N. St. Iskandar merupakan dua cerpen yang terbit di majalah Pandji Poestaka saat masa pendudukan Jepang di Indonesia. Penelitian ini akan membahas citra perempuan Indonesia masa Jepang yang dihadirkan melalui dua cerpen tersebut. Tujuan penelitian ini adalah mengungkapkan citra perempuan Indonesia sedikit banyak dibentuk oleh campur tangan pihak Jepang. Metode penelitian yang digunakan adalah pendekatan kualitatif metode close reading. Adapun teknik pengumpulan data dilakukan dengan cara pembacaan korpus secara berulang kemudian menandai narasi dan dialog antartokoh yang berkaitan dengan citra perempuan. Hasil dan analisis mengungkapkan citra perempuan Indonesia di masa pendudukan Jepang adalah citra seorang istri yang erat berkaitan dengan ranah domestik, citra ibu, serta citra perempuan pejuang. Ketiga citra tersebut hadir sebagai bentuk propaganda untuk menciptakan perempuan ideal yang berguna untuk kepentingan cita-cita Jepang.