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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni International Journal of Visual and Performing Arts Kepariwisataan: Jurnal Ilmiah
Sunaryo, Tejo Bagus
Sekolah Tinggi Pariwisata Ambarukmo, Yogyakarta
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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UPAYA PELESTARIAN BATIK ASLI PEKALONGAN DALAM RANGKA MEMPERTAHANKAN PENGAKUAN UNESCO SEBAGAI WARISAN BUDAYA INDONESIA DI KOTAMADYA PEKALONGAN Sunaryo, Tejo Bagus; Roberta, Maria Elisabeth
Kepariwisataan: Jurnal Ilmiah Vol. 9 No. 03 (2015): Kepariwisataan: Jurnal Ilmiah
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat Sekolah Tinggi Pariwisata Ambarrukmo Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47256/kepariwisataan.v9i03.141

Abstract

This paper is made so people care about the originality of batik as Indonesia’s cultural heritage, to create a sense of nationality, love the homeland and so that the legacy of this country will not taken by other country. This is so that batik will still be recognized by UNESCO and the world as Indonesia’s own cultural heritage. The sources for the making of this paper was from the internet and from the author’s knowledge, because the author has been living in Pekalongan for 14 years. Although Pekalongan is only a small town, but Pekalongan had a unique history and culture that only Pekalongan who have it. Keywords: Pekalongan, batik, culture, legacy, UNESCO
UPAYA PELESTARIAN BATIK ASLI PEKALONGAN DALAM RANGKA MEMPERTAHANKAN PENGAKUAN UNESCO SEBAGAI WARISAN BUDAYA INDONESIA DI KOTAMADYA PEKALONGAN Tejo Bagus Sunaryo; Maria Elisabeth Roberta
Kepariwisataan: Jurnal Ilmiah Vol 9, No 3 (2015): Kepariwisataan: Jurnal Ilmiah
Publisher : Sekolah Tinggi Pariwisata Ambarrukmo Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper is made so people care about the originality of batik as Indonesia’s cultural heritage, to create a sense of nationality, love the homeland and so that the legacy of this country will not taken by other country. This is so that batik will still be recognized by UNESCO and the world as Indonesia’s own cultural heritage. The sources for the making of this paper was from the internet and from the author’s knowledge, because the author has been living in Pekalongan for 14 years. Although Pekalongan is only a small town, but Pekalongan had a unique history and culture that only Pekalongan who have it.Keywords: Pekalongan, batik, culture, legacy, UNESCO
Seni Pertunjukan dan Kreativitas Kelompok Musik Setabuhan Yogyakarta Indonesia Sejati, Irfanda Rizki Harmono; Sunaryo, Tejo Bagus; Sunarto, Sunarto
Resital: Jurnal Seni Pertunjukan Vol 23, No 2 (2022): Agustus 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v23i2.7083

Abstract

ABSTRACT Setabuhan is a musical group consisting of three people who have different musical concepts from the others. The form of Setabuhan group music is rhythmic or percussion music in which two people are percussionists, and the other plays the exploration of vocal sound. The musical instruments used by Setabuhan are drums, percussion and vocal music using digital effects. The form of music used by this Setabuhan music group is not commonly used in structural forms of musical compositions because it does not use melodic musical instruments, and the vocal music does not have lyrics. The form of the Setabuhan group performance is a collaboration of rhythmic music with the arts of Pencak Silat, or martial arts. The rhythm and tempo of the beats tend to be loud with a fast rhythmic game. This group becomes very interesting and has particular characteristics because not many musical groups have the same concept as Setabuhan . The Setabuhan music group is not well known in Indonesia but has performed many performances in various other countries. The focus of the research on the Setabuhan music group is: 1) The form of Setabuhan music performances; and 2) The creativity of the Setabuhan music group. The research method used in this research is qualitative with descriptive exposure. The research subjects were musicians of the Setabuhan music group in Yogyakarta. Data collection techniques were observation, interviews, documentation, and data analysis. The results show that the form and creativity of the Setabuhan music group lie in the rhythmic drum and percussion music playing, which is filled with exploration of vocal sounds with musical effects and collaboration with the art of Pencak Silat. The conclusion of this research is the form and creativity process of the Setabuhan music group, which is very interesting and has the characteristics of its work and form of performance.ABSTRAK Setabuhan merupakan kelompok musik yang terdiri dari tiga orang yang mempunyai konsep musik yang berbeda dari yang lain. Bentuk musik kelompok Setabuhan adalah musik ritmis atau disebut dengan musik perkusi. Dua orang sebagai pemain perkusi dan satu orang memainkan eksplorasi bunyi vokal. Alat musik yang digunakan Setabuhan menggunakan drum, perkusi dan satu musik vokal yang menggunakan efek digital. Bentuk musik yang digunakan kelompok musik Setabuhan ini tidak lazim digunakan pada bentuk struktural komposisi musik pada umunya karena tidak menggunakan alat musik musik melodis dan bentuk musik vokal nya juga tidak berlirik. Bentuk pertunjukan kelompok Setabuhan adalah kolaborasi musik ritmis dengan seni pencak silat atau bela diri. Irama dan tempo musik Setabuhan cenderung keras dengan permainan ritmis yang cepat. Kelompok ini menjadi sangat menarik dan mempunyai ciri khas karena belum banyak kelompok musik yang mempunyai konsep yang sama dengan Setabuhan. Kelompok musik Setabuhan memang belum begitu dikenal di Indonesia tetapi sudah banyak melakukan pertunjukan di berbagai negara lain. Fokus dari penelitian pada kelompok musik Setabuhan adalah: 1) Bentuk pertunjukan musik Setabuhan; dan 2) Kreativitas kelompok musik Setabuhan. Metode penelitian yang digunakan dalam penelitian ini adalah kualitatif dengan paparan secara deskriptif. Subjek penelitian adalah musisi kelompok musik Setabuhan di Yogyakarta. Teknik pengumpulan data dengan observasi, wawancara, dokumentasi, dan analisis data. Hasil penelitian menunjukan bahwa bentuk dan kreativitas yang dilakukan kelompok musik Setabuhan terletak pada permainan musik ritmis drum dan perkusi yang di isi oleh eksplorasi bunyi vokal yang diberi efek musik dan berkolaborasi dengan seni pencak silat. Kesimpulan dari penelitian ini adalah bentuk dan proses kreativitas kelompok musik Setabuhan yang sangat menarik dan mempunyai ciri khas karya dan bentuk pertunjukannya.
Interpreting Javanese aesthetics through a qualitative hermeneutic and symbolic analysis of tayuman wood (bauhinia purpurea) keris hilts Sunaryo, Tejo Bagus; Lasiyo, Lasiyo; Tjahyadi, Sindung
International Journal of Visual and Performing Arts Vol 7, No 2 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i2.2200

Abstract

Javanese aesthetics embody the concept of beauty as experienced through rasa, a sensibility that integrates physical perception, spiritual intuition, and cultural meaning. Rooted in Javanese philosophical and mystical traditions, rasa serves as the essential criterion in defining aesthetic value. This study explores the manifestation of Javanese aesthetics in the craft of keris hilts made from Tayuman wood (Bauhinia purpurea), believed to possess spiritual potency (tuah). Beyond its fine texture, rich brown hue, and workable density, Tayuman wood is valued for its mystical energy. The unyeng-unyeng motif that concentric grain patterns formed by dormant branch knots is considered the visual and spiritual core of its aesthetic appeal. Using a qualitative research method with a Javanese aesthetic construction approach, this study applies hermeneutic interpretation and symbolic analysis to reveal the multilayered meanings embedded in the artifact. The analysis identifies both exoteric (technical and visual) and esoteric (spiritual and metaphysical) dimensions that converge harmoniously in the crafting process. The Tayuman wood keris hilt thus emerges not merely as an object of visual beauty, but as a symbolic expression of Javanese cultural identity, linking humans, nature, and the spiritual realm through the unity of art, belief, and tradition.
Manifestations of beliefs in mystical (“tuah”) plants within the repertoires and practice of Javanese karawitan Sunaryo, Tejo Bagus; Lasiyo , Lasiyo; Santoso , Heri
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7719

Abstract

Javanese culture maintains a profound relationship with mysticism, including beliefs in plants considered to possess tuah (spiritual potency). Javanese karawitan, as a cultural expression, also contains symbolic layers shaped by these mystical worldviews. This study examines how such beliefs manifest in the titles, symbolic atmospheres, and performative behaviors associated with selected gendhings that reference or imply spiritually potent plants. Using a qualitative descriptive method and a phenomenological approach grounded in Javanese cultural mysticism, the research integrates musical-text analysis, cosmological symbol interpretation, and interviews with practitioners to clarify how each method contributes to the findings. Textual analysis identifies plant-related symbolic markers; phenomenological interpretation reveals how performers internalize these symbols; interviews explain the cultural logic linking plant potency with specific performative behaviors. The findings show that beliefs in spiritually potent plants function not merely as a cosmological background but as active determinants of performative intention, aesthetic atmosphere, and interpretive meaning within the examined repertoire. This study offers a new contribution by demonstrating that the concept of tuah operates as a metaphysical structure influencing both musical creation and performance. Unlike previous studies, it identifies a direct relationship between sacred-plant symbolism and its concrete manifestation in Javanese karawitan.
Co-Authors Irfanda Rizki Harmono Sejati Lasiyo , Lasiyo Lasiyo Lasiyo, Lasiyo Maria Elisabeth Roberta Roberta, Maria Elisabeth Santoso , Heri Sindung Tjahyadi Sunarto Sunarto