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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Kolaboratif Sains Jurnal Abdidas ARTCHIVE: Indonesia Journal of Visual Art and Design Chemical Engineering Journal Storage (CEJS) VCode
yanti, eva
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Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Education Health Professions Languange, Linguistic, Communication & Media Mathematics Physics Public Health Social Sciences Other

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Journal : ARTCHIVE: Indonesia Journal of Visual Art and Design

 1 
STUDI MAKNA LOGO INDONESIA HALAL INDUSTRY AWARDS (IHYA) TERHADAP PERSEPSI PELAKU INDUSTRI KOTA PADANG PANJANG Inayah, Alifia Rifki; Ditto, Anin; Yanti, Eva
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.4072

Abstract

Reasearch for analyze meaning of Indonesia Halal Industry Awards (IHYA) logo using the semiotic theory of Charles Sanders Peirce and Roland Barthes, to see how the semiotic elements in the logo represent halal industry, on the views of halal industry players in Padang Panjang city. IHYA logo carries halal value by redefining the meaning. This study uses descriptive qualitative methods, using visual perception theory, Peirce's and Barthes’ semiotics. With visuals that redefine the meaning of halal, it produces the perception of halal industry players in the city of Padang Panjang which causes prejudice against the IHYA logo, because of the lingering old ethics about the iconic halal identity. So the analytical approach of Peirce's semiotic theory that reveals signs, objects, interpretants with further meanings of Barthes' semiotic theory in the meaning of the level as an effort to clarify the true meaning of the IHYA logo.
Reading Affect in 'Lepas': an Approach Using Affect Theory on The Monumental Painting By Armen Qomarats, Izan; Yanti, Eva
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 2 (2024): ARTCHIVE: Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i2.4936

Abstract

This study analyzes the monumental painting titled "Lepas" using affect theory to understand how its visual elements trigger emotional and affective responses in viewers. Affect theory serves as a conceptual framework to explore the relationship between the visual aspects of the artwork and their impact on the subjective experience of the audience. Through a qualitative approach and aesthetic analysis methods, this research focuses on elements such as composition, color, scale, and symbolism within the artwork, and how these elements influence the viewers' emotional perception. The findings reveal that "Lepas" successfully creates a profound affective resonance, where viewers not only appreciate the visual aspects of the painting but also experience intense emotional reactions. The affect generated by this work transcends the boundaries of visual aesthetics, making "Lepas" an effective medium for emotional communication. This study contributes to a broader understanding of the role of affect in monumental painting, particularly in the context of visual art appreciation in Indonesia.
Co-Authors Agam Muarif Ajrina, Munifa Alipuddin, Alipuddin Anin Ditto Ariesta, Olvyandra Asmidar Asmidar Elfrida Ratnawati HAMID, ALLY Harissman, Harissman Inayah, Alifia Rifki Izan Qomarats Kamaruddin, Abd. malik, cameron Mulyadi, Ernitasari Nengrum, Heru Nuzulul Isna Putra, Genta Noverda Rahman, Fadhul Rahman, Fiqri Aulia Rozanna Dewi Siregar, Fari’idah sudiani, yoni SUMADI SUMADI Syamsul Bahri Zainuddin Ginting