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All Journal Poetika: Jurnal Ilmu Sastra JSW (Jurnal Sosiologi Walisongo) Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Susastra : Jurnal Ilmu Sastra dan Budaya Indigenous Southeast Asian and Ethnic Studies
Zuliana, Rina
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Post-Sekulerisme Islam Populis di Indonesia Mujibuddin, M; Zuliana, Rina
JSW (Jurnal Sosiologi Walisongo) Vol 3, No 1 (2019)
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/jsw.2019.3.1.3486

Abstract

This article explores the phenomenology of post-secularism in Indonesia. Populist Islamic movement strike for islamization public sphere as a sign of post-secularism in Indonesia. The islamization proceeded both in government dan the public sphere. These phenomena show that the community of urban Muslims can?t leave religious aspects in the public sphere. This research uses the qualitative-description method and library research models. The first result of this research shows that Islamic populism is coming from the urban Muslim middle class who have access to the modern world. Second, the populist Islamic movement who did islamization of the public sphere shows the strengthening of religion's role in the public sphere.  
Post-Sekulerisme Islam Populis di Indonesia Mujibuddin, M; Zuliana, Rina
JSW (Jurnal Sosiologi Walisongo) Vol 3, No 1 (2019)
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/jsw.2019.3.1.3486

Abstract

This article explores the phenomenology of post-secularism in Indonesia. Populist Islamic movement strike for islamization public sphere as a sign of post-secularism in Indonesia. The islamization proceeded both in government dan the public sphere. These phenomena show that the community of urban Muslims can’t leave religious aspects in the public sphere. This research uses the qualitative-description method and library research models. The first result of this research shows that Islamic populism is coming from the urban Muslim middle class who have access to the modern world. Second, the populist Islamic movement who did islamization of the public sphere shows the strengthening of religion's role in the public sphere.  
"KRIMINALISASI TERKONTROL” TERHADAP BENTUK DAN IDEOLOGI DALAM BEBERAPA FIKSI DETEKFIF INDONESIA KONTEMPORER Salam, Aprinus; Zuliana, Rina
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 13, No 2 (2024): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2024)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v13i2.162

Abstract

Crime is one of the essential substances in detective fiction. This study examines the issue of crime in relation to the state, society, and individuals. It selects four detective novels: Tiga Sandera Terakhir (2015), Negara Kelima (2015), 24 Jam Bersama Gaspar (2017), and Dua Dini Hari (2019). In these novels, crime is not merely framed as an investigative model that culminates in solving a mystery; rather, it is also portrayed as an issue involving hierarchical relationships between social classes and gender. In this context, detective fiction is connected to both social and ideological phenomena. The ideology and aesthetic form of detective fiction are shaped and influenced by a mode of production and the dominant ideology within a given regime. It is undeniable that material structures significantly affect the ideology and aesthetics of contemporary Indonesian detective fiction. Crime, as a central theme in detective fiction, becomes a force linked to the context of power, which not only governs but also plays a role in enabling crime itself. The issue of crime in detective fiction does not merely represent human-to-human transgressions but also systemic crimes facilitated by the presence of various institutions. The tendency to produce such texts is undoubtedly driven and influenced by the contextual factors and issues within the text. However, authors still engage in a form of "controlled criminalization," taking into account several considerations, as will be explored in this study.Keywords: State, Crime, Ideology, Aesthetic Form, Contemporary Indonesian Detective Fiction "CONTROLLED CRIMINALIZATION" OF FORMS AND IDEOLOGIES IN SOME CONTEMPORARY INDONESIAN DETECTIVE  FICTIONAbstrakKriminalitas merupakan salah satu substansi penting dalam fiksi detektif. Tulisan ini melihat persoalan kriminalitas dalam relasi-relasi antara negara, masyarakat, dan individu. Kajian ini memilih empat novel detektif berjudul Tiga Sandera Terakhir (2015), Negara Kelima (2015), 24 Jam Bersama Gaspar (2017), dan Dua Dini Hari (2019). Dalam novel-novel tersebut, masalah kriminalitas tidak hanya dibingkai sebagai model investigasi yang berakhir pada pengungkapan misteri kejahatan, melainkan juga sebagai persoalan yang melibatkan hubungan hierarkis antarkelas hingga gender. Dalam konteks ini, fiksi detektif telah dihubungkan sebagai gejala sosial sekaligus ideologis. Ideologi dan bentuk estetika fiksi detektif tersebut dibentuk dan dipengaruhi oleh suatu corak produksi dan ideologi dominan dalam suatu rezim. Hal ini tidak dipungkiri bahwa struktur material sangat berpengaruh terhadap ideologi dan estetika fiksi detektif Indonesia saat ini. Bagaimana kriminalitas sebagai tema utama fiksi detektif menjadi kekuatan yang dihubungkan dengan konteks kekuasaan yang menjalankan dan turut mengoperasikan terjadinya kejahatan itu sendiri. Persoalan kriminalitas dalam fiksi detektif tidak hanya merepresentasikan kejahatan antarmanusia, melainkan kejahatan yang telah tersistem karena kehadiran institusi-institusi yang lainnya. Kecenderungan pemroduksian teks ini tentu ditengarai dan dipengaruhi oleh faktor dan permasalahan kontekstual dari teks. Namun begitu, pengarang tetap melakukan semacam “kriminalisasi terkontrol” karena mempertimbangan beberapa hal seperti dapat dilihat dalam kajian.Kata Kunci: Negara, Kriminalitas, Ideologi, Bentuk Estetika, Fiksi Detektif Indonesia Kontemporer
Religion, Culture, and Modernity: Negotiating the Suroan Ritual in Wonokerto, Lumajang M Mujibuddin; Zuliana, Rina
Indigenous Southeast Asian and Ethnic Studies Vol. 1 No. 1 (2025): March
Publisher : Universitas Islam Negeri Sultan Maulana Hasanuddin Banten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/iseaes.v1i1.6

Abstract

The Suroan tradition is an annual ritual observed by the Javanese community to commemorate the Islamic New Year. This ritual dates back to the Islamic Mataram era, particularly under the leadership of Sultan Agung, who integrated the Saka and Hijri calendars. Over time, the Suroan ritual spread to Wonokerto, Lumajang, where it has become an annual cultural event. The people of Wonokerto celebrate Suroan with various traditional performances, including Tayub Jaran Kencak, Karapan Sapi, Ojung, and Wayang, which take place over three days. However, the organisation of the Suroan ritual faces challenges, particularly from modernity, which often perceives traditional rituals as signs of a static society resistant to change. This research examines the negotiation process between religion, culture, and modernity in the Suroan ritual of Wonokerto, Lumajang. Employing an ethnographic approach, including participant observation and interviews, this study explores how the Wonokerto community adapts traditional rituals within a modern framework. The findings reveal that the negotiation process within the Wonokerto community follows a long-standing pattern established by Sunan Kalijaga and Sultan Agung, encapsulated in the concept of ngeli tanpa keli (going with the flow without being swept away). Rather than rejecting modern influences, the Suroan tradition strategically incorporates modern elements to sustain its relevance and reach a wider audience. The annual festivalisation of the Suroan ritual, spearheaded by the village government, serves two key purposes: first, to ensure the preservation of traditional rituals; and second, to capitalise on cultural tourism as a means of boosting the local economy. Thus, the negotiation between tradition and modernity in Wonokerto demonstrates that cultural heritage can be preserved not through resistance but through adaptation and strategic engagement with contemporary societal developments.
Korona dalam Ruang Politik dan Poetik Sastra: Arena Diskursif Karya-karya Fiksi Komunitas Jejak Imaji Yogyakarta Di Era Pandemi Sudibyo, Sudibyo; Dewojati, Cahyaningrum; Indrastuti, Novi Siti Kussuji; Zuliana, Rina
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 4 No 1 (2021): 2021: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.253 KB) | DOI: 10.22146/bakti.1277

Abstract

This article departs from the findings of the implementation of the community service program of Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada in the form of providing workshop and assistance in writing fiction works for the Komunitas Jejak Imaji (KJI). KJI is a space of community for writers, poets, and students who carry out the routine of gathering, discussing, and producing literary works. This community is located in Yogyakarta — which culturally has a social climate that supports the existence of literary development and the literary community. In the midst of a pandemic, the demands for innovation on the formation of new habits and new knowledge provide a new field for communities to continue to exist in producing literary works. This service was initiated to spark community awareness to revive its literary space amid the pandemic. The implementation of the service program uses lecture, discussion, and practice methods to produce works about Covid-19 that are ready to be published through the application of research and processing of historical data, as well as social facts in literary works. Even though the story ideas from the 14 works of fiction they wrote were a response to the Covid-19 pandemic, the tendency of their works is not far from the social problems surrounding them. The conceptual framework used to see the tendency of KJI's fiction is Laclau and Mouffe's discourse theory which is to answer the question of how the corona is received and responded to in a political space as well as a literary poetic space. The results of these activities show that the entire works of fiction written by the Imaji Literature Community, tend to put the discourse of globality clashed with various social problems experienced by the Indonesian people in general and local communities in particular during the pandemic. ===== Tulisan ini berangkat dari temuan pelaksanaan program pengabdian kepada masyarakat Magister Sastra, Fakultas Ilmu Budaya, Universitas Gadjah Mada berupa pemberian pelatihan (workshop) dan pendampingan penulisan karya fiksi untuk Komunitas Jejak Imaji (KJI). KJI merupakan salah satu ruang sastrawan, penyair, dan mahasiswa yang ‘menggemari sastra’ melaksanakan rutinitas berkumpul, berdiskusi, dan memproduksi karya sastra. Komunitas ini berlokasi di Yogyakarta—yang secara kultural memiliki iklim pergaulan yang mendukung eksistensi perkembangan sastra dan komunitas sastra di dalamnya. Di tengah pandemi, tuntutan inovasi atas terbentuknya kebiasaan baru dan pengetahuan baru memberikan medan baru bagi komunitas untuk tetap eksis dalam memproduksi karya sastra. Pengabdian ini diinisiasi untuk memantik kesadaran komunitas untuk menghidupi ruang sastranya kembali di tengah pandemi. Pelaksanaan program pengabdian menggunakan metode ceramah, diskusi, dan praktik hingga menghasilkan karya tentang covid-19 yang siap publis melalui penerapan riset dan pengolahan data sejarah, serta fakta sosial dalam karya sastra. Meskipun ide cerita dari 14 karya fiksi yang mereka tulis merupakan respon atas pandemi covid-19, kecenderungan karya-karya mereka tidak jauh dari persoalan sosial di sekitarnya. Kerangka konseptual yang digunakan untuk melihat kecenderungan karya fiksi KJI adalah konsepsi wacana Laclau dan Mouffe yang untuk menjawab pertanyaan bagaimana korona diterima dan direspon dalam ruang politik sekaligus ruang poetik sastra. Dari hasil kegiatan tersebut menunjukkan bahwa keseluruhan karya fiksi yang ditulis oleh Komunitas Sastra Jejak Imaji cenderung meletakkan wacana global yang dibenturkan dengan berbagai persoalan sosial yang dialami masyarakat Indonesia pada umumnya dan masyarakat lokal pada khususnya selama pandemi.
The Position and Aesthetic Form of Indonesian Detective Fiction after the 1980s within the Landscape of Indonesian Literature Salam, Aprinus; Zuliana, Rina; Mustofa, Ali
POETIKA Vol 13, No 2 (2025): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i2.93755

Abstract

After its golden age in the 1980s, Indonesian detective fiction experienced a period of decline during the 1990s. In the following decades, many young writers emerged with their own detective works. However, despite its long history, post-1980 Indonesian detective fiction has continued to receive limited scholarly attention. Its position within academic literary studies remains less prominent compared to other genres that are more frequently discussed in Indonesian literary discourse. This research addresses the problem of how Indonesian detective fiction after the 1980s is positioned within the landscape of Indonesian literature, how the aesthetic forms and ideologies of detective works from each decade are manifested, and how post-1980 Indonesian detective fiction not only transforms in terms of form and position but also becomes a negotiation arena between social, political, and cultural discourses. The study employs a sociological approach to literature, by using Pierre Bourdieu’s theory of the literary field and Terry Eagleton’s aesthetics of ideology, this study offers a novel perspective on how Indonesian detective fiction after the 1980s negotiates market pressures, symbolic capital, and cultural discourse. The findings reveal that, after the 1980s, Indonesian detective fiction shifted from a semi-heteronomous to a semi-autonomous position within the literary field, as seen in the works of S. Mara Gd. (1990), E.S. Ito (2005), and Sabda Armandio (2014). Aesthetically and ideologically, the genre transformed from linear, moralistic narratives to experimental, metafictional, and reflective forms that critique power, history, and social values. Consequently, post-1980s Indonesian detective fiction functions as a negotiation arena where social, political, and cultural elements interact, turning popular entertainment into a medium of social critique. 
Co-Authors Ali Mustofa Aprinus Salam Dewojati, Cahyaningrum M Mujibuddin Mujibuddin, M Novi Siti Kussuji Indrastuti Sudibyo Sudibyo