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All Journal Abdi Seni Acintya Greget Hanifiya: Jurnal Studi Agama-Agama
Kuncoro, Jonet Sri
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Religion Arts Humanities Social Sciences

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PENCIPTAAN TARI CALENGSAI KARYA RIANTO Saputri, Willia Dwi; Kuncoro, Jonet Sri
Greget : Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.4779

Abstract

The Calengsai Dance is a creative work born from the acronym of three cultural elements: Calung, Lengger, and Barongsai. This dance portrays the unique cultural journey between China and Banyumas, where the elements of Calung, Lengger, and Barongsai are crafted, developed, and acculturated into a harmonious unity. The result is the creation of a new dance work titled Calengsai Dance, which is performed in the Metamorphosis Lengger show. This dance is a form of development from the original work created by Sri Rahayu, which was further developed by Rianto. In its development process, Rianto added new elements such as Chinese singers, Barongan Banyumas, and dancers with buffalo heads known as pembarong. Through this innovation, the Calengsai Dance becomes not just a new creative dance but also a symbol of the acculturation of two great cultures, namely Javanese and Chinese. The presence of Calung Lengger, Barongsai, and Barongan Banyumas in this dance reflects a fusion of Banyumasan traditional movements, meticulously crafted by Rianto through processes of observation, exploration, experimentation, formation, and intensive training for the dancers. The final result of this process is a work of art that not only captivates aesthetically but is also rich in cultural values, embodying a dialogue between tradition and innovation in the contemporary dance scene of Indonesia.
PENCIPTAAN TARI INS SPESIAL BERSAMA ANAK TUNAGRAHITA DI SLB A YKAB SURAKARTA Mahendra, Dwi; Kuncoro, Jonet Sri
Greget: Jurnal Kreativitas dan Studi Tari Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4033

Abstract

The journal Penciptaan Tari Ins Spesial Bersama Anak Penyandang Tunagrahita di SLB A YKAB Surakarta '' discusses one form of storytelling group dance with the theme of children with intellectual disabilities who want to show that they have dreams or hopes in the future. will be packaged in a non-story group choreography, compiled by Dwi Mahendra in 2019. This research is intended to describe the form of performance of the Special Ins dance and the creation of the Special Ins dance. The research method used is a qualitative research method using descriptive analytic. In this study using the reactive participation approach from Jonet Sri Kuncoro. Describing the creation of Special Ins Dance using Rhodes's creativity theory quoted by Utami Munandar in compiling Special Ins Dance, in describing the form of Special Ins Dance performances using the theory of Sumandiyo Hadi to elaborate on its elements. The results obtained in this study in the form of a description of the creation of Special Ins Dance prepared by Dwi Mahendra as well as a form of performance consisting of dance moves, dance halls, dance accompaniment or music, dance titles, dance themes, dance types, presentation modes, number of dancers and types dance genitals, makeup and costumes, lighting, and dance properties.Keywords: Ins Special Dance, form, process.
PENCIPTAAN TARI CALENGSAI KARYA RIANTO Saputri, Willia Dwi; Kuncoro, Jonet Sri
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.4779

Abstract

The Calengsai Dance is a creative work born from the acronym of three cultural elements: Calung, Lengger, and Barongsai. This dance portrays the unique cultural journey between China and Banyumas, where the elements of Calung, Lengger, and Barongsai are crafted, developed, and acculturated into a harmonious unity. The result is the creation of a new dance work titled Calengsai Dance, which is performed in the Metamorphosis Lengger show. This dance is a form of development from the original work created by Sri Rahayu, which was further developed by Rianto. In its development process, Rianto added new elements such as Chinese singers, Barongan Banyumas, and dancers with buffalo heads known as pembarong. Through this innovation, the Calengsai Dance becomes not just a new creative dance but also a symbol of the acculturation of two great cultures, namely Javanese and Chinese. The presence of Calung Lengger, Barongsai, and Barongan Banyumas in this dance reflects a fusion of Banyumasan traditional movements, meticulously crafted by Rianto through processes of observation, exploration, experimentation, formation, and intensive training for the dancers. The final result of this process is a work of art that not only captivates aesthetically but is also rich in cultural values, embodying a dialogue between tradition and innovation in the contemporary dance scene of Indonesia.
Co-Authors Dewi, Maharani Luthvinda Mahendra, Dwi R.M. Pramutomo rahmani, dwi Renaldi Lestianto Utomo Putro Saputri, Willia Dwi Supendi, Eko Taufik Murtono Widyastutieningrum, Sri Rochana