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All Journal Harmonia: Journal of Research and Education Catharsis The Journal of Educational Development
Rohendi Rohidi, Tjetjep
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Arts Humanities Education Environmental Science

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Journal : Catharsis

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Socialization of Stone Craft in Muntilan on The Community Empowerment Process Istanto, Riza; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32967

Abstract

The purpose of this study was to analyze the process of socializing the stone craft in Muntilan in empowering the cultural potential of the community. This research was conducted at the center of the Muntilan stone craft, namely Tamanagung Village, Muntilan District, Magelang Regency, Central Java Province. The sociology approach and case study design were used in this research. Data was collected by observation, interview, and documentation techniques. To obtain validity of the data collected triangulation of data is done through steps a) comparing the results of interviews, observations, and documents obtained; b) comparing an informant's personal confession with his statements in public or when a group discussion takes place; c) comparing opinions at the time of research with situations that have occurred throughout history; d) comparing opinions between ordinary people, educated, and bureaucrats. Data analysis includes the stage of selecting a problem, summarizing the problem, collecting data, analyzing the data, and writing the results (including drawing conclusions at the end of the analysis). The results of the study showed that empowerment was carried out in the Batu Kriya community agents through the socialization process. The stone craft socialization process includes the preparation stage, namely the introduction of knowledge about materials, equipment, and techniques; the stage of imitating through the practice of making stone crafts under the direction of experts (expert craftsmen); the stage of acting through working together with skilled craftsmen (nyantrik); and the stage of acceptance of collective norms that occur when the crafters make stone carving activities as a profession. The suggestion that the authors propose through this research is that coaching in advancing traditional arts must be based on joint commitment through crafters and the public as well as participants or communities so as to create independence and prosperity for them.
The Symbolic Meaning and Cultural Ethics Values in Pagar Pengantin Dance Movements Kartikasari, Aprilia; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35950

Abstract

The Pagar Pengantin dance is one of the South Sumatra's traditional works of art, it was created based on the spirit of the Komering tribe and developed in Palembang. The Pagar Pengantin dance is one form of art that is widely used by the local community that presented during the the traditional wedding ceremony which has the symbolic meaning of the bride's separation from her family and requests permission to form a new family. The purpose of this study is to analyze the symbolic meaning and cultural ethical values ​​in the Pagar Pengantin dance moves. This is case study that used a qualitative method. The data were collected by observation, interview and document study. The results of the study provide knowledge and references about the symbolic meanings and values ​​of cultural ethics in the Pagar Pengantin dance moves. In particular, this findings are (1) the symbolic meaning of the Pagar Pengantin dance moves is the request of the bride's permission to start a new life as in the respect gesture associated with the symbolic meaning of respect. The flower motion symbolizes the bride, the united motion means the union of two families. (2) The value of local cultural ethics in the Pagar Pengantin dance movement shows forms of behavior that lead to goodness in social life such as the ethical values ​​of politeness and positive thinking, humility, caution, and the affection value.
Palembang Songket Fabric Visual Motif Wijayanti, Fitri; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36035

Abstract

Palembang songket fabric visually has various aesthetic forms that are always changing, but always maintain the value of local wisdom. The purpose of this study was to analyze the visual motifs of the Palembang Songket fabric. The method used is a qualitative method with a phenomenological research design. Data collection techniques include observation, interview and document study. The validity of the data in this study uses triangulation, while the data analysis procedure is carried out by collecting data, reducing, presenting, and drawing conclusions. This study was analyzed using De Witt H. Parker's aesthetic theory. The results showed that Palembang Songket visually contained two forms of visual classical motifs and modern visual motifs. Visual classical motifs have characteristics; (1) animal and tumpal motifs, (2) material used is silk thread and gold-plated thread, (3) the colors used are predominantly dark red and gold. While modern visual motifs have characteristics, (1) motifs are more on plants and geometric but do not leave tumapal motifs, (2) materials used are silk thread and copper-coated silk thread, (3) colors used are more diverse, like red, pink, blue, green, and purple. Specifically, the subject of this research was the visual motifs of Palembang's Songket fabric, which experienced continuous visual changes in motifs.
The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity Chaniago, Efriyeni; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i1.39732

Abstract

BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.
Socialization of Stone Craft in Muntilan on The Community Empowerment Process Istanto, Riza; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32967

Abstract

The purpose of this study was to analyze the process of socializing the stone craft in Muntilan in empowering the cultural potential of the community. This research was conducted at the center of the Muntilan stone craft, namely Tamanagung Village, Muntilan District, Magelang Regency, Central Java Province. The sociology approach and case study design were used in this research. Data was collected by observation, interview, and documentation techniques. To obtain validity of the data collected triangulation of data is done through steps a) comparing the results of interviews, observations, and documents obtained; b) comparing an informant's personal confession with his statements in public or when a group discussion takes place; c) comparing opinions at the time of research with situations that have occurred throughout history; d) comparing opinions between ordinary people, educated, and bureaucrats. Data analysis includes the stage of selecting a problem, summarizing the problem, collecting data, analyzing the data, and writing the results (including drawing conclusions at the end of the analysis). The results of the study showed that empowerment was carried out in the Batu Kriya community agents through the socialization process. The stone craft socialization process includes the preparation stage, namely the introduction of knowledge about materials, equipment, and techniques; the stage of imitating through the practice of making stone crafts under the direction of experts (expert craftsmen); the stage of acting through working together with skilled craftsmen (nyantrik); and the stage of acceptance of collective norms that occur when the crafters make stone carving activities as a profession. The suggestion that the authors propose through this research is that coaching in advancing traditional arts must be based on joint commitment through crafters and the public as well as participants or communities so as to create independence and prosperity for them.
The Symbolic Meaning and Cultural Ethics Values in Pagar Pengantin Dance Movements Kartikasari, Aprilia; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35950

Abstract

The Pagar Pengantin dance is one of the South Sumatra's traditional works of art, it was created based on the spirit of the Komering tribe and developed in Palembang. The Pagar Pengantin dance is one form of art that is widely used by the local community that presented during the the traditional wedding ceremony which has the symbolic meaning of the bride's separation from her family and requests permission to form a new family. The purpose of this study is to analyze the symbolic meaning and cultural ethical values ​​in the Pagar Pengantin dance moves. This is case study that used a qualitative method. The data were collected by observation, interview and document study. The results of the study provide knowledge and references about the symbolic meanings and values ​​of cultural ethics in the Pagar Pengantin dance moves. In particular, this findings are (1) the symbolic meaning of the Pagar Pengantin dance moves is the request of the bride's permission to start a new life as in the respect gesture associated with the symbolic meaning of respect. The flower motion symbolizes the bride, the united motion means the union of two families. (2) The value of local cultural ethics in the Pagar Pengantin dance movement shows forms of behavior that lead to goodness in social life such as the ethical values ​​of politeness and positive thinking, humility, caution, and the affection value.
Palembang Songket Fabric Visual Motif Wijayanti, Fitri; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36035

Abstract

Palembang songket fabric visually has various aesthetic forms that are always changing, but always maintain the value of local wisdom. The purpose of this study was to analyze the visual motifs of the Palembang Songket fabric. The method used is a qualitative method with a phenomenological research design. Data collection techniques include observation, interview and document study. The validity of the data in this study uses triangulation, while the data analysis procedure is carried out by collecting data, reducing, presenting, and drawing conclusions. This study was analyzed using De Witt H. Parker's aesthetic theory. The results showed that Palembang Songket visually contained two forms of visual classical motifs and modern visual motifs. Visual classical motifs have characteristics; (1) animal and tumpal motifs, (2) material used is silk thread and gold-plated thread, (3) the colors used are predominantly dark red and gold. While modern visual motifs have characteristics, (1) motifs are more on plants and geometric but do not leave tumapal motifs, (2) materials used are silk thread and copper-coated silk thread, (3) colors used are more diverse, like red, pink, blue, green, and purple. Specifically, the subject of this research was the visual motifs of Palembang's Songket fabric, which experienced continuous visual changes in motifs.
The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity Chaniago, Efriyeni; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i1.39732

Abstract

BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.
The Cultural Messages of Pyramid House in Palembang Bungsu, Ario; Triyanto, Triyanto; Rohendi Rohidi, Tjetjep
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45644

Abstract

Abstract Pyramid House in Palembang is one of the works of art that is still very interesting to be researched today. The problem raised in this study aims to analyze the cultural message of the Pyramid House in Palembang. The method used is a qualitative method with a case study research design. The data collection techniques include observation, interviews, and document study. The results showed that in the manufacture of the Pyramid house, the main construction of traditional buildings used wood construction and a stilt system. The foundation used the construction of piles, the walls used boards, the roof used a leaf or shingle roof. The core parts consisted of the roof of the house, the door, the window, the stairs, and the floor of the house. In general, the typical architectural form of the Pyramid House, namely, the roof was shaped like a severed pyramid. Besides, the uniqueness of the house located in its multi-storey shape (kijing) and the walls were made of wood shaped like planks. Then related to the house name Pyramid, it contained two special meanings, namely, Five and Gold. The word five means the number five, while gold means the precious metal of great value. This is also a symbol of the function of the Pyramid house.
Co-Authors Abdul Karim Aminuyati Bungsu, Ario Casta, Casta Chaniago, Efriyeni Djuli Djatiprambudi Fitri Wijayanti Hari Pramono, Koko Istanto, Riza Iswidayati, Iswidayati Kartikasari, Aprilia Sony Kartika, Dharsono Totok Sumaryanto F., Totok