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All Journal Dinasti International Journal of Education Management and Social Science Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok Paradigma: Jurnal Kajian Budaya International Review of Humanities Studies Multikultura
Wulandari, Adi Kristina
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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RECONTEXTUALIZATION OF SUN WUKONG’S HEROISM IN THE MONKEY KING FILM TRILOGY 2014–2018 Wulandari, Adi Kristina; Budiman, Manneke; Wuryandari, Nurni Wahyu; Rusdiarti, Suma Riella
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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Abstract

The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction of Sun Wukong’s heroic journey and his hybridity visualization that is closely related to his transformation from an archetypal hero who represents the principle of the “Three Teachings in One” to a modern superhero who represents social and individual values in the “Twelve Core Values of Chinese Socialism”. Through the archetypal theme of the journey, hybridity visualization, and a set of values associated with Sun Wukong, this article tries to analyze the transformation of his heroism from a classic hero into a modern superhero. The re-contextualization of this transformation to the contemporary China’s situation reflects the spirit of China today and its long journey from traditionalism to modernity.
THE STRATEGY OF FEATURING THE GAME HONOR OF KINGS THROUGH CHARACTERIZATION IN THE DRAMA SERIES YOU ARE MY GLORY (2021) Homario, Bella; Wulandari, Adi Kristina
International Review of Humanities Studies Vol. 9, No. 2
Publisher : UI Scholars Hub

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Abstract

The drama series You Are My Glory (Nǐ shì wǒ de róngyào你是我的荣耀), directed by Wang Zhi (王之), aired in 2021 and consists of 32 episodes. This research focuses on the first 14 episodes, which showcase the popularity of the game Honor of Kings-HoK (Wángzhě róngyào王者荣耀) through the interactions and dialogue between the two main characters, Yu Tu (于途) and Qiao Jingjing (乔晶晶). The integration of the popular online game HoK with the drama, starring top actors and actresses, represents a novel strategy that warrants further study. The analysis is conducted intrinsically by examining the characterizations of the two main characters in You Are My Glory and extrinsically by describing the social realities of urban Chinese society. This research finds that the portrayal of the HoK game's popularity through the interactions and dialogue between the main characters reflects contemporary conditions in China. Key findings include: the online game HoK is immensely popular among young urban Chinese; the game's popularity illustrates the advancement of information technology in China; Depicting the popularity of HoK through character interactions is a strategic element contributing to the success of the drama series You Are My Glory. This strategy of combining the online game HoK with the drama series aligns with the core goals of the Two Centenaries (Liǎng gè yībǎi nián 两个一百年) and the themes in Xi Jinping's speeches. It represents a new approach by China to bolster local cultural development and extend its soft cultural power globally.
PRINSIP HARMONI (Héxié) PADA PENOKOHAN LI YUNXIANG DALAM FILM NE ZHA REBORN (Xīnshén bǎng: Nǎ zhā chóngshēng) KARYA ZHAO JI Oktaviyanti, Chika Asri; Wulandari, Adi Kristina; Hadi, Rahadjeng Pulungsari
Multikultura Vol. 2, No. 4
Publisher : UI Scholars Hub

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Film New Gods: Ne Zha Reborn (Xīnshén bǎng: Nǎ zhā chóngshēng新神榜：哪吒重生) adalah film animasi fantasi yang dirilis pada 12 Februari 2021, disutradarai Zhao Ji (赵霁). Film ini menceritakan tokoh Li Yunxiang yang merupakan sosok kelahiran kembali Ne Zha di masa modern dalam melawan musuhnya yaitu Klan Naga Laut Timur. Ne Zha adalah salah satu dewa dalam mitologi Cina yang ceritanya terdapat dalam novel zaman Dinasti Ming (1368-1644) berjudul Investiture of The Gods (Fēng shén yǎnyì封神演義). Penelitian ini bertujuan membaca representasi prinsip Harmoni (Héxié和谐) dalam konsep Yin-Yang melalui karakterisasi tokoh Li Yunxiang. Metode yang digunakan dalam penelitian adalah metode kualitatif. Hasil penelitian menunjukkan bahwa Li Yunxiang sebagai kelahiran kembali dari Ne Zha tidak hanya memiliki karakter negatif namun juga karakter positif. Representasi prinsip Harmoni melalui karakterisasi tokoh Li Yunxiang menjadi strategi perfilman Cina dalam memodernisasi tokoh protagonis, yang tidak hanya disesuaikan dengan perkembangan zaman, tetapi juga tetap mempertahankan prinsip nilai khas Cina.
Transformasi Legenda Klasik Tiongkok dalam Film Animasi Modern White Snake: The Origin Báishé: Yuánqǐ (2019) Larasati, Tarisha Tendri; Wuryandari, Nurni Wahyu; Wulandari, Adi Kristina
Bambuti Vol 7 No 1 (2025): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v7i1.168

Abstract

Film White Snake: The Origin (2019) merupakan film animasi yang diadaptasi dari legenda klasik Tiongkok karya Feng Menglong. Dalam proses adaptasinya, sutradara menyajikan berbagai transformasi pada aspek tokoh, pengubahan cerita, dan latar. Transformasi tersebut berhasil memperkenalkan kebudayaan Tiongkok serta meraih keuntungan komersial. Signifikansi penelitian ini dalam ranah studi sastra dan film memperlihatkan bahwa kekayaan sastra klasik merupakan sumber yang dapat terus dieksplorasi untuk mendukung kesuksesan industri animasi di Tiongkok.
Kimbap as a Postcolonial Arena: Culinary Contestation and the Repositioning of Korean Cultural Identity towards Japan Widiantoro, Faris Asyraf; Wulandari, Adi Kristina
Dinasti International Journal of Education Management And Social Science Vol. 6 No. 6 (2025): Dinasti International Journal of Education Management and Social Science (Augus
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijemss.v6i6.4933

Abstract

The Hallyu phenomenon has increased global interest in Korean cuisine, including kimbap. However, the history of kimbap raises debates over its origins, whether it is a Joseon tradition (Bokssam) or an adaptation of Japanese sushi during the colonial period. This article analyzes how kimbap became a symbol of resistance to the repositioning of postcolonial Korean cultural identity. Using a qualitative method with a literature review, this study shows that South Korea's attempt to separate kimbap from sushi is a cultural strategy to assert autonomy and uniqueness. Kimbap functions as a "symbolic resistance" to Japanese culinary heritage, with Korea creating a narrative of authenticity. This analysis is supported by Stuart Hall's theory of identity that views identity as a fluid entity shaped by historical and cultural relations, as well as Homi Bhabha's concepts of hybridity and "Third Space" that explain the negotiation of new identities amid colonial influence. Kimbap becomes a dynamic manifestation
Co-Authors Hadi, Rahadjeng Pulungsari Homario, Bella Larasati, Tarisha Tendri Manneke Budiman Oktaviyanti, Chika Asri Rusdiarti, Suma Riella Widiantoro, Faris Asyraf Wuryandari, Nurni Wahyu