Surbakti, Asmyta
D-III Perjalanan Wisata, Fakultas Ilmu Budaya Universitas Sumatera Utara

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REVITALISASI DAYA TARIK WISATA BUDAYA DI DESA LINGGA KABUPATEN KARO Jhonson Pardosi; Nurcahaya Bangun; Asmyta Surbakti; Samerdanta Sinulingga
Jurnal Pariwisata Pesona Vol 4, No 2 (2019): Edisi Desember 2019
Publisher : Universitas Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/jpp.v4i2.2531

Abstract

This research is motivated by the problem of the increasingly weak understanding of the Lingga Village community regarding the Lingga Traditional House. To overcome this, the research stages are aimed at: 1) knowing the tourist attractions contained in the Traditional House in Lingga Village. 2) to find out the shape of the Traditional House Revitalization model in Lingga Village. This research method uses phenomenological qualitative research methods. The results of this study are: 1) Lingga Traditional House can be said as a Tourist Attraction Spot because it has a Uniqueness, Beauty and Value. 2) The Revitalization Model of Traditional Houses in Lingga Village consists of 2 forms, namely the Conservation Form and the Economic Rehabilitation Form. For our next research we recommend reviewing the Opportunities and Challenges Analysis of the Establishment of Tourism Awareness Groups in Lingga Village as a technical step in implementing cultural revitalization in this location.
Erpangir Ku Lau Ritual: Between Religion and Identity Vanesia Amelia Sebayang; Asmyta Surbakti; Torang Naiborhu
International Journal of Interreligious and Intercultural Studies Vol 5 No 1 (2022): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol5.iss1.2022.2849

Abstract

Erpangir ku lau is a ritual of the Karo people based on old religion called Pemena, as a medium for self-cleaning to maintain the sanctity of the body and spirit of a human being. Humans who have been physically and spiritually clean are having been kept away from evil inflences so that they are worthy of getting closer to their ancestors, the universe’s spirit, andalso God. However, while Christianity zending is carried out by the Dutch missionary unionin Tanah Karo in 1890-1904, all of the traditional customary and cultural practices towards ancestor and God were prohibited to be done. The Dutch aiming to change the Karo people’s perception of their own cultural identity. Nowadays, The Karo people divided into several groups, each with their understanding of the cultural customs of their ancestors, including the erpangir ku lau. This research uses a qualitative descriptive research method. The theories used are deconstruction and postcolonial theory. The results of this research were erpangir ku lau is a human ways to communicate with their God while maintaining a harmonious relationship between humans, the universe, and their ancestors. It has been proven that erpangir ku lau ritual is black magic worship was fully a colonial construction. Erpangir ku lau is a root that shapes the identity of the Karo people, known as metami, melias, mehamat, perkuah, and perkeleng. Even though they were no longer adhere to ancestral beliefs, the Karo people should reinterpret the identity-forming moral values contained in the erpangir ku lau ritual and then attach them side by side with whatever beliefs they currently hold.
Sastra Pariwisata: Lukisan Lanskap dan Rute Wisata Kota Parapat dalam Novel Tepi Tob Bertova Simanihuruk; Asmyta Surbakti; I Nyoman Darma Putra; Eddy Setia
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 17, No 2: Mei 2022
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.17.2.39-53

Abstract

In recent years, a number of literary works, such as poetry, short stories, and novels that describe the tourist attraction of Lake Toba as the background or focus of the story is getting increased. This article aims to describe the landscape and tourist routes of Parapat in Tepi Toba novel by using descriptive qualitative method. Data is collected by close reading, recording, and quoting techniques and analyzed with a literary tourism approach. The results of the analysis show that Tepi Toba novel is not only about tourist’s activities, but also depicts the beauty of the hilly landscape of Parapat intensely and aesthetically filled with tourism supporting facilities and describes travel routes from and to Parapat and tourist travel routes in Parapat. The novelty of this analysis is that Tepi Toba novel has a dual function, namely as a story medium and tourism promotion. This article contributes to providing a new way of looking at the link between literature and tourism promotion. 
Penghancuran Estetika Kota: Bangunan Bersejarah di Kota Medan Asmyta Surbakti
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (168.145 KB) | DOI: 10.31091/mudra.v22i1.1536

Abstract

In the last two decades, specially when Medan City has got involved in the urban developmentalism, through the modernization and capital globalization, many historical buildings are destructed in order to build shopping centres, through hegemony and/or demolition by neglection. Using their hegemonic discourses, the local government supports controversially the destruction although the Perda was already issued. The most important discourse is the promise that the shopping centres will create employment for the local people as well as generate revenues for the government. To resist the destruction, counter-hegemonic ones are built by the society supported by critical groups, such as non-governmental organizations called Badan Warisan Sumatra (Sumatra Heritage Trust (BWS/SHT) with the central figure Hasti Tarekat as well as intellectuals, and mass media. Such a destruction does not only omit history and identity of the city but also neglect the tourism development based on the aesthetics of the heritages, which is potential to emansipatory praxis of the society.