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All Journal Jurnal Pendidikan dan Kajian Seni Panggung Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Greget Jurnal Seni Makalangan Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Panggung
Azizah, Farah Nurul
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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NATYA GANDES: INOVASI REPERTOAR JAIPONGAN KEMASAN SENI WISATA: Indonesia Nuriawati, Risa; Azizah, Farah Nurul
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 1 (2025): PRESENTASI INOVASI ESTETIS, FUNGSI, DAN PEMBELAJARAN TARI
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v25i1.7272

Abstract

The Natya Gandes dance is an innovative Jaipongan repertoire specifically created to cater to the demands of tourism-oriented performances in West Java. Developed through a practice-based research approach, this work preserves the essential structural components of traditional Jaipongan—bukaan, pencugan, nibakeun, and mincid. To appeal to a broader and more contemporary audience, Natya Gandes incorporates modern elements, including Zumba-inspired movements and digitally arranged traditional music. The title Natya Gandes symbolizes a graceful, energetic, and skilled female figure, reflecting the choreography’s expressive, interactive, and dynamic character. This article focuses on examining the conceptual framework underlying the choreography of Natya Gandes, offering a detailed analysis of its key components: movement vocabulary, spatial design, musical accompaniment, title and theme, genre and stylistic nature, performance method, number and gender of dancers, as well as makeup, costuming, and lighting. Ultimately, this choreographic innovation aims to enrich the traditional performing arts repertoire while simultaneously enhancing the appeal of West Javanese cultural heritage within the tourism sector.
DINAMIKA ESTETIK TARI TOPENG KLANA GANDRUNG: TRANSFORMASI GAYA MIMI RASINAH SEBAGAI UPAYA REGENERASI Nanan Supriyatna; Farah Nurul Azizah
Greget: Jurnal Kreativitas dan Studi Tari Vol. 25 No. 1 (2026): METODE KEKARYAAN TARI TERBUKA UNTUK PERUBAHAN
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v25i1.8384

Abstract

The Klana Gandrung Mask Dance is an integral part of the Indramayu Mask Dance repertoire, which persists today due to the role of dalang topeng as cultural agents. In the context of Indramayu Mask Dance, Mimi Rasinah, a maestro of the Pekandangan style, has had a fundamental influence on the characteristics of this dance. Currently, the artistic mantle has been passed down to her granddaughter, Aerli, as a strategic step in maintaining the continuity of the tradition. Despite being within the same lineage, there are choreographic discrepancies in the Klana Gandrung Mask Dance between the eras of Mimi Rasinah and Aerli. This phenomenon indicates an aesthetic transformation influenced by the dancer's personal style and adaptation to contemporary demands within its supporting environment. This study aims to analyze the transformation of the Klana Gandrung dance structure, which characterizes each dancer, while documenting the efforts toward artistic regeneration in Indramayu. The findings are expected to contribute to the development of arts teaching materials, choreographic innovation, and cultural archiving. This research employs a qualitative method with an ethnographic approach. Data were collected through field observations in Pekandangan, in-depth interviews, and documentation studies. The analysis of choreographic structural transformation is examined through Anthony Giddens’ Structuration Theory, focusing on the agent's actions in modifying pre-existing dance structures. Additionally, Laban Movement Analysis (LMA) is utilized as a technical analytical tool to identify detailed changes in movement forms across the two generations of dancers. The research findings suggest that the heir's creative treatment represents a negotiation between tradition and contemporary stage demands, ultimately enriching the aesthetic treasury of the Pekandangan Mask Dance.
Co-Authors Ai Mulyani Az-zahra Khairunnisa Desya Noviansya Suherman Hera Harfianti Herly Merliana Ikhwan Kamaluddin Kamal Khairunnisa, Az-zahra Lilis Sumiati Lilis Sumiati, Lilis Nanan Supriyatna Nunung Nurasih Pramutomo Pramutomo Rani Tiara FL Riquelme Pasha Mauri Risa Nuriawati Siti Faridah Azizah Turyati, Turyati