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All Journal Jurnal Teknik Gradien Akses: Jurnal Penelitian dan Pengabdian Kepada Masyarakat Universitas Ngurah Rai
Witari, Made Ratna
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Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Environmental Science Law, Crime, Criminology & Criminal Justice

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DAMPAK ABRASI TERHADAP LINGKUNGAN DAN SOSIAL BUDAYA DI WILAYAH PESISIR PANTAI PABEAN, GIANYAR Witari, Made Ratna; Saidi, Agus Wiryadhi; Sariasih, Komang
Jurnal Teknik Gradien Vol 13 No 1 (2021): Gradien
Publisher : Fakultas Sains dan Teknologi Universitas Ngurah Rai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47329/teknikgradien.v13i1.739

Abstract

Wilayah pesisir merupakan daerah peralihan antara ekosistem darat dan laut yang memiliki berbagai potensi sumber daya alam. Namun meningkatnya laju abrasi menjadi ancaman bagi wilayah pesisir saat ini. Abrasi ialah pengikisan daratan akibat aktivitas gelombang, arus maupun pasang surut laut yang dapat menyebabkan berubahnya garis pantai. Salah satu Pantai yang terkena dampak abrasi ialah Pantai Pabean yang berada di Desa Ketewel, Kecamatan Sukawati, Gianyar. Pantai Pabean memiliki suasana tenang dan jauh dari hiruk pikuk kota menjadikan pantai ini kian diminati wisatawan. Akan tetapi, berkembangnya kawasan Pantai Pabean tegak lurus dengan kerusakan pesisir akibat abrasi yang semakin parah. Tujuan Penelitian ini ialah untuk mengkaji dampak abrasi terhadap lingkungan dan sosial budaya di wilayah pesisir Pantai Pabean serta upaya yang telah dilakukan untuk menahan laju abrasi pada tahun 2018. Penelitian ini menggunakan metode kualitatif dengan pendekatan historis untuk dapat menggambarkan kebenaran di masa lalu. Data diuraikan secara deskriptif dengan disertakan data pendukung seperti peta dan gambar. Pengumpulan data dilakukan dengan cara observasi, wawancara dan studi literatur. Hasil akhir penelitian menunjukkan bahwa telah banyak terjadi perubahan lingkungan dan sosial budaya masyarakat di pesisir Pantai Pabean akibat abrasi yang diuraikan menjadi empat bagian, yaitu : (1) Hilangnya persil tanah di sepanjang pesisir Pantai Pabean; (2) Pindahnya lokasi pelaksanaan kegiatan upacara agama melasti; (3) Bergesernya mata pencaharian masyarakat; (4) Sampah yang menumpuk di Pesisir Pantai Pabean. Langkah yang sudah dilakukan untuk mengurangi dampak abrasi ialah dengan mitigasi struktural berupa pembangunan talud.
PENERAPAN TEMA ARSITEKTUR INDUSTRIAL PADA THE TIING HOTEL, TEJAKULA, BULELENG Yoni, Ida Ayu Putu padmi; Saidi, Agus Wiryadhi; Witari, Made Ratna
Jurnal AKSES Vol 14 No 2 (2022): Jurnal Akses Desember 2022
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Universitas Ngurah Rai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70358/jurnalakses.v14i2.1004

Abstract

The Tiing Hotel is a four-star accommodation facility located in Tejakula District, Buleleng Regency, Bali Province. This architectural work is interesting to discuss because it comes with a unique industrial architecture theme. The industrial architectural style appears with the characteristic of using basic materials as they are without significant processing which gives the impression of being unfinished, firm, masculine and honest. The industrial architecture theme at The Tiing Hotel is unique because of the mix of cement/concrete with bamboo which is widely used in its design. Generally, the dominant industrial architecture uses modern materials produced by factories or former factory buildings. This study examines and analyzes how the architects of The Tiing Hotel designed and implemented industrial architectural themes in their designs. This research is qualitative in nature. Data sourced from secondary data were analyzed using descriptive methods. The conclusions obtained show that The Tiing Hotel applies the theme of industrial architecture with a modern minimalist nuance in a rural Balinese natural setting. The character of industrial architecture can be seen in the shape of the building and the firm lines; unfinished floor, wall, ceiling surfaces; the original color of the material and exposed surface. No visible exposure to mechanical-electrical elements. The combination with natural elements can be seen from the arrangement of the building site in response to its environment; exposed concrete wall materials with bamboos and natural stones; furniture and decoration with natural materials.
MEMBUAT ATAU MERANCANG? Lestari, Ayu Putu Utari Parthami; Witari, Made Ratna; Silantara, I Gede Gandhi
Jurnal Teknik Gradien Vol 16 No 02 (2024): JURNAL TEKNIK GRADIEN
Publisher : Fakultas Sains dan Teknologi Universitas Ngurah Rai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47329/teknik_gradien.v16i02.1300

Abstract

Understanding the terms making and designing has long been a hot topic of discussion. Tim Ingold said they had influenced understanding and practice in anthropology, archaeology, art, and architecture. The main focus of this paper is to examine how Ingold connects the process of “making” with environmental adaptation and material influences. This research utilizes a literature review of Ingold's major works, especially Making: Anthropology, Archaeology, Art, and Architecture (2019), and compares it with other theories that emphasize the concept of design in the context of modern design. Ingold argues that “making” is a creative process that involves a direct and dynamic interaction with materials and the environment, the outcome of which develops through human engagement with the physical environment. In contrast, “designing” in modern design focuses more on planning, precision, and efficiency, with the process structured before making even begins. Ingold's critique of modern design invites designers, especially architects, to refocus on direct engagement with materials and the environment. This making approach offers new insights for a more adaptive modern design practice, especially in green architecture and community-based design.
Co-Authors Ayu Putu Utari Parthami Lestari, Ayu Putu Utari Parthami Saidi, Agus Wiryadhi Sariasih, Komang SILANTARA, I GEDE GANDHI Yoni, Ida Ayu Putu padmi