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NEGOSIASI SUBJEK DALAM KONSTRUKSI IDENTITAS, SEKSUALITAS DAN GENDER Andreas Sudjud Dartanto
LINTAS RUANG: Jurnal Pengetahuan dan Perancangan Desain Interior Vol 5, No 2 (2017): September 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (370.057 KB) | DOI: 10.24821/lintas.v5i2.3039

Abstract

Selama ini pendekatan yang digunakan dalam menganalisis seni rupa berlangsung secara intraestetik (kritik formalis), sementara pendekatan yang bersifat ekstraestetik langka dilakukan. Melalui pendekatan ekstraestetik dapat dipahami faktor-faktor determinan yang menjadikan suatu ide dan karya seni terbentuk. Walaupun faktor determinan itu ada, bukan berarti sepenuhnya subjek yaitu perupa mengalami dominasi total dari struktur, sebagaimana dalam analisis Marxian, Saussurian dan Freudian, subjek tetap memiliki “ruang negosiasi” atas struktur yaitu melalui karya seninya. Penelitian ini hendak menjawab pertanyaan yaitu bagaimana subjek (perupa) menegosiasikan konstruksi identitas, seksualitas dan gender yang berlangsung pada masyarakatnya, dan bagaimana proses pencarian subjektifitasnya itu terjadi pada kasus seniman dan karya seninya, yaitu I Gak Muniarsih, Tita Rubi, FX.Harsono, Ay Tjoe Christine dan Nindityo Adipurnomo. Realitas dalam pandangan penelitian ini dipahami sebagai sesuatu yang relatif. Dikatakan relatif, pertama karena realitas terstruktur oleh faktor historis (ekonomi-politik) dan kedua, keterbatasan bahasa itu sendiri yang pada saat bersamaan menisbikan tampilnya subjek secara utuh. Bahasa bukanlah cermin realitas, akan tetapi bahasa─dalam pendirian psikoanalisis─justru menjadi penghalang keutuhan subjek, namun demikian bukan berarti perupa tidak ada dalam realitas, seturut Jacques Lacan, subjek menggunakan metafora dan metonimi yang tersedia dalam bahasa untuk menandai subjektifitasnya. Subjek, dalam hal ini perupa kemudian memberi tafsir dan melakukan negosiasi atas konstruksi identitas, seksualitas dan gender.
Transforming Curatorial Practices: The Role of AI and Blockchain in Shaping an Ethical Art-Science Paradigm for Public Policy Dartanto, A. Sudjud; Irawanto, Budi; Hujatnika, Agung
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 2 (2024): December 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i2.14388

Abstract

The integration of artificial intelligence (AI) and blockchain technology in curatorial practice offers transformative potential for managing, presenting, and distributing both traditional and digital art. This study explores how AI enhances curatorial processes through advanced data analysis and personalized visitor experiences. AI assists curators in organizing collections and recommending artworks tailored to individual preferences, fostering greater engagement with dynamic, customized exhibitions. Blockchain technology, on the other hand, ensures the provenance of decentralized artworks, guaranteeing authenticity and transparency. It addresses issues like counterfeiting, ownership disputes, and secure transactions, while supporting artists through smart contracts that ensure equitable compensation. However, ethical concerns remain. These include biases in AI algorithms, intellectual property challenges in decentralized NFT platforms, and limited digital access for marginalized artists. Academic studies and case analyses underscore these challenges and advocate for collaboration among curators, artists, technologists, and policymakers. This approach seeks to resolve ethical dilemmas, promote inclusivity, and maintain cultural integrity in implementing these technologies. The study emphasizes the need for public policy frameworks to regulate AI and blockchain, ensuring fair compensation and equitable access to their benefits while safeguarding cultural values. By addressing these concerns, these technologies can unlock new possibilities for the art world. Transformasi Praktik Kuratorial: Peran AI dan Blockchain dalam Membentuk Paradigma Seni-Sains yang Etis untuk Kebijakan Publik Abstrak Integrasi kecerdasan buatan (AI) dan teknologi blockchain dalam praktik kuratorial menawarkan potensi transformatif untuk mengelola, menyajikan, dan mendistribusikan seni baik tradisional maupun digital. Studi ini mengeksplorasi bagaimana AI meningkatkan proses kuratorial melalui analisis data yang mutakhir dan pengalaman pengunjung yang dipersonalisasi. AI membantu kurator dalam mengatur koleksi dan merekomendasikan karya seni yang disesuaikan dengan preferensi individu, mendorong keterlibatan yang lebih besar dengan pameran yang dinamis dan disesuaikan. Di sisi lain, teknologi blockchain memastikan asal-usul karya seni yang terdesentralisasi, menjamin keaslian dan transparansi. Teknologi ini mengatasi masalah seperti pemalsuan, sengketa kepemilikan, dan transaksi yang aman, serta mendukung para seniman melalui kontrak pintar yang memastikan kompensasi yang adil. Akan tetapi, masalah etika tetap ada. Ini termasuk bias dalam algoritma AI, tantangan kekayaan intelektual dalam platform NFT yang terdesentralisasi, dan akses digital yang terbatas untuk seniman yang terpinggirkan. Studi akademis dan analisis kasus menggarisbawahi tantangan-tantangan ini dan mengadvokasi kolaborasi di antara kurator, seniman, ahli teknologi, dan pembuat kebijakan. Pendekatan ini berusaha untuk menyelesaikan dilema etika, mempromosikan inklusivitas, dan menjaga integritas budaya dalam mengimplementasikan teknologi ini. Studi ini menekankan perlunya kerangka kerja kebijakan publik untuk mengatur AI dan blockchain, memastikan kompensasi dan akses yang adil terhadap manfaatnya sambil menjaga nilai-nilai budaya. Dengan mengatasi masalah ini, teknologi ini dapat membuka peluang baru bagi dunia seni.
The Display Of Museum Sandi Yogyakarta Akeyla, Bertha Arista; Dartanto, A. Sudjud; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 2, No 2 (2024): Desember 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v2i2.13426

Abstract

Museum Sandi is a special government museum managed by the Badan Siber dan Sandi Negara (BSSN), which was inaugurated in 2014. The museum has eight types of collections which are divided into nine exhibition rooms. Each room has a theme based on the collection it is arranged in. The aim of this research is to find out related matters in the display system at the Museum Sandi. The research method used is a qualitative research method with a theoretical approach to museum exhibition layout. Data was collected using direct observation methods, semi-structured interviews, and literature studies. The results of the research reveal that matters related to museum exhibition layout include supporting elements and aspects which are arranged in the form of: space, floor-space design and visitor circulation, exhibition text and labeling, work material and storyline, lighting, as well as facilities and supporting visual elements. Based on the research results, it can be concluded that the Museum Sandi's display system uses the rules for using cultural heritage buildings. This consideration of building intervention and space adaptation is applied to present the collection.
Pre Biennale Klaten 2024 Display Design "Environmental Art" Temanku Lima Benua; Andreas Sudjud Dartanto; Jangkung Putra Pangestu
TUMATA: Journal of Arts and Cultural Management Vol 2, No 1 (2024): June 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v2i1.13212

Abstract

Klaten is a district with a small city category in Central Java which is located between 2 (two) cultural cities namely Surakarta and Yogyakarta. Therefore, Klaten Regency has the opportunity to become a cultural city. One indicator of the advancement of contemporary art is the organization of the Klaten Biennale, which for the first time was held in 2017. Display design is the main focus in writing the final project with the title “Pre Biennale Klaten 2024 Display Design Environmental Art”. From the observation of the displays that have been carried out at the first to the third Biennale, in terms of the arrangement of the display space, lighting and circulation that has not been organized, and environmental art is the point of view and way of thinking in the design of the Pre Klaten Biennale 2024. From these observations the author raises the problem “How is the process and strategy of Pre Biennale Klaten 2024 Display Design Environmental Art?” which is carried out using a descriptive qualitative approach, with the aim of examining the visual concept process and presentation concept; describing the strategy in carrying out the design and presenting the design construction of the Klaten 2024 Pre Biennale display mockup “Environmental Art”. This design is carried out in the Lima Benua Public Space with three rooms that have different floor, wall and sub-theme characteristics, so that different lighting and arrangement techniques are needed.
Accessibility Of The Exhibition Room For Disability At The Vredeburg Fort Yogyakarta Museum Citra Dewi Apriliandari; Andreas Sudjud Dartanto; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15165

Abstract

This research aims to identify accessibility facilities in the permanent exhibition space of diorama 1, diorama 2, diorama 3, and diorama 4 of the Yogyakarta Vredeburg Fort Museum for visitors with physical disabilities and visual impairments. The research method used in this research is descriptive qualitative research methods involving visitors with physical disabilities and sensory impairments who have visited the permanent diorama exhibition room, staff at the Fort Vredeburg Yogyakarta Museum, as well as teachers and art activists in the context of people with disabilities in Yogyakarta. The theoretical approach used in this research is the theory of museums, exhibition spaces, accessibility, people with disabilities, as well as human rights and social inclusion. The research results show that the accessibility facilities in the museum exhibition room meet the standards in the form of the availability of automatic doors, corridors, manuvering areas, rams and guide tiles. However, accessibility facilities do not fully accommodate people with physical disabilities who are physically impaired and who are visually impaired due to the lack of adequate rams with handrails, audio descriptions, braille text and tactile objects. This research suggests that museums can improve accessibility facilities that are not yet available to increase comfort and convenience regarding the narrative they want to convey through the collection layout and information labels presented in accordance with inclusive building design standard regulations for visitors with physical disabilities and sensory impairments when visiting the space. permanent display of dioramas at the Fort Vredeburg Museum in Yogyakarta.
Annotated Catalogue of Edwin’s Filmworks (2002-2025) Atikah Az Zahra; Andreas Sudjud Dartanto; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 4, No 1 (2026): June 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v4i1.19016

Abstract

As an effort to preserve artworks, archiving plays a crucial role in recording evidence of an artwork's existence and all its supporting data. Therefore, an annotated catalogue could be an option for archiving works in an organized manner and be presented with supported information. In context of the film industry, a director plays the role of an artist, as they determine the creative vision of a film. In Indonesia, many directors have colored the world of cinema with works that have received international recognition, one of which is Edwin. He is an Indonesian film director, screenwriter, editor, and producer whose filmworks are known for its poetic and surrealist perception. The method for creating this annotated catalogue consists of data collection, data processing, and data presentation using an aesthetic approach with the creation process of pre-production, production, and post-production. The presentation of information in this annotated catalogue includes visual and textual archives of Edwin's film works, divided into short films, feature films, documentaries, and omnibus films, and is arranged in chronological order. The catalogue dimension is B5 paper size 17.6 cm x 25 cm with the total number of filmworks presented are 41 works which includes 25 short films, 7 feature films, 4 documentary films, and 5 omnibus films.
The Utilization of Symbolic Capital of the Museum Sonobudoyo as an Instrument of Cultural Diplomacy at the 2025 Islamic Arts’ Biennale Luna Chantiaya Rushartono; A. Sudjud Dartanto; Tambak Sihno Purwanto
TUMATA: Journal of Arts and Cultural Management Vol 4, No 1 (2026): June 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v4i1.19881

Abstract

This research is motivated by Indonesia’s significant potential to strengthen its cultural diplomacy and economic development as strategic assets on the international stage. One way to do this is through museums as global actors within the realm of cultural diplomacy. This study aims to examine the utilization of the Sonobudoyo Museum's symbolic capital as an instrument of cultural diplomacy at the 2025 Islamic Arts Biennale. This research employs qualitative and descriptive-analytical methods, presenting detailed findings that are then analyzed using Pierre Bourdieu's theory of capital. The results indicate that there is both the formation and utilization of symbolic capital within the Sonobudoyo Museum’s involvement in the Islamic Arts Biennale 2025. Soft power emerges through the power of attraction, which can serve as a national asset in conveying diverse and compelling cultural expressions, thereby maintaining and even enhancing the museum's global image. This study concludes that the Sonobudoyo Museum's symbolic capital plays a significant role in positioning it as one of Indonesia’s global actors, particularly within the fields of arts and culture and in the context of soft diplomacy.