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All Journal Jurnal Pendidikan Karakter Journal of Indonesian Social Sciences and Humanities Paradigma: Jurnal Kajian Budaya Wacana, Journal of the Humanities of Indonesia International Review of Humanities Studies
Manneke Budiman
Faculty Of Humanities, University Of Indonesia
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

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MENINJAU KEMBALI HUBUNGAN ANTARA SASTRA DAN BUDI PEKERTI Budiman, Manneke
Jurnal Pendidikan Karakter Vol. 3, No. 2 (2012)
Publisher : LPPM Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (118.874 KB) | DOI: 10.21831/jpk.v0i2.1298

Abstract

Abstrak: Hubungan sastra dan budi pekerti telah lama ramai diperbincangkan orang. Ada tuntutan dalam masyarakat bahwa sastra haruslah dapat menjadi sarana pembelajaran moral dan pekerti untuk dapat dinilai sebagai karya sastra yang baik.Timbulnya banyak hujatan pada sejumlah karya sastra, baik di dalam negeri maupun dalam sejarah kesusastraan berbagai bangsa di dunia, mengukuhkan asumsi bahwa sastra yang baik adalah sastra yang diabdikan pada pendidikan moral.Tulisan ini menyoroti berbagai asumsi tersebut dengan memperlihatkan bahwa banyak karya besar dunia justru menggugat hubungan linear dan positif antara sastra dan pendidikan budi pekerti. Tulisan ini juga berargumen bahwa sastra terkadang justru berperan sebagai instrumen untuk menggugat superioritas nilai-nilai moral tertentu, serta menawarkan cara lain untuk memahami wujud hubungan antara sastra dan moralitas. Lewat sejumlah telaah atas karya-karya sastra Indonesia dan dunia, seperti sastra Jerman, dibahas kondisi hubugan antara sastra dan moralitas di Indonesia. Kesimpulan akhir yang diajukan adalah diperlukan perspektif alternatif untuk memahami kembali bentuk-bentuk relasi yang lebih setara antara sastra dan budi pekerti, sehingga sastra bisa ditempatkan secara proporsional dalam kapasitasnya sebagai agen sosialisasi moral ataupun agen perubahan moral. Kata Kunci: pembelajaran moral, sastra Indonesia, sastra dunia, sastra Jerman, hubungan sastra dan budi pekerti
Treading the Path of the Sharia: Indonesian Feminism at the Crossroads of Western Modernity and Islamism Manneke Budiman
Journal of Indonesian Social Sciences and Humanities Vol 1 (2008): Special Issue: Ten Years Reformasi
Publisher : Deputy of Social Sciences and Humanities, the Indonesia Institute of Sciences (LIPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (566.491 KB) | DOI: 10.14203/jissh.v1i1.5

Abstract

The downfall of Suhartos New Order in 1998 has opened up a new era of political freedom and participation for activists and for groups that try to promote emancipatory agendas as well as for political Islamists keen on introducing tougher conservative, religious measures to society. Womens activism and participation in different sectors has flourished, and their voices have had much stronger echoes in the political dynamics of the country. However, the new era has also given rise to Islamic radicalism that is also hostile to feminist causes and perceives feminism as part of the Western hegemonic project. In such a slippery political terrain, womens movements in Indonesia have to remake the image of feminism in Indonesian terms so that it cannot be dismissed as an ideology imported from the West and, simultaneously, they must develop a home-grown counter-discourse against the mainstream interpretation of sacred texts by using the same sources of knowledge that the Islamists employ. To what extent women activists have succeeded or failed in their struggles to free Indonesian Muslim women from the shackles of the male-dominated reading of Islamic dogma, and what the future trajectories of their struggles might be, are the primary concerns of this essay.
Ethnicity and the performance of identity Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 13, No. 2
Publisher : UI Scholars Hub

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This essay looks into the novels of two Indonesian women writers, Perempuan Kembang Jepun (Lan Fang 2009) and Dimsum terakhir (Clara Ng 2006), which depict the struggles of the major female characters in negotiating their "hybrid" identities amidst the pulls from various opposing forces that try to impose and define their identities. Both works were published in the post-New Order Indonesia, where identity politics seems to dominate the political and cultural realms. Both Lan Fang and Clara Ng try to problematize the rigid and monolithic sense of cultural identity that had been inculcated by the previous regime through its aggressive assimilation policy and imposition of the state ideology of unity. The essay aims at examining different strategies employed by both authors in redefining identity through approaches that see identity as a fluid, non-essentialist, and on-going process rather than a given entity or label that can be simply inscribed on individuals.
Membaca ideologi dalam budaya Irmayanti Meliono-Budianto. Ideologi Budaya (Jakarta: Kota Kita, 2004), viii + 157 halaman. Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 7, No. 2
Publisher : UI Scholars Hub

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Jatidiri Budaya dalam Proses "Nation-Building" di Indonesia; Mengubah Kendala Menjadi Aset Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 1, No. 1
Publisher : UI Scholars Hub

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Reclaiming women’s space Budiman, Manneke; Budianta, Melani
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 1
Publisher : UI Scholars Hub

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MUSLIM DIASPORIC IDENTITIES IN KAMILA SHAMSIE’S HOME FIRE (2017) Rivaldy, Padel Muhamad Rallie; Budiman, Manneke; Tambunan, Shuri M. Gietty
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

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Beside accepted with surprise across the world, the winning of Brexit referendum also brings up the tangled web into the United Kingdom’s political and cultural realms. Recent studies mention there is correlation between the voting behavior and issues of identity, immigration, and Islamophobia. Kamila Shamsie alludes these issues in her latest novel, Home Fire (2017). By focusing on three main protagonists, this close-textual analysis examines how Pakistani diasporic community construct their identities within the novel. To support the analysis, this article draws upon Hall’s identity theory (1990) and Bhabha’s Unhomely (1992). Research findings show how Shamsie’s novel represents heterogeneity within Pakistani Muslims diasporic identities, rather than frame them within single collective identity. Therefore, the novel criticizes Eurocentric biases point of view by portraying Muslim female protagonists’ fluid identities while defending their Muslimness by using veil and praying to God. On the other hand, the novel maintains established stereotype by drawing Muslim male protagonist’s affiliation with Daesh as representation of radical group to problematize the notion of radicalism.
RECONTEXTUALIZATION OF SUN WUKONG’S HEROISM IN THE MONKEY KING FILM TRILOGY 2014–2018 Wulandari, Adi Kristina; Budiman, Manneke; Wuryandari, Nurni Wahyu; Rusdiarti, Suma Riella
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction of Sun Wukong’s heroic journey and his hybridity visualization that is closely related to his transformation from an archetypal hero who represents the principle of the “Three Teachings in One” to a modern superhero who represents social and individual values in the “Twelve Core Values of Chinese Socialism”. Through the archetypal theme of the journey, hybridity visualization, and a set of values associated with Sun Wukong, this article tries to analyze the transformation of his heroism from a classic hero into a modern superhero. The re-contextualization of this transformation to the contemporary China’s situation reflects the spirit of China today and its long journey from traditionalism to modernity.
SOCIAL CAPITAL AND MOBILITY OF STARLING MADURA COFFEE TRADERS IN JAKARTA Priana, Yeni; Budiman, Manneke
International Review of Humanities Studies
Publisher : UI Scholars Hub

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This study aims to generate knowledge about the social capital underlying the resilience of Starling Madura coffee traders in Jakarta. The idea that underlies this analysis is Bourdieu's social capital theory, in which social capital formed through networks is able to provide independence in overcoming social and economic problems. In addition to social capital, mobility strategies are utilized as opportunities by Starling Madura coffee traders in an effort to survive sustainably in the context of the informal economic order in Jakarta. This study provides data and analysis that strengthen the idea that Starling Madura coffee traders adopt distinctive social capital and mobility strategies so that they have a competitive advantage and resilience in the informal economy arena in Jakarta. The study findings reveal three main elements that complement each other as the social capital of Starling Madura coffee traders to survive in the dynamics of the itinerant coffee trade in Jakarta, namely the ability to build networks, the innate culture of Madurese ethnicity, and mobility strategies as temporary migrants and mobility in public spaces.
Co-Authors Budianta, Melani Padel Muhamad Rallie Rivaldy Priana, Yeni Rusdiarti, Suma Riella Shuri Mariasih Gietty Tambunan Shuri Mariasih Gietty Tambunan Tambunan, Shuri M. Gietty Wulandari, Adi Kristina Wuryandari, Nurni Wahyu