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All Journal Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok MANDARINABLE: Journal of Chinese Studies TELL - US JOURNAL Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Wuryandari, Nurni Wahyu
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Study on the documents of Java in Siku Quanshu; Historical knowledge and historians' point of view Wuryandari, Nurni Wahyu
Wacana, Journal of the Humanities of Indonesia Vol. 15, No. 1
Publisher : UI Scholars Hub

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Abstract

The dissertation discusses various documents on Java collected in Siku Quanshu (Complete Library of Four Treasures). The documents used as the sources of this study are the ones with complete pictures and strong narration on Javanese recorded from Han Dynasty (206 bc-220 ad) to Ming Dynasty (1364-1644) in order to reveal what kind of historical knowledge or historical information is delivered by Chinese historians in general and what kind of point of view is used by historians to deliver the notes about Java. Through analytical reading, the readers will find that historians paid attention to three issues: the relationship between China and Java, the condition of Javanese kingdoms and their culture, and the Java land natural resources. People of China regard their country as an ancient country with long history of remarkable civilization which located in the centre of the world. The awareness of how important is their country, indirectly influences the historians' points of views. The texts analyzed indirectly prove that some areas on Java are culturally left behind and the countries beyond China, including Java, are the barbaric ones obliging their people to submit or pay tributes to the Kingdoms of China.
THE DESTRUCTION OF FAMILY INSTITUTION IN THE FILM Coming Home（归来 Guilai）by Zhang Yimou（张艺谋） Wuryandari, Nurni Wahyu; Ashari, Sonia
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

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The film Coming Home（归来 Guilai）tells a story about a prisoner, Lu Yanshi, returning home. He returns home twice. Firstly, he returns home by escaping prison because he misses his family. Secondly, Lu comes home after receiving a notice of rehabilitation from the Government. Neither of his coming home makes him happy. He finds his family unable to be whole as it used to be. How did the destruction of Lu Yanshi family happen, and what are the reasons? To answer this question, the film was examined in three ways, by discussing the setting of the story, by revealing the characters and the characterizations in the film, and by uncovering how the story of Guilai was told. These three ways may expose the main story of the film and can help us understand Lu family’s suffering. Essentially, the film was dissected using intrinsic approach; meanwhile, the story and the dialogues presented in the movie would be interpreted to reveal meanings. The findings of the research suggest that the condition suffered by Lu Yanshi family is caused by the policy implemented during Cultural Revolution. Even though the Cultural Revolution is over, Lu Yanshi family cannot be whole and happy as it was before the Cultural Revolution in China.
RECONTEXTUALIZATION OF SUN WUKONG’S HEROISM IN THE MONKEY KING FILM TRILOGY 2014–2018 Wulandari, Adi Kristina; Budiman, Manneke; Wuryandari, Nurni Wahyu; Rusdiarti, Suma Riella
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction of Sun Wukong’s heroic journey and his hybridity visualization that is closely related to his transformation from an archetypal hero who represents the principle of the “Three Teachings in One” to a modern superhero who represents social and individual values in the “Twelve Core Values of Chinese Socialism”. Through the archetypal theme of the journey, hybridity visualization, and a set of values associated with Sun Wukong, this article tries to analyze the transformation of his heroism from a classic hero into a modern superhero. The re-contextualization of this transformation to the contemporary China’s situation reflects the spirit of China today and its long journey from traditionalism to modernity.
CHARACTER TRANSFORMATION IN THE GAME MOBILE LEGENDS: BANG BANG! (MLBB) AND ITS IMPACT Irwanto, Benediktus Rengga; Wuryandari, Nurni Wahyu
Bambuti Vol 5 No 2 (2023): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v5i2.84

Abstract

Chinese culture thrives on a lot of popular culture including gaming. One of the games that contain Chinese culture is Mobile Legends: Bang Bang! or MLBB, developed by Moonton as the developer company from Shanghai. Moonton elevates Chinese culture in MLBB through hero characters that gamers can choose from. There are 11 hero characters with Chinese culture, including the hero characters Chang'e, Sun, and Zilong who have the highest popularity. The three hero characters are based on mythical, literature and historical characters related to China, namely: (1) the mythical figure Chang'e as the hero character Chang'e, (2) the literature figure Sun Wukong as Sun, and (3) the historical character Zhao Yun as the hero character Zilong. The hero characters have undergone transformation from the name to the story background so there are differences from the figures. This transformation aims to be an adjustment to the game conceptualization as well as a marketing strategy to attract the players’ attention. This research will examine the figures’ transformation into selected MLBB hero characters (Chang'e, Sun, and Zilong), and it is concluded that the transformations made by the developers not only attract the players’ attention, but also eventually became MLBB's strategy to develop the market.
RURAL POVERTY AND ITS IMPACT IN SHEN CONGWEN’S SHORT STORY THE HUSBAND Wahyuningsih, Ekawati Tyas; Wuryandari, Nurni Wahyu
International Review of Humanities Studies Vol. 6, No. 3
Publisher : UI Scholars Hub

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Shen Congwen (1902-1988) is a modern Chinese author and poet who is known for his native-soil literature (xiangtu wenxue). The short story The Husband (Zhangfu, 1930) is one of his works in native-soil literature. It tells a story about the character “Husband” who lived as a peasant in the barren and poor Huang Village. Like other husbands in the village, he sent his wife to work in the city to improve the family finances. At the end of the story, the character “Husband” decided to take his wife home to the village after he witnessed firsthand the life in the city and how his wife worked. This study examines how Shen Congwen discussed rural poverty and its impact on Huang Village. This study uses an intrinsic approach that focuses on the description of the social situation and the characterization presented by Shen in the short story. It is then strengthened with the description of the social condition happening in China outside of the literary works. The study finds that the main problem that caused the husbands to send their wives to work in the city is poverty and their desire to improve family finances. The root cause of the poverty is the barren village land and the tax to be paid by the villagers for the upper class. Shen sympathized with the villagers by telling the story of “Husband” and the events happening in the short story to reveal the disarray in 1930’s China.
Transformasi Legenda Klasik Tiongkok dalam Film Animasi Modern White Snake: The Origin Báishé: Yuánqǐ (2019) Larasati, Tarisha Tendri; Wuryandari, Nurni Wahyu; Wulandari, Adi Kristina
Bambuti Vol 7 No 1 (2025): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v7i1.168

Abstract

Film White Snake: The Origin (2019) merupakan film animasi yang diadaptasi dari legenda klasik Tiongkok karya Feng Menglong. Dalam proses adaptasinya, sutradara menyajikan berbagai transformasi pada aspek tokoh, pengubahan cerita, dan latar. Transformasi tersebut berhasil memperkenalkan kebudayaan Tiongkok serta meraih keuntungan komersial. Signifikansi penelitian ini dalam ranah studi sastra dan film memperlihatkan bahwa kekayaan sastra klasik merupakan sumber yang dapat terus dieksplorasi untuk mendukung kesuksesan industri animasi di Tiongkok.
The Characters’ Efforts to Save Face in Zhao Xin’s Short Story 剃脑袋 Tì Nǎodai (Skull Shave) Octavia, Adeline Sondang; Wuryandari, Nurni Wahyu
Mandarinable: Journal of Chinese Studies Vol. 4 No. 2 (2025): MANDARINABLE: Journal of Chinese Studies
Publisher : Published by Confucius Institute UNS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/mandarinable.v4i2.2592

Abstract

The short story Skull Shave (剃脑袋 Tì Nǎodai) by Zhao Xin (2012) narrates the experience of the character “I”, an eight-year-old boy named Er Xiao, who fears having his hair shaved. The story focuses on the interactions among three main characters: Er Xiao, his father, and Uncle Qingshui, the barber, which closely relate to the concept of face, self-image, shame, prestige, and social honor in Chinese culture. This research aims to explore how these three characters attempt to save face and how their efforts impact their interactions, reflecting the social and cultural values of Chinese society. Using both intrinsic and extrinsic approaches, the analysis focuses on the characters’ actions, dialogues, and attitudes in the story, as well as the cultural significance of face in Chinese sociocultural contexts. The findings indicate that the characters’ efforts to maintain face affect their relationships and convey a moral message on the importance of preserving harmony in social relations. The story also highlights Zhao Xin’s perceptiveness in capturing rural life, particularly through a child’s perspective. Through its simple narrative, the short story is able to elevate the social and cultural realities of Chinese society into a literary work.  
ZHANG YIXING'S RESISTANCE AND SELF-PROOF THROUGH THE SONG “LIT” IN THE MUSIC VIDEO “LIT” (2020) Wuryandari, Nurni Wahyu; Budianto, Minah Febriani; Anindya, Alika Raissa
TELL - US JOURNAL Vol 12, No 1 (2026)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/tus.2026.v12i1.10699

Abstract

Lit (or 莲 Lian or “Lotus”) is a music video created by Zhang Yixing (also known as Lay), a vocalist, songwriter, and member of EXO, a group under SM Entertainment since 2012. Eight years after his debut, Zhang released a solo album entitled “Lit”, which successfully set a new record in China, and in the same year, founded Chromosome Entertainment, his own agency based in Beijing. In 2022, Zhang terminated his contract with SM Ent. This article will reveal Zhang's efforts to resist and rise through “Lit”. Zhang's way of presenting resistance is carried out through at least three aspects, by raising a great Chinese historical figure who once lived in the past as a representation of himself, displaying the image of a lotus as a symbol of resurrection, and also creating lyrics that show resistance and proof of his existence. From the study of these aspects and also referring to the positive public response, it can be concluded that Zhang is trying to show his success as a singer who is able to gain quite a large fan base, as well as proving that he is able to rise from the difficulties during his career under SM Entertainment.
Co-Authors Anindya, Alika Raissa Ashari, Sonia Budianto, Minah Febriani Irwanto, Benediktus Rengga Larasati, Tarisha Tendri Manneke Budiman Octavia, Adeline Sondang Rusdiarti, Suma Riella Wahyuningsih, Ekawati Tyas Wulandari, Adi Kristina