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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Panggung Jurnal Kajian Seni Jurnal Penelitian
Simatupang, Gabriel Roosmargo Lono Lastoro
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Religion Arts Humanities Education Social Sciences

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‘FESTIVAL’ SEBLANG OLEHSARI BANYUWANGI 2018-2022 Vindriana, Nuri Dwi; Simatupang, Gabriel Roosmargo Lono Lastoro; Christian Richardus, Wisma Nugraha
Jurnal Kajian Seni Vol 10, No 1 (2023): Jurnal Kajian Seni Vol 10 No 1 November 2023
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.80959

Abstract

The Seblang Olehsari ‘Festival’ is a cultural celebration that comes from a ritual. The ritual is held by the people of Olehsari village as an 'action' of fulfilling an ancestral will. Its main function is as a village clean ceremony and a medium of friendship between the real world (microcosm) e and the supranatural world (macrocosm) which has been going on for decades. As a performance, Seblang Olehsari has the characteristics of using dance as the media which is demonstrated by the Seblang dancers in a trance or kejiman. The existence of Seblang Olehsari is currently growing side by side with the growth of the creative industry, so that in the process of its implementation, it has image branding or the empowerment strategy for cultural event destinations. This study aims to present a festival discourse that departs from rituals along with traditional values. The perspective of event studies is used to classify event typologies and analyze the festivalization phenomenon towards Seblang Olehsari ritual. The use of the festival platform caused a main event shift from a religious event (ritual) to a festival event. It has also an impact on socio-cultural changes or the public's point of view in viewing culture, especially on nowadays rituals.     Keywords: Banyuwangi, Event Studies, Festival, Ritual, Seblang Olehsari
Ideal Type of Islamic Healing in Indonesia: A Case Study on Pak Endog Alternative Islamic-Type Medication Imzastini, Nur Qomariyah; Simatupang, Gabriel Roosmargo Lono Lastoro
JURNAL PENELITIAN Vol 16 No 2 (2019): Volume 16 Nomor 2 2019
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

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Abstract

The map of Islamic healing is often interpreted based only on the values of Islamic teachings. Some cultural and religious concepts and practices concerning spiritual or supernatural relationships are often ignored because they are contrary to the concept of Islamic teachings. This article analyzes the Islamic healing practiced in the socio-cultural life inherently. The religious space practice in terms of identification, healing and restoration of illness illustrates that the interaction between religion and culture is not rigid in addressing health and humanitarian issues. This article is based on field research at alternative healing in Tuban East Java which elaborated by enrichment of literary texts. The results of this study discuss various types of Islamic-based healing as alternative medicine that spreading in Indonesian culture. This study map analyzes the characteristics of Islamic healing, both Normative Islam and Cultural Islam. Both cannot be ignored as variants of religious and cultural practices in the health context.
The Conveyance of the Japanese Atmosphere to Visitors as a Performance at Marugame Udon, Solo Paragon Lifestyle Mall Majid, Ainun; Suastiwi, Suastiwi; Simatupang, Gabriel Roosmargo Lono Lastoro
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.40854

Abstract

Marugame Udon is a Japanese fast-food restaurant chain with many branches in Indonesia. This study examines the conveyance of the Japanese atmosphere to visitors as a performance. Interior research based on performance theory has not been widely conducted. This study aims to determine the performative influence of Marugame Udon’s interior on visitors by exploring Richard Schechner’s performance aspects (action, interaction, relationship). This study uses a qualitative approach with a case study method to deeply explore data from visitors and interior elements. The data collection techniques used are observation, in-depth interviews, literature study, and company profile reading. Data analysis is done by reduction, presentation, and drawing conclusions and recommendations. The findings of this study are: (1) the “action” exploration finds that the interior display is a manifestation of Marugame Udon’s identity as a Japanese restaurant chain and its commitment to introducing Japanese culture, especially Sanuki; (2) the “interaction” exploration finds that the presence of interior elements is a mutually dependent system in displaying the atmosphere (Japanese), and visitors interact most with noren and the theater kitchen; (3) the “relationship” exploration reveals that Marugame Udon does not only act as a restaurant providing food and drinks but also as a stimulating agent that influences visitors’ perceptions and evokes their memories and desires related to Japanese culture. These three findings indicate that Marugame Udon’s interior is a static performative ecosystem that can interact and form relationships with visitors.
Gamelan Reinvented: Cultural Sound Transformation in Membranophone Ensembles of East Java Hidayatullah, Panakajaya; Simatupang, Gabriel Roosmargo Lono Lastoro; Setiawan, Aris; Livera, Kristen Angela
Resital: Jurnal Seni Pertunjukan Vol 25, No 3 (2024): Desember 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i3.14537

Abstract

This study explores the phenomenon of pèghâ' in the musical traditions of terbhâng ghendhing and kemplang in Probolinggo and Bondowoso, which emerged as a response to past religious prohibitions on the use of metal gamelan instruments. The research focuses on uncovering the adaptation of metal gamelan music into the membranophone ensembles of terbhâng ghendhing and kemplang from a musicological perspective. Using qualitative approaches and ethnographic methods, data were collected through participant observation, in-depth interviews, and literature review. The findings reveal that elements such as kejhungan, drumming patterns, bonang patterns, and gending structures were preserved, although the shift from metal to membrane caused significant changes. These changes resulted in a playing style that is more repetitive, dynamic, and aligned with the membranophone's characteristics. This study also challenges the conventional view of membranophones as purely rhythmic instruments, demonstrating their capability to perform complex melodic roles in terbhâng ghendhing and kemplang. The process of pèghâ' underscores traditional music as a dynamic entity that continues to evolve through local creativity, creating new musical identities while maintaining its cultural roots.
Pengelolaan Risiko pada Pertunjukan Pepe-Pepeka ri Makka Gunawan, Agim; Mulyana, Aton Rustandi; Simatupang, Gabriel Roosmargo Lono Lastoro
PANGGUNG Vol 35 No 4 (2025): Transformasi, Simbolisme, dan Kreativitas dalam Ekspresi Budaya Nusantara: Studi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i4.3638

Abstract

Pepe-Pepeka ri Makka merupakan kesenian tradisional yang berasal dari Makassar, Sulawesi Selatan. Dalam pertunjukannya, kesenian Pepe-Pepeka ri Makka menyajikan penari yang berinteraksi dengan api. Penelitian ini bertujuan untuk mengkaji bagaimana risiko-risiko yang terlibat dalam pertunjukan Pepe-Pepeka ri Makka, dikelola oleh para penampil. Metode kualitatif dan pendekatan performance studies digunakan dalam penelitian ini, guna mengeksplorasi dua dimensi dalam pengelolaan risiko, yaitu dimensi teknis dan nonteknis. Dimensi teknis mencakup keterampilan dan kecakapan penari, sementara dimensi nonteknis melibatkan penggunaan doa, ritual, dan kepercayaan spiritual. Hasil penelitian ini menunjukkan bahwa pengelolaan risiko tidak hanya bergantung pada keterampilan teknis penampil, namun juga dipengaruhi oleh keyakinan spiritual. Oleh karenanya, kombinasi antar kedua dimensi ini sangat berpengaruh terhadap keselamatan para penampil.
Co-Authors Aris Setiawan Aton Rustandi Mulyana Christian Richardus, Wisma Nugraha Gunawan, Agim Imzastini, Nur Qomariyah Livera, Kristen Angela Majid, Ainun Panakajaya Hidayatullah Suastiwi Suastiwi Vindriana, Nuri Dwi