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THE INTERSECTION OF TIME: THE IMAGINARY MEETING AMONG RONGGOWARSITO, MANGKUNEGORO IV AND RADEN SALEH Subiyanto, Subiyanto; Rustopo, Rustopo; Kartika, Dharsono Sony
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.3316

The 19th century was a turbulent period for the island of Java, especially for its Javanese inhabitants, who had recently survived a devastating conflict known as the Java War. Prince Diponegoro became a symbol of Javanese resistance and a pivotal figure, signifying the inception of the high colonial era under the rule of Pax Nederlandica. Key historical figures like Raden Ngabehi Ronggowarsito, Mangkunegoro IV, and Raden Saleh Syarif Bustaman came of age in this epoch. The research project seeks to juxtapose the thoughts of these three key historical figures. A historical approach is used to analyze the available primary and secondary data and to constitute a metaphorical approach for reading art through the prism of these three exceptionally talented figures. The creative process of “The Intersection of Time” has been produced based on various considerations. Their interactions resulted in (1) heightened social awareness, which is evident in the way their thought processes responded to contemporary socio-economic, political, and cultural conditions during their respective lifetimes; (2) increased aesthetic awareness, allowing for creative responses to their environment and contemporary circumstances through their work; and (3) enhanced spiritual awareness, informing their individual and collective initiatives to protect Java’s circumstance. Drawing from a profound understanding of Javanese history, the history of the three selected individuals, and their artwork, the film “The Intersection of Time” will effectively encapsulate the distinct spirit and zeitgeist of the 19th century, setting it apart from conventional historical narratives.

THE INTERSECTION OF TIME: THE IMAGINARY MEETING AMONG RONGGOWARSITO, MANGKUNEGORO IV AND RADEN SALEH Subiyanto, Subiyanto; Rustopo, Rustopo; Kartika, Dharsono Sony
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.3316

The 19th century was a turbulent period for the island of Java, especially for its Javanese inhabitants, who had recently survived a devastating conflict known as the Java War. Prince Diponegoro became a symbol of Javanese resistance and a pivotal figure, signifying the inception of the high colonial era under the rule of Pax Nederlandica. Key historical figures like Raden Ngabehi Ronggowarsito, Mangkunegoro IV, and Raden Saleh Syarif Bustaman came of age in this epoch. The research project seeks to juxtapose the thoughts of these three key historical figures. A historical approach is used to analyze the available primary and secondary data and to constitute a metaphorical approach for reading art through the prism of these three exceptionally talented figures. The creative process of “The Intersection of Time” has been produced based on various considerations. Their interactions resulted in (1) heightened social awareness, which is evident in the way their thought processes responded to contemporary socio-economic, political, and cultural conditions during their respective lifetimes; (2) increased aesthetic awareness, allowing for creative responses to their environment and contemporary circumstances through their work; and (3) enhanced spiritual awareness, informing their individual and collective initiatives to protect Java’s circumstance. Drawing from a profound understanding of Javanese history, the history of the three selected individuals, and their artwork, the film “The Intersection of Time” will effectively encapsulate the distinct spirit and zeitgeist of the 19th century, setting it apart from conventional historical narratives.

IKAT BANAWI: MENENUN RIWAYAT SUNGAI BENGAWAN SOLO DARI CARIYOSIPUN BANAWI SALA Kurniawan, Hadi; Kartika, Dharsono Sony; Syabana, Dana Kurnia
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 36 No. 2 (2019): Dinamika Kerajinan dan Batik : Majalah Ilmiah
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v36i2.5622

Sungai Bengawan Solo memiliki peran penting dalam keberlangsungan hidup masyarakat sejak dulu hingga saat ini. Kondisi sungai tersebut dalam keadaan tercemar limbah yang berbahaya bagi makhluk hidup. Carisyosipun Banawi Sala merupakan karya sastra kuno warisan budaya Nusantara yang mengandung nilai sejarah yang berharga, pengetahuan, dan seni yang dapat menambah kecerdasan ekologi bagi masyarakat. Penciptaan karya seni merupakan bentuk ekspresi pengalaman jiwa terhadap kelestarian karya sastra Cariyosipun Banawi Sala dan alam sungai Bengawan Solo. Tujuan Penciptaan ini adalah menghasilkan kain tenun ikat pakan yang motif-motifnya bersumber ide dari Cariyosipun Banawi Sala. Metode penciptaan yang digunakan adalah pemanfaatan sumber data dan proses kreasi artistik yaitu eksperimen, perenungan, dan pembentukan. Penciptaan ini menghasilkan dua karya seni kain tenun ikat pakan yaitu Ikat Banawi motif Baita dan Ikat Banawi motif ulam.

Karakteristik Sosio-Budaya, Pergeseran dan Pola Adaptasi Kriya Gerabah Pagelaran Malang Iriaji, Iriaji; Rohidi, Tjetjep Rohendi; Florentinus, Totok Sumaryanto; Kartika, Dharsono Sony
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

This research is aimed to study the phenomena of the socio-cultural characteristics, the shift of shape variety, techniques of production, function, as well as the adaptation pattern of the pottery makers of Pagelaran. The study is done holistically and in depth by using qualitative approach through the design of phenomenology. The factual data is gained through in depth interviews, observation and study of documentation with the researchers acting as the key instrument. The validity of the data is maintained by using the source triangulation technique, triangulation of methods, and triangulation of theory. The data are analyzed through the process of reduction, presentation, verification, and paradigmatic theory analysis by using the perspective of the theory of socio-culture, aesthetic of crafting art, and adaptation. This research resulted some points, first is the characteristics of the community of pottery craft of Pagelaran that is heavily holding the Malangan local culture, yet the Javanese culture still heavily attached especially in the behavior of mutual cooperation and the practice of traditional ceremony. Second, the presence of shifting of pottery shaping, technique, and the function of the pottery craft of Pagelaran from the point that they are only making the traditional pottery products into making the creative and innovated pottery products. Third is the findings of two adaptation patterns that is done by the pottery craft community of Pagelaran, that is the functional adaptation pattern through the concept of revitalization and the adaptation pattern processual through the concept of reinterpretation.

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