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All Journal Corak : Jurnal Seni Kriya Teknobuga : Jurnal Teknologi Busana dan Boga LingTera Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Home Economics Journal Fesyen Perspektif Jurnal Rupa International Journal of Multidisciplinary Research and Literature (IJOMRAL) East Asian Journal of Multidisciplinary Research (EAJMR) Teknobuga : Jurnal Teknologi Busana dan Boga
puspitasari, feny
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Journal : Home Economics Journal

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ANALYSIS VIDEO BASED LEARNING DESIGN IN PRACTICE COURSE AT VOCATIONAL SCHOOL Puspitasari, Feny; Pratama, Mulki Rezka Budi
Home Economics Journal Vol. 8 No. 2 (2024): October
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/hej.v8i2.67927

Abstract

This study aims to design educational videos as video-based learning and determine the design that makes students more interested in paying attention to the distance learning process. If students want to pay attention to the material during the learning process, students will also get the maximum learning experience. The study was focused on the Department of Fashion at SMKN 1 Dawuan Subang to improve clarity. To obtain empirical data, this study used quantitative comparative with data collection using questionnaires with census sampling. The number of respondents is 22 students. The steps are input measurement design video with Bandicam and output measurement obtained from the evaluation results based on three elements for video design and implementation: cognitive load, student engagement, and active learning together. The data collection technique used a questionnaire. The results indicate that video-based learning using Bandicam was most effective in organizing tempo, but more attention must be paid to segmentation because the visualization video was formal and tended to be static. Further research should explore video-based learning using more engaging and dynamic applications like Prezi or similar tools.
MAKEUP MODIFICATION QUEEN OF HEART IN THE FILM ALICE IN WONDERLAND AS CARNIVAL MAKEUP WITH PHYSIOGNOMY Mahmudah, Faizatul; Puspitasari, Feny
Home Economics Journal Vol. 8 No. 1 (2024): May
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/hej.v8i1.72085

Abstract

Character make-up is not only a means in films to create fictional characters, but also a component in performing arts which plays a role in enhancing visual aesthetics, artistic expression and overall appeal in works of art such as carnivals, one example of which is the Queen of Heart character in the film Alice in Wonderland. The challenges in creating makeup based on fictional characters adapted using a physiognomy approach are an interesting discussion. The aim of this research is to create a modified design for the make-up of the Queen of Heart character as a carnival make-up with physiognomy. This research uses the content analysis method with the Miles and Huberman data analysis model. The adaptations made to the Queen of Heart's make-up were done without losing its distinctive characteristics so that the source of the idea can still be recognized even though it is displayed in a different make-up. Research and development of the source of the idea of Queen of Heart as carnival make-up carried out by researchers, resulting in similarities, differences, advantages and disadvantages of Queen of heart make-up in films with adaptations. 
MODIFIKASI KOSTUM SCARLET WITCH SEBAGAI MASQUERADE EVENING GOWN PEPLUM STYLE Dahriyah, Siti Anita; Puspitasari, Feny
Home Economics Journal Vol. 7 No. 2 (2023): October
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/hej.v7i2.66093

Abstract

Busana pesta malam dapat dibuat berdasarkan sumber ide yang tak terbatas, termasuk dengan cara memodifikasi suatu kostum dari tokoh fiksi contohnya kostum Scarlet Witch. Kostum scarlet witch mempunyai karakteristik, tampilan dan fungsi yang cukup bertolak belakang dengan tampilan dan karakteristik busana untuk kesempatan pesta malam khususnya Masquerade Party. Fenomena munculnya tantangan dalam menciptakan busana berdasarkan sumber ide yang dimodifikasi merupakan pembahasan yang menarik. Tujuan penelitian ini adalah untuk mendeskripsikan bentuk kostum Scarlet Witch apabila dijadikan sumber ide untuk menciptakan busana pesta malam Masquerade Party dengan model peplum. Penelitian ini menggunakan metode ADDIE dengan lima tahap penelitian dan pengembangan. Modifikasi yang dilakukan terhadap kostum scarlet witch dilakukan dengan tanpa menghilangkan ciri khasnya agar sumber ide masih dapat dikenali walau ditampilkan dalam bentuk busana yang berbeda. Penelitian dan pengembangan sumber ide scarlet witch menjadi busana pesta malam model peplum yang dilakukan oleh peneliti, menghasilkan bentuk modifikasi berupa masquerade mask, one shoulder bustier, gloves, aksen peplum, dan siluet rok mermaid.
A NEGOTIATING GENDER AND CULTURE: A SEMIOTIC ANALYSIS OF ANGGINI'S COSTUME IN WIRO SABLENG 1995 AND 2018 Puspitasari, Feny; Piliang, Yasraf Amir; Kahdar, Kahfiati; Waskita, Dana
Home Economics Journal Vol. 9 No. 2 (2025): October
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/hej.v9i2.80463

Abstract

Different cinematic contexts reflect filmmakers' varied perspectives and intentions, shaping the visual ideologies presented on screen. One principal means by which filmmakers articulate such ideologies is through costume design. Costumes function not merely as clothing but as symbolic artefacts that convey social, cultural, and ideological meanings. They play a vital role in shaping audience perceptions of characters and their roles while revealing more profound insights into identity, values, and worldviews. Previous research has highlighted how costumes contribute to character identity, particularly in terms of status, role, and psychological attributes. This study employs Roland Barthes’ semiotic theory and content analysis to explore the denotative and connotative meanings of costumes. The aim is to deepen the understanding of costume as a visual medium and to examine its ideological function, particularly in character representation. The analysis focuses on the character Anggini in the Wiro Sableng series (1995) and the movie (2018). Findings indicate that Anggini’s costume in the 1995 series reflects traditional cultural values, emphasising modesty, elegance, and femininity. In contrast, the 2018 film's costumes portray female strength more explicitly, influenced by Western aesthetics and the film’s multinational context. A structural costume pattern for female warrior characters typically consists of traditional female attire on the upper body, accompanied by male or unisex garments below for enhanced agility, and functional footwear for combat. These findings offer practical insights for emerging costume or fashion designers working with female warrior archetypes in Indonesian cinema.
Co-Authors AA Sudharmawan, AA Abhista, Diya Nadindra Atikah Dahriyah, Siti Anita Dana Waskita Darmiwati, Darmiwati Iskandar, Amelia Rida Nurfitriani Kahfiati Kahdar Khoirunnisa, Nida Mahmudah, Faizatul Nurindah, Mandhe Sekar Pratama, Mulki Rezka Budi RACMADHANY, Ariessa Rahmah, Yumeida Siregar, Vivi Arfiani Siti Wahyuni Yasraf Amir Piliang