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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni MITRA: Jurnal Pemberdayaan Masyarakat Jurnal Budaya Etnika Jurnal Kajian Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Peradantha, Ida Bagus Gede Surya
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PENDEKATAN AUTOETNOGRAFI DALAM PENELITIAN ARTISTIK: STUDI KASUS DAN IMPLIKASI METODOLOGIS Peradantha, Ida Bagus Gede Surya
Jurnal Kajian Seni Vol 10, No 2 (2024): Jurnal Kajian Seni Vol 10 No 2 April 2024
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.95192

Abstract

The primary aim of this research is to enhance understanding of autoethnographic perspectives in artistic research. It also seeks to explore the contributions, challenges, and potential of this approach in expanding creative knowledge. Certain artists may perceive the evaluation of their own artworks as excessively subjective, which may lead to doubts regarding the scientific rigor of the subsequent research. This study examines various autoethnographic models within artistic research and their application in previous studies. Employing a qualitative framework, this study utilizes a literature review approach. Content analysis was employed to extract data from relevant documents, while meta-synthesis was used for comprehensive analysis. This study uncovers that there are four distinct kinds of autoethnographic approaches: realistic, impressionistic, expressionistic, and conceptualistic. These models provide several frameworks that can be utilized for studies focused on artwork, practice, studio, and reflective experiences, particularly in relation to the subjective experiences of creators. This study discovered a theory of artistic experience that is strongly linked to the fusion of the artistic research model and the autoethnographic approach model. This research has profound implications for broadening art research approaches, enhancing comprehension of the creative process, promoting critical cultural analysis, producing novel theories of artist experience, and fostering future art and autoethnographic research.
WAYANG CINEMA LAKON KAPI BALI LINA SEBUAH MODEL PENGEMBANGAN WAYANG KULIT BALI Marajaya, I Made; Peradantha, Ida Bagus Gede Surya
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini bertujuan untuk mengkaji estetika Wayang Cinema berjudul Kapi Bali Lina yang diproduksi oleh SMK 3 Sukawati Gianyar. Wayang Cinema yang memadukan dua elemen estetik dari wayang kulit dan seni perfileman ini, telah ikut meramaikan kesenian wayang di media sosial melalui Channel Youtube. Wayang Cinema yang mengangkat cerita Kapi Bali Lina ini memakai medium wayang kulit dan “aktor” manusia. Permasalahan yang diangkat dalam artikel ini adalah; (1) bagaimana estetika Wayang Cinema lakon Kapi Bali Lina?; (2) apa pesan moral yang terkandung di dalam lakon Kapi Bali Lina?. Permasalahan di atas dikaji menggunakan metode kualitatif. Data yang diperoleh di lapangan dikumpulkan dengan teknik observasi, wawancara, dan literatur. Data yang terkumpul dianalisis secara deskriptif kualitatif interpretatif, dan didukung dengan teori kreativitas dan estetika postmodern. Hasil penelitian menunjukkan bahwa telah terjadi pembaruan dalam pertunjukan wayang kulit Bali, menggunakan peran wayang dan manusia, serta dikemas dengan teknik perfileman. Garapan Wayang Cinema dengan lakon Kapi Bali Lina ini memberi pesan moral, yaitu satya wacana dan kesalahpahaman. Terbunuhnya Subali oleh Sang Rama karena petunjuk para dewata, bahwa yang dibunuh oleh Sang Rama adalah sifat orang yang tidak pernah menempati janjinya.
BEDAWANG NALA: ARTISTIC INSPIRATION FOR A FICTION FILM TO STRENGTHEN ENVIRONMENTAL EDUCATION AWARENESS Putra, Ida Bagus Hari Kayana; Peradantha, Ida Bagus Gede Surya; Widyastuti, Ida Ayu Gede Sasrani
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 7 No. 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v7i2.3033

Abstract

This research explores the philosophical and symbolic value of Bedawang Nala in Balinese architectural art and the development of its narrative in fiction films based on Hindu mythology. Bedawang Nala, depicted as a giant fire-haired turtle with dragons Anantabhoga and Basuki, reflects cosmic balance and natural harmony in Tri Hita Karana. This qualitative research uses an interdisciplinary perspective involving the views of cultural studies and the creativity of film art creation. Data was obtained through in-depth interviews to explore the meaning and connection of the Bedawang Nala concept with environmental themes, audiovisual observations of traditional Balinese architecture, and literature studies on Bedawang Nala and ecological issues. Data were analyzed using interview transcript interpretation techniques to identify main themes related to the philosophical and symbolic values of Bedawang Nala, audiovisual analysis, and literature synthesis that connects findings from interviews and observations with current discussions about ecological education. The findings show that the Bedawang Nala mythology is not just an aesthetic ornament but has an educational value relevant to contemporary environmental issues. The development of this mythology-based film narrative can be an effective academic and cultural reflection tool, strengthening ecological awareness in society. This research suggests making and evaluating films based on Bedawang Nala and exploring other local mythologies to increase the educational impact and environmental awareness through film media.
The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia's Sustainable Maritime Culture Peradantha, Ida Bagus Gede Surya; Widyastutieningrum, Sri Rochana; Soewarlan, Santosa; Triguna, Ida Bagus Gde Yudha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

The purpose of this study is to uncover the aesthetic meaning in the Sentani Tribe's Isolo tradition in Lake Sentani, Papua. The study focused on how the artistic aspects of Isolo represent essential creative meanings and what the important implications of artistic meanings in the Isolo tradition are for the development of the archipelago's sustainable maritime culture. This study employs a qualitative technique based on Roland Barthes' semiotic theory. Data was gathered through observation of Isolo performances during the 2023 Lake Sentani Festival, interviews, and literature searches. The following are the study's findings: First, creative components such as dance moves, singing, clothes, property, and body painting motifs demonstrate symbolic connotations of natural prosperity, patriotism, spirituality, and fraternity. Second, the key meanings in Isolo derive from the concept of Rokhabia, a sense of brotherhood of one womb that is deeply established in Sentani tradition. Third, the implications of the Isolo tradition might build Sentani tribe social relationships through the meaning of the elements in its artistic representation. This study contributes significantly to expanding the horizon of the Sentani Tribe's Isolo heritage in preserving Indonesia’s sustainable maritime culture.
THE IMPACT OF TECHNOLOGY ON THE DEVELOPMENT OF BALINESE SHADOW PUPPETRY IN THE GLOBAL ERA Marajaya, I Made; Peradantha, Ida Bagus Gede Surya
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.589

Abstract

This study is motivated by the significant changes in Balinese shadow puppetry (wayang) resulting from the integration of technology in the global era. While the introduction of technology has opened new opportunities for the development of Balinese wayang, there are concerns that its use may undermine traditional values, affect the creativity of the puppeteers, and potentially threaten the preservation of this art form. Based on this, the study poses two main research questions: (1) How does technology influence the creativity of Balinese wayang in the global era? and (2) What are the impacts on the preservation and advancement of Balinese wayang? This qualitative research employs data collection methods such as observation, interviews, and literature review. The data were analyzed descriptively and interpretively, supported by creativity theory. The results indicate that technology has stimulated boundless innovation in Balinese wayang, leading to more engaging audio-visual performances. Moreover, the use of technology has contributed to the resurgence of the wayang-watching culture in Balinese society, while supporting the sustainability of this art form in the global era.
The Creation Strategy of Rene Hu Dance as the Institutional Dance of the Papua Language Center Peradantha, Ida Bagus Gede Surya; Felixe Muabuay, Godlief Patrice; Jarisetouw, Hana Naema; Kogoya, Riska; Boli, Yohanes Primus
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6061

Abstract

This study explores the creation process of Rene Hu, the official ceremonial dance of the Papua Language Center, through an artistic autoethnography perspective. The research is motivated by the institutional need for a representative work that bridges organizational identity with Papuan cultural heritage. The objective is to reflect and analyze creation strategies in the creative process while positioning performance art as a medium for institutional identity formation. The method employed is artistic autoethnography, combining participatory observation, interviews with cultural leaders and local artists, documentation, and the choreographer’s reflective notes. The creative process followed four stages: preparation, exploration, creation, and evaluation, engaging local communities, artists, students, and the initiating institution. The findings reveal that Rene Hu functions not only as an artistic product but also as a cultural strategy that connects Papuan traditions with institutional values through negotiation between an external choreographer and cultural custodians. This study contributes to the development of artistic research in Indonesia by offering a model of institutional dance creation that is ethical, representative, and sustainable, and by highlighting the potential of artistic autoethnography as a reflective approach in choreographic practice.
SENI DIGITAL WISATA TEKNOLOGI AR PASUA PA BERBASIS KEARIFAN LOKAL Rustiyanti, Sri; Listiani, Wanda; Sari, Fani Dila; Peradantha, Ida Bagus Gede Surya
Jurnal Budaya Etnika Vol. 3 No. 2 (2019): Artefak Budaya Arkais dan Kontemporer : dari Ulos Hingga Seni Digital
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v3i2.1123

Abstract

ABSTRAKIndonesia memiliki beragam potensi alam, seni, budaya, pendidikan, kuliner, sejarah, teknologi, dan religi yang dapat dikembangkan sebagai daya tarik utama wisata. Tulisan ini merupakan hasil penelitian Konsorsium Kemenristekdikti dengan mengangkat seni tradisi dari Institut Seni Budaya Indonesia (ISBI) Bandung, ISBI Papua, dan ISBI Aceh. Penelitian ini menerapkan teknologi Augmented Reality (AR) pada kesenian yang ada di Papua, Sunda, dan Aceh (PASUA) sebagai Performent Art (PA), sehingga seni wisata digital ini menjadi sebuah produk karya seni budaya AR Pasua PA, yang secara khusus menggarap perkembangan seni tradisi sebagai kearifan lokaldalam perkembangan seni digital sebagai salah satu bentuk pengemasan seni wisata.Potensi seni digital AR Pasua PA cukup menarik menjadi salah satu asset wisata devisa non migas yang perlu ditingkatkan pengelolaan dan pemberdayaannya. Oleh karena itu, kesiapan pembuatan AR Pasua PA dalam pengembangan wisata seni digital masih perlu ditingkatkan di era industri 4.0 berbasis kearifan lokal. Dengan demikian perlu dilakukan penelitian ini yang bertujuan untuk memetakan zonasi pengembangan pariwisata yang sesuai dengan karakter masyarakat wilayah Timur dari Papua, selanjutnya Tengah dari Sunda, dan Barat dari Aceh, seperti perjalanan matahari dari terbit di Tanah Papua , selanjutnya bersinar di Tanah Parahyangan , dan akhirnya terbenam di Serambi Aceh. Analisis sistem pengembangan pariwisata berbasis seni digital diterapkan di Perguruan Tinggi Seni di Indonesia, sehingga perlu dilakukan tercipta model AR Pasua PA dalam pengembangan dan pengelolaan wisata berbasis teknologi augmented reality. Hasil penelitian yang diharapkan adalah terciptanya sebuah model pengembangan pariwisata seni digital yang terpadu berbasis kearifan lokal, khususnya Papua, Sunda, dan Aceh, yang dapat diterapkan di seluruh PT Seni di Indonesia, khususnya di wilayah ISBI Bandung, ISBI Papua, dan ISBI Aceh.Kata kunci: wisata seni digital, teknologi augmented reality, kearifan lolal.ABSTRACTSIndonesia has a variety of natural, artistic, cultural, educational, culinary, historical, technological and religious potentials that can be developed as the main tourist attraction.This paper is the result of a research by the Consortium of the Ministry of Research, Technology and Higher Education (Kemenristekdikti) by bringing up traditional arts from the Indonesian Cultural Arts Institute (ISBI) Bandung, ISBI Papua, and ISBI Aceh. This study applies Augmented Reality (AR) technology to arts in Papua, Sunda and Aceh (PASUA) as Performance Art (PA), so that this digital tourism art becomes a product of AR Pasua PA cultural art, which specifically works on the development traditional art as local wisdom in the development of digital art as a form of tourist art packaging.The potential of AR Pasua PA digital art is quite interesting being one of the non-oil and gas foreign exchange tourism assets that needs to be improved in its management and empowerment. Therefore, the readiness to make AR Pasua PA in the development of digital art tourism still needs to be improved in the era
Penciptaan Musik Tari Rejang Giri Jaya Ing Pura untuk Mengembangkan Seni Tradisional Bali di Kota Jayapura Wijaya, Kadek Indra; Kadek Indra, Wijaya; Peradantha, Ida Bagus Gede Surya; Sattvika, I Putu Agus Eko
MITRA: Jurnal Pemberdayaan Masyarakat Vol. 10 No. 1 (2026): (inpress)
Publisher : Institute for Research and Community Services

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25170/mitra.v10i1.7214

Abstract

Aktivitas kesenian umat Hindu di Kota Jayapura berlangsung intens melalui pelaksanaan piodalan dan berbagai upacara keagamaan lainnya. Kondisi ini mendorong lahirnya kebutuhan akan karya baru yang bersifat religius sekaligus kontekstual dengan kehidupan umat Hindu di tanah perantauan. Penelitian ini memusatkan perhatian pada penciptaan musik tari Rejang Giri Jaya Ing Pura sebagai bentuk pengembangan seni tradisional Bali di luar daerah asalnya. Tujuan penelitian adalah: (1) merumuskan proses kreatif penyusunan gending; (2) merancang metode pelatihan efektif bagi penabuh gamelan; dan (3) mewujudkan penyajian musik tari yang berkelanjutan. Metode yang digunakan berupa praktik artistik-partisipatif yang dilaksanakan melalui tahapan eksplorasi, komposisi, pelatihan, dan evaluasi bersama komunitas di Sanggar Seni Saraswati Kota Jayapura. Hasil penelitian menunjukkan adanya peningkatan keterampilan teknis para penabuh melalui model pelatihan progresif-mandiri. Model ini meliputi demonstrasi langsung, pendokumentasian pola, latihan individual di luar pertemuan, serta presentasi hasil pada sesi berikutnya. Penerapan model ini terbukti mempercepat penguasaan teknik gamelan Gong Kebyar, termasuk teknik khas ngoret-ngerot, kaklenyongan, dan norot. Selain itu, tercipta musik tari baru Rejang Giri Jaya Ing Pura yang memperkaya repertoar kesenian Hindu di Jayapura dan meningkatkan partisipasi komunitas. Kontribusi penelitian ini tidak hanya memperkuat kompetensi penabuh, tetapi juga mendukung pelestarian serta keberlanjutan dinamis seni tradisional Bali di perantauan.
Co-Authors Boli, Yohanes Primus Felixe Muabuay, Godlief Patrice Ida Ayu Gede Sasrani Widyastuti Ida Bagus Gde Yudha Triguna Jarisetouw, Hana Naema Kadek Indra, Wijaya Kogoya, Riska Made Marajaya Putra, Ida Bagus Hari Kayana Sari, Fani Dila Sattvika, I Putu Agus Eko Soewarlan, Santosa Sri Rustiyanti Wanda Listiani Widyastutieningrum, Sri Rochana Wijaya, Kadek Indra