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All Journal Kamaya: Jurnal Ilmu Agama Jurnal Penelitian Agama Hindu Widya Sandhi: Jurnal Kajian Agama, Sosial dan Budaya Sphatika: Jurnal Teologi
Windya, Ida Made
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Makna Relief Pura Dalěm Kělod Sangsit Sebagai Media Pembelajaran Teologi Hindu Putra, I Wayan Sunampan; Ni Made, Yunitha Asri Diantary; Windya, Ida Made
Kamaya: Jurnal Ilmu Agama Vol 7 No 3 (2024)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v7i3.3466

Abstract

Pura Dalěm Kělod Sangsit is a unique temple. The unique thing is that it is found in the reliefs carved on the walls of the Dalěm Kělod Sangsit Temple. Another interesting thing is the depiction of sexuality or scenes of sexual intercourse. The uniqueness there is different from the concept of holy places in general. Due to these problems, this research aims to explore the meaning of the reliefs of the Dalěm Kělod Sangsit Temple. The method is a qualitative approach taking the location in Sangsit Village, Sawan District, Buleleng Regency. The results of this research are; The reliefs of Pura Dalěm Kělod Sangsit provide various meanings. The meaning of Pura Dalěm Kělod Sangsit related to the Hindu Theology Study program is; a) Meaning of Hindu Theology; Pura Dalěm Kělod Sangsit as a worship of Lord Śiwa. Even in the reliefs at Pura Dalěm Kělod Sangsit, various manifestations of God are depicted as symbols of Hindu theology. b) The meaning of Exchatology can be seen from the appearance of the reliefs at Pura Dalěm Kělod Sangsit which depict human life when entering the world of spirits or the world of death. c) The didactic meaning can be seen from the existence of the reliefs at Pura Dalěm Kělod Sangsit which depict the teachings of karma phala. Karma phala is the concept of cause and effect. The appearance on the relief of Pura Dalěm Kělod Sangsit tells about the punishment for spirits who commit sins in the afterlife. Based on the meaning of the reliefs at Pura Dalěm Kělod Sangsit, it can be concluded that the reliefs of Pura Dalěm Kělod Sangsit have a deep meaning. Hence, they are relevant as a learning medium in the Hindu Theology Study Program.
Kajian Teologi Pemujaan Gaņeśa di Pura Ponjok Batu Kecamatan Tejakula Kabupaten Buleleng Windya, Ida Made; Marselinawati, Putu Sri
Jurnal Penelitian Agama Hindu Vol 7 No 1 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (461.883 KB) | DOI: 10.37329/jpah.v7i1.1989

Abstract

The existence of the dieties of Gaņeśa and the Nandini ox in one place at Ponjok Batu Temple has caused many perceptions, considering that in Hindu literature it is stated that the ox is the vehicle of Lord Shiva and the rat is the vehicle of Lord Gaņeśa. The purpose of this research is to find out the function and meaning of the theology of worshiping God Gaņeśa at Ponjok Batu Temple. This research includes descriptive qualitative research, the primary data source of this research is the result of interviews with informants. Data collection methods in this study are interviews, library research, and observation. The worship of Ganeśa and the Nandini ox at Ponjok Batu Temple has a theological function, namely the function of Ganeśa as a barrier to obstacles or awighneswara, the function of Ganeśa as the god of war which is proven every ceremony (piodalan) offering arrow dance, the function of worshiping Ganesha and the Nandini ox is a fusion of two sects Ganeśa as a symbol of the Ganapati sect while the Nandini ox as a symbol of the Saiwa sect, and the function of giving knowledge is known in Hindu literature that Ganeśa is the god of wisdom and knowledge. The worship of Lord Ganeśa at Ponjok Batu Temple has a meaning that is felt by the people of Tejakula, namely, the tattwa meaning that worship of Lord Gaņeśa leads to liberation, the meaning of Bhakti Yoga, namely the belief that Hindus worship Ganeśa sincerely reflects one way of liberation, namely bhakti-yoga, and the meaning of family, because at Ponjok Batu Temple not only worships Gaņeśa, but also iwa and the ox Nandini who are one Shiva family.
Yogākṣara Dalam Śiwa Tattwa Sebagai Laku Spiritual Untuk Mencapai Kalepasan Ariasa Giri, I Made; Windya, Ida Made
Jurnal Penelitian Agama Hindu Vol 8 No 1 (2024)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v8i1.2697

Abstract

Tattwa texts in Bali contain Śiva’s philosophy such as Wṛhaspati Tattwa, Jñānasiddhanta, Jñāna Tattwa, Gaṇapati Tattwa, Sanghyang Mahājñana, Catur Prenawa and Tutur Amertha Kundalini Lontar Śiwa Tattwa contains Śiwa's teachings about divinity, creation and liberation. The interesting in Śiwa Tattwa is the teaching of kalêpasan with the Sadanggayoga concept through ākṣara practice known as yogākṣara. The yogākṣara system as a religious system in Bali has never been studied seriously based on academic methods. Therefore, it needs attention to carry out a more in-depth study. This research aims to interpret yogākṣara in the Śiwa Tattwa to achieve liberation. The method used in this research is a qualitative method with a descriptive interpretive approach. The primary data in this research is the Śiwa Tattwa text. Secondary data is obtained from literature in the form of books and research results relevant to the research topic. Data collection used observation, interview, documentation, and literature study techniques in this research. Semiotic theory and religious theory are used in this research. The results of this research that the yoga structure contained in Śiwa Tattwa is Sadanggayoga. The form of yogākṣara in the Śiwa Tattwa is by carrying out Panglukuan Ākṣara. Yogākṣara is also an effort to understand the nature of being oneself and achieve Śiwa consciousness. There are seven levels of consciousness dimensions in Śiwa Tattwa called Sapta Pada. From the results of this research, it can be concluded that yogāksara is a spiritual practice to achieve Śiwa consciousness, namely achieving kalêpasan (liberation).
TEOLOGI KEBUDAYAAN PADA RELIEF PURA DALÊM SANGSIT DESA SANGSIT KECAMATAN SAWAN KABUPATEN BULELENG I Wayan Sunampan Putra; Ni Made, Yunitha Asri Diantary; Windya, Ida Made
Sphatika: Jurnal Teologi Vol 15 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i2.4051

Abstract

The purpose of this study is to study and analyze Pura Dalêm Kêlod Sangsit which has uniqueness in the form of symbols. Where in general Pura Dalêm is identical with scary things. However, Pura Dalêm Sangsit actually displays an erotic dimension. Departing from this gap, Pura Dalêm Kêlod Sangsit will be studied with cultural theology. The method used in this study is to use a qualitative research type with a cultural theology approach. The type of data is qualitative through the collection of observation data, interviews, and literature studies. Then analyzed using data analysis techniques. The results obtained are that Pura Dalêm Sangsit has a unique form of symbols that have erotic nuances, but erotic symbols as a cultural aspect not only have material aspects but also have spiritual and theological dimensions. So that there is a relationship between culture in the form of symbols with aspects of theology. From this, it can be concluded that the erotic symbols in Pura Dalêm Sangsit as a form of culture have theological meaning.
Tutur Wiksu Pungu: Analisis Semiotik Windya, Ida Made; Marselinawati, Putu Sri; Ariasa Giri, I Made
Widya Sandhi Vol 16 No 1 (2025)
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/ws.v16i1.2368

Abstract

Understanding the teachings of Tutur Wikṣu Pungu in symbolic form is needed to conduct an in-depth study to reveal its meaning. This research aims to examine the symbolic meaning in the text so that it can contribute to Hindus as a whole. This qualitative research uses an interpretative descriptive approach based on Riffaterre's semiotic theory, focusing on symbolic elements. The research method used includes heuristic and hermeneutic reading techniques to explore the deep meaning of the symbols in the text. There are three main discussions in this research. First, the identification of the matrix (main idea) emphasises the importance of asceticism, self-control, and yoga-samadhi as a path to cosmic harmony between humans, nature, and God. Second, the model (symbolic elements), including the symbols of tri bhuvana (three worlds), pa ca mah? bh?ta (five elements of nature), Sang Hyang Aji as sacred knowledge, and guru as spiritual guide. The third variant (philosophical meaning) examines the philosophical meaning of the symbols. This research contributes to the study of Hindu theology by revealing how the teachings in Tutur Wikṣu Pungu can be relevant to religious life in the modern era.
Co-Authors Ariasa Giri, I Made I Wayan Sunampan Putra Marselinawati, Putu Sri Ni Made, Yunitha Asri Diantary Putra, I Wayan Sunampan