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All Journal Acintya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Journal of Oral Health Care Cendikia Pendidikan
ahmadi, Agus
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Journal : Acintya

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KRIYA KULIT KREATIF PENGEMBANGAN WAYANG KULIT PURWA Ahmadi, Agus
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2776.748 KB) | DOI: 10.33153/acy.v8i1.1907

Abstract

Creativity is the ability to create something, which always develops in a person, including of crafts works and puppet. The study purposes were reviewed and data analyzed on: the creativity in the craft work, the diversity of puppet craft creations, design the creative puppet development and explain various examples of leather craft works on Purwa puppet development. The study method was adopted qualitative research character. The data analysis was used qualitative reasoning and iconography comparison. From the research results can be formulated the notion of creativity and creative craft creation. In practice of leather craft creation was required of art workmanship foundation, the datasource for exploration, and work practices methods. The diversity of the puppet art in Indonesia it can be noted that there are 55 types of puppets, which are mostly found in Java, and the most popular, widespread, and most of characters forms is the Purwa puppet. In the puppets creation was throughthe process of drawing, pattern or mbabon, inlaid, painting, and finishing. Subsequently reported the form of various creations of leather craft-themed puppet with an explanation, which including of the creation of puppets development for performances, works of leather craft was developed from Purwapuppet element, some new creations puppets, puppet crafts for wall hangings, decorativelighting and puppets patterned shutter, and leather puppets craft for souvenirs.Keywords: puppets, creative, crafts, diversity.
POLA, TATAHAN DAN SUNGGINGAN BONEKA WAYANG KULIT DAGELAN GAYA SURAKARTA DAN YOGYAKARTA SERTA KREASI PENGEMBANGANNYA Ahmadi, Agus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2775.001 KB) | DOI: 10.33153/acy.v7i1.1985

Abstract

The choice of clown (painting) puppet as the object of research is because of its simple and funny shape. This simple shape of puppet is very appropriate for a reference in making the pattern, inlaying and painting of the leather puppet for the beginner. Clown leather puppet /panakawanis a typical thing in Indonesia and it cannot be found in Indian where the original story comes from. The objectives of research are: to classify and to elaborate the inlay pattern/shape, size and motive applied to the clown puppet group; to explain the process and result of painting applied to Surakarta and Yogyakarta styles of clown puppet; as well as to express the clown puppet development creation. The research method used in this current study is a qualitative research method so that the research process is conducted in cycle, with repeatedly, ongoing or sustainable data collection activity. The result of research shows that the clown puppet group could be divided into 5 types consisting of 13 puppet characters in which each character of clown puppet is given puppet pattern example, inlay motiveshapes, and painting manifestation, in both Surakarta and Yogyakarta styles. The pattern and in lay of clown leather puppet group is much different from that of other leather puppet group. The difference is that the pattern and inlay of clown leather puppet group are simpler than that of jangkahan or bokongan puppet group. The unity of inlay and painting has been seen clearly in the painting inlay shape that becomes an overlapping decoration.Inlay is the border of painting motive and painting is the filler/color of inlay motive.Keywords: clown, leather puppet, creation.
KRIYA KULIT KREATIF PENGEMBANGAN WAYANG KULIT PURWA Ahmadi, Agus
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1907

Abstract

Creativity is the ability to create something, which always develops in a person, including of crafts works and puppet. The study purposes were reviewed and data analyzed on: the creativity in the craft work, the diversity of puppet craft creations, design the creative puppet development and explain various examples of leather craft works on Purwa puppet development. The study method was adopted qualitative research character. The data analysis was used qualitative reasoning and iconography comparison. From the research results can be formulated the notion of creativity and creative craft creation. In practice of leather craft creation was required of art workmanship foundation, the datasource for exploration, and work practices methods. The diversity of the puppet art in Indonesia it can be noted that there are 55 types of puppets, which are mostly found in Java, and the most popular, widespread, and most of characters forms is the Purwa puppet. In the puppets creation was throughthe process of drawing, pattern or mbabon, inlaid, painting, and finishing. Subsequently reported the form of various creations of leather craft-themed puppet with an explanation, which including of the creation of puppets development for performances, works of leather craft was developed from Purwapuppet element, some new creations puppets, puppet crafts for wall hangings, decorativelighting and puppets patterned shutter, and leather puppets craft for souvenirs.Keywords: puppets, creative, crafts, diversity.
POLA, TATAHAN DAN SUNGGINGAN BONEKA WAYANG KULIT DAGELAN GAYA SURAKARTA DAN YOGYAKARTA SERTA KREASI PENGEMBANGANNYA Ahmadi, Agus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v7i1.1985

Abstract

The choice of clown (painting) puppet as the object of research is because of its simple and funny shape. This simple shape of puppet is very appropriate for a reference in making the pattern, inlaying and painting of the leather puppet for the beginner. Clown leather puppet /panakawanis a typical thing in Indonesia and it cannot be found in Indian where the original story comes from. The objectives of research are: to classify and to elaborate the inlay pattern/shape, size and motive applied to the clown puppet group; to explain the process and result of painting applied to Surakarta and Yogyakarta styles of clown puppet; as well as to express the clown puppet development creation. The research method used in this current study is a qualitative research method so that the research process is conducted in cycle, with repeatedly, ongoing or sustainable data collection activity. The result of research shows that the clown puppet group could be divided into 5 types consisting of 13 puppet characters in which each character of clown puppet is given puppet pattern example, inlay motiveshapes, and painting manifestation, in both Surakarta and Yogyakarta styles. The pattern and in lay of clown leather puppet group is much different from that of other leather puppet group. The difference is that the pattern and inlay of clown leather puppet group are simpler than that of jangkahan or bokongan puppet group. The unity of inlay and painting has been seen clearly in the painting inlay shape that becomes an overlapping decoration.Inlay is the border of painting motive and painting is the filler/color of inlay motive.Keywords: clown, leather puppet, creation.
Co-Authors Ananda, Alvi Annisa Danik Iga Prasiska Khabib, Muhammad Mohammad Khafid Sabina, Nisma Inas Saeful Mizan, Saeful Sayekti, Devi Nirmala Muthia