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All Journal Batoboh : Jurnal Pengabdian Pada Masyarakat Creativity And Research Theatre Journal Prosiding Seminar Nasional Humaniora
Rifandi, Ilham
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Jam Dinding yang Berdengkang Rifandi, Ilham; Wati, Cintami Sukma; Manurung, Rafika
Creativity And Research Theatre Journal Vol 5, No 1 (2023): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v5i1.3712

Abstract

Jam Dinding yang Berdengkang is a theatrical performance inspired by the drama Jam Dinding yang Berdetak by Nano Riantiarno. In writing this play, the writer applies a spin-off pattern so that the characters in the Jam Dinding yang Berdengkang are still the same characters with different points of view and problems. In creating the show Jam Dinding yang Berdengkang the author conducted research related to the problems in the show, namely the condition of poverty in Medan City. The creation of this show uses a qualitative approach in collecting data . ABSTRAKJam Dinding yang Berdengkang merupakan pertunjukan teater yang terinspirasi dari drama Jam Dinding yang Berdetak karya Nano Riantiarno. Dalam penulisan drama ini, penulis menerapkan pola spin-off sehingga karakter yang terdapat dalam Jam Dinding yang Berdengkang tetap tokoh yang sama dengan sudut pandang dan permasalahan yang berbeda. Dalam penciptaan pertunjukan Jam Dinding yang Berdengkang penulis melakukan penelitian terkait dengan permasalahan dalam pertunjukan yaitu kondisi kemiskinan di Kota Medan. Penciptaan pertunjukan ini menggunakan pendekatan kualitatif dalam mengumpulkan data terkait tema pertunjukan dan metode planting dalam proses penciptaan.
Rumah Kreatif Tambak Bayan; Arts Community Based Character Education Sari, Melati Pravita; Rifandi, Ilham; Rahmatika, Aulia
Creativity And Research Theatre Journal Vol 6, No 1 (2024): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v6i1.4377

Abstract

This research uses qualitative methods to understand conditions in the field in a real and clear manner. This article reviews the significant role played by Tambak Bayan Creative House (RKTB) in character education for its participants, especially children from low economic backgrounds and academic challenges. RKTB provides a platform for participants to develop their creativity through various arts and cultural activities. His character education program not only enhances artistic abilities, but also teaches values such as cooperation, honesty, and respect, which are important for an individual's holistic development. The evaluation results show a significant increase in the academic achievement and personal development of RKTB participants, reflected in increased learning motivation and the ability to express themselves creatively. This article concludes that RKTB is not only a center for creativity, but also an environment that builds positive character and helps participants to grow as valuable individuals in society
Exploration of Ndikkar and Tortor's Movements in the Performance Before I Forget You Pt I Sari, Melati Pravita; Rifandi, Ilham; Rahmatika, Aulia
Creativity And Research Theatre Journal Vol 5, No 2 (2023): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v5i2.4114

Abstract

This article discusses how to use basic cultural body movements as basic material in creating the performance Before I Forget You Pt I. This performance is one of the repertoires from Aka Bodi Theater which is being performed at the Jong Batak Arts Festival in 2023. This performance is the result of a collaboration between young artists The city of Medan carries a diversity of cultural identities, from the initiator to the performer, so the basic body materials used are also diverse. Specifically, this article discusses how to explore the basic movements used, such as the Ndikkar movement from the Karo ethnic group and the Tortor movement from the Toba Batak ethnic group. This research uses qualitative research methods to find an in-depth understanding of the process of creating the work. Therefore, the results of this research will be related to the process of exploring Ndikkar and Tortor's movements in the Before I Forget You Pt I performance.
Arsitektur Drama Rainbow: Poetri Kentjana Boelan Irianto, Ikhsan Satria; Rifandi, Ilham; Handayani, Lusi; Gustyawan, Tofan
Prosiding Seminar Nasional Humaniora Vol. 3 (2023): Prosiding Seminar Nasional Humaniora
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP Universitas Jambi

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Abstract

The architectural analysis of Soekarno's drama Rainbow: Poetri Kjencana Boelan aims to trace the design of Soekarno's dramatic work, as a preliminary study of Soekarno's dramatic vision. The material object in this research is the drama Rainbow: Poetri Kjencana Boelan while the analytical tool used is the theory of drama architecture from Ledwin, Joe and Stockadale. The research method used is a qualitative method with a text analysis approach. The result of this research is that the drama Rainbow: Poetri Kjencana Boelan has the theme of revenge, uses multi-plots (linear and episodic), designs characterizations in black and white characters and has a tragedy genre and a romantic style. The writing of the drama Rainbow: Poetri Kjencana Boelan was influenced by the spirit of the times "to destroy colonialism". Abstrak Analisis arsitektur drama Rainbow: Poetri Kjencana Boelan karya Soekarno bertujuan untuk menelusuri desain perancangan karya dramatik yang dilakukan oleh Soekarno, sebagai studi pendahuluan atas penelusuran visi dramatik Soekarno. Objek material dalam penelitian ini adalah drama Rainbow: Poetri Kjencana Boelan sedangkan piranti analisis yang digunakan adalah teori arsitektur drama dari Ledwin, Joe dan Stockadale. Metode penelitian yang digunakan adalah metode kualitatif dengan pendekatan analisis teks. Hasil dari penelitian ini adalah drama Rainbow: Poetri Kjencana Boelan memiliki tema pembalasan dendam yang disusun dalam alur multiplot (linier dan episodik), penokohan dirancang dalam karakter hitam-putih dengan genre tragedy dan gaya romantik. Penulisan drama Rainbow: Poetri Kjencana Boelan dipengaruhi oleh semangat zaman "mengganyang kolonialisme".
Pelatihan Manajemen Pertunjukan Seni Bagi Komunitas Seni Telangkai Kecamatan Tanjung Beringin Kabupaten Serdang Bedagai Togatorop, Merdy Roy Sunarya; Widiastuti, Uyuni; Hakim, Ifwanul; Rifandi, Ilham; Natalia, Christine Helena
Batoboh Vol 10, No 2 (2025): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v10i2.5937

Abstract

Permasalahan yang dihadapi oleh mitra adalah; 1) Minimnya pengetahuan tentang penyusunan sajian pertunjukan; 2) Minimnya pengetahuan tentang tata panggung dan artistik; 3) Minimnya pengetahuan tentang pengelolaan administrasi pertunjukan. Solusi yang ditawarkan untuk meyelesaikan permasalahan yang dihadapi oleh mitra adalah; 1) Menerapkan pengetahuan tentang konsep susunan sajian pertunjukan; 2) Menerapkan pengetahuan tentang tata panggung dan artistik; 3) Menerapkan pengetahuan tentang tata kelola administrasi pertunjukan. Tujuan dan target khusus dari kegiatan ini adalah; 1) Terbentuknya kemampuan (soft skill) penyusunan sajian pertunjukan; 2) Terbentuknya kemampuan (soft skill) merancang tata panggung dan artistik; 3) Terbentuknya kemampuan tata kelola administrasi pertunjukan. Metode yang dilakukan adalah dengan metode pembimbingan dan pendampingan atas program kerja yang ditujukan kepada mitra dalam hal memperbaiki persoalan yang dihadapi hingga memperoleh hasil yang maksimal. Berdasarkan realita dan fakta lapangan pada pertunjukan seni, kemampuan dalam menyusun dan mengaplikasikan konsep pertunjukan, menata dramatisasi acara, dan kemampuan menata administrasi acara pertunjukan menjadi satu paket yang penting untuk kesuksesan pertunjukan seni. Hal tersebut sudah harus menjadi perhatian penting secara khusus bagi Komunitas Seni Telangkai dalam melakukan penyajian pertunjukan.
Co-Authors Christine Helena Natalia Gustyawan, Tofan Handayani, lusi Ifwanul Hakim IKHSAN SATRIA IRIANTO Manurung, Rafika Merdy Roy Sunarya Togatorop Rahmatika, Aulia Sari, Melati Pravita Uyuni Widiastuti Wati, Cintami Sukma