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The Concept of Panutan in Governance Festival Lima Gunung in Magelang Central Java Indonesia Aswoyo, Joko; Sularso, Sularso
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.24818

This research is based on fieldwork at a Five Mountain Festival held in Magelang, Central Java, Indonesia. This festival presents performing arts in the regions of Mount Merapi, Merbabu, Andong, Menoreh, and Mount Sumbing. This study intends to explain the concept of panutan in festival governance. Modeling is a significant factor in keeping the Five Mountain Festival alive and sustainable. This study suspects that panutan are one of the guardians of the existence of the Five Mountain Festival. Issues discussed are related to how the panutan concept works, as well as knowing how the implications resulting from the use of the panutan concept in festival governance systems. This study uses qualitative methods with analytical descriptive analysis. Research data were collected through literature studies, documentation studies, interviews, and field observations. The results showed that panutan as organic intellectuals not only created new forms and processes of festival governance but also resulted in the achievement of the advancement of village culture.

Depiction of Culture in The Film Tenggelamnya Kapal Van Der Wijck Dewi, Puti Andam; Aswoyo, Joko; Putri, Eggy Triana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4126

This study aims to examine cultural values portrayed through the mise en scène in the film. One film explored for its cultural background is ‘Tenggelamnya Kapal Van Der Wijck', which showcases Minangkabau culture. This film is adapted from Buya Hamka's novel of the same title. The mise en scène elements played an important role in shaping the audience's understanding of the story, which was conveyed through the use of cultural elements such as houses, everyday clothes, and property. This study used a qualitative method of media text analysis and utilized a purposive sampling technique. The results show a distinct clothing gap between characters, indicating disparities within the Minang community, including the disadvantaged or lower middle class. This critique highlights the overlap in the depiction of Minangkabau culture in the film ‘Tenggelamnya Kapal Van Der Wijck’, examining it through the lens of mise-en-scène. Keywords: culture, film, Tenggelamnya Kapal Van Der Wijck

UPACARA RITUAL SURAN SEBAGAI SARANA PELESTARIAN KESENIAN DI DUSUN TUTUP NGISOR, DESA SUMBER, KECAMATAN DUKUN, KABUPATEN MAGELANG Aswoyo, Joko
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This research is dedicated to reveal cultural phenomenon of the Suran sacred ceremony at a model forthe art perpetuation at village Tutu Ngisor, Sumber, district Dukun in Magelang. Suran is derivedfrom the word Suro as the first month of Javanese calendar. Suro month is identical to Muhharammonth in Hijjrah calendar. In the common Javanese society, it is believed that in the first month ofSuro (midnight Suro) they will have introspection of their selfness of doing activities nepi (finding aplace for keeping silent), kungkum (stand still inside of the water) and lek lekan (stay awake until inthe morning) in certain places like the peak of mountain, the estuary of river (tempuran) or sacredcemeteries. In the village of Tutup Ngisor, Sumber, district Dukun, Magelang, Suran is held in themiddle of month which is from 13-15 in the full moon. Suran in the village of Tutup Ngisor, Sumberdistrict Dukun, Magelang is supported by the society that has blood bound in one region. Suran inthe village of Tutup Ngisor , Sumber, disctrict Dukun, Magelang is as one of the art perpetuationmodel held by a community. The concept belongs to protection prevention, developing and dynamicusage.Giving all attention to the sacred ceremony in the village of Tutup Ngisor, Sumber districtDukun, Magelang, we find some factors that create art perpetuation. The factors are geographic site,supported society, natural surroundings, the figure of Romo Yoso Soedarmo at the pioneer art workshop,the ceremony continuity, the influence from all people like artists, cultural artists, and the publicfigure.The perpetuation of art in the village of Tutup Ngisor, Sumber, district Dukun , Magelang has impactfor the creativity and quantity of art living in another village around the village Tutup Ngisor, Sumber,district Dukun, Magelang. This research uses grounded theory approach. Grounded theory approachemphasizes the examination of behavior so this research does not take from a certain theory but fromthe data result to get a theory even it does not take from the reduced variables from a theory. Furthermore,the grounded theory research does not have to get influence from literature because it will stopcreativity in collection, understanding and analyzing the data.Keywords: Suran, art perpetuation

Depiction of Culture in The Film Tenggelamnya Kapal Van Der Wijck Dewi, Puti Andam; Aswoyo, Joko; Putri, Eggy Triana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4126

This study aims to examine cultural values portrayed through the mise en scène in the film. One film explored for its cultural background is ‘Tenggelamnya Kapal Van Der Wijck', which showcases Minangkabau culture. This film is adapted from Buya Hamka's novel of the same title. The mise en scène elements played an important role in shaping the audience's understanding of the story, which was conveyed through the use of cultural elements such as houses, everyday clothes, and property. This study used a qualitative method of media text analysis and utilized a purposive sampling technique. The results show a distinct clothing gap between characters, indicating disparities within the Minang community, including the disadvantaged or lower middle class. This critique highlights the overlap in the depiction of Minangkabau culture in the film ‘Tenggelamnya Kapal Van Der Wijck’, examining it through the lens of mise-en-scène. Keywords: culture, film, Tenggelamnya Kapal Van Der Wijck

UPACARA RITUAL SURAN SEBAGAI SARANA PELESTARIAN KESENIAN DI DUSUN TUTUP NGISOR, DESA SUMBER, KECAMATAN DUKUN, KABUPATEN MAGELANG Aswoyo, Joko
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i1.189

This research is dedicated to reveal cultural phenomenon of the Suran sacred ceremony at a model forthe art perpetuation at village Tutu Ngisor, Sumber, district Dukun in Magelang. Suran is derivedfrom the word Suro as the first month of Javanese calendar. Suro month is identical to Muhharammonth in Hijjrah calendar. In the common Javanese society, it is believed that in the first month ofSuro (midnight Suro) they will have introspection of their selfness of doing activities nepi (finding aplace for keeping silent), kungkum (stand still inside of the water) and lek lekan (stay awake until inthe morning) in certain places like the peak of mountain, the estuary of river (tempuran) or sacredcemeteries. In the village of Tutup Ngisor, Sumber, district Dukun, Magelang, Suran is held in themiddle of month which is from 13-15 in the full moon. Suran in the village of Tutup Ngisor, Sumberdistrict Dukun, Magelang is supported by the society that has blood bound in one region. Suran inthe village of Tutup Ngisor , Sumber, disctrict Dukun, Magelang is as one of the art perpetuationmodel held by a community. The concept belongs to protection prevention, developing and dynamicusage.Giving all attention to the sacred ceremony in the village of Tutup Ngisor, Sumber districtDukun, Magelang, we find some factors that create art perpetuation. The factors are geographic site,supported society, natural surroundings, the figure of Romo Yoso Soedarmo at the pioneer art workshop,the ceremony continuity, the influence from all people like artists, cultural artists, and the publicfigure.The perpetuation of art in the village of Tutup Ngisor, Sumber, district Dukun , Magelang has impactfor the creativity and quantity of art living in another village around the village Tutup Ngisor, Sumber,district Dukun, Magelang. This research uses grounded theory approach. Grounded theory approachemphasizes the examination of behavior so this research does not take from a certain theory but fromthe data result to get a theory even it does not take from the reduced variables from a theory. Furthermore,the grounded theory research does not have to get influence from literature because it will stopcreativity in collection, understanding and analyzing the data.Keywords: Suran, art perpetuation

PERMAINAN DALAM KESENIAN LAESAN ANAK DI DESA BAJOMULYO KABUPATEN PATI Wardhani, Ade Nusri Fitria; Aswoyo, Joko
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4441

Penelitian ini berusaha untuk mendeskripsikan serta menjelaskan mengenai pentingnya mengenal permainan dalam sebuah pertunjukan kesenian laesan anak dan unsur-unsur yang ada dalam pertunjukannya. Metode yang digunakan dalam penelitian ini adalah metode penelitian deskriptif analisis yang menekankan pada observasi lapangan dengan menggali informasi dan gambaran sesuai fakta dan teknik pengumpulan data observasi, wawancara, studi pustaka dan studi dokumen. Hasil penelitian menganalisis permainan dalam sebuah pertunjukan yang menggunakan teori dari Johan Huizinga dan Desmita ini, dapat membedah setiap unsur masing-masing permainan yang meliputi : gerak tari, syair lagu masing-masing permainan, dan properti yang digunakan.

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