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All Journal Kodifikasia: Jurnal Penelitian Islam Jurnal Sejarah Citra Lekha KALPATARU: Jurnal Sejarah dan Pembelajaran Sejarah Jurnal Studi Agama dan Masyarakat Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Historia Madania: Jurnal Ilmu Sejarah Tanjak: Jurnal Sejarah dan Peradaban Islam Kontemplasi : Jurnal Ilmu-Ilmu Ushuluddin Shahih : journal of islamicate multidisciplinary Jurnal Pengabdian Kepada Masyarakat Al-Amin
Afiyanto, Hendra
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Ideologi Anti-Barat dan Musik Ngak-Ngik-Ngok: Politik Kebudayaan dan Regulasi Musik Era Soekarno Arjaya, Derta; Nurullita, Hervina; Afiyanto, Hendra
Jurnal Sejarah Citra Lekha Vol 10, No 2 (2025): Sejarah Sosial-Budaya, Identitas, dan Resistensi
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v10i2.46768

Abstract

This study examines Soekarno’s perspective on Western influences during the 1950s–1960s and its impact on the development of music in Indonesia. The study addresses two main questions: first, how did Soekarno view the West during his presidency; and second, how did this view affect the trajectory of Indonesian music? Employing the historical method, the research integrates heuristics, source criticism, interpretation, and historiography to analyze primary and secondary sources. The findings reveal that Soekarno perceived the West as a political and cultural threat, frequently labeling it as “Nekolim” (neo-colonialism and imperialism). He viewed Western music not merely as a foreign art form but as a vehicle of cultural domination that undermined the revolutionary ideals and national identity of Indonesia. As a result, Western-influenced music was subject to prohibition, exemplified by the banning of the ngak-ngik-ngok music, which was considered detrimental to Indonesian cultural values. Soekarno promoted policies aimed at fostering music that aligned with nationalist and revolutionary principles, thereby restricting the development and performance of Western styles within the country. This study concludes that Soekarno’s ideological stance significantly shaped the evolution of Indonesian music during his era. By enforcing cultural policies rooted in nationalism, he directly influenced which musical forms could flourish, emphasizing the creation and preservation of a distinctly Indonesian musical identity 
Co-Authors Achmadanu, Yusuf Anggraeni, Shofi Dian Arjaya, Derta Izzul Mudoffar, A Jauhari, Muhammad Thonthowi Muslimin, Zakiyah Darodjat Cahya Nugroho, Panji Setyo Nurul Khasanah, Nurul Nurullita, Hervina Risa Winanti Winanti, Risa