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All Journal Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Wibawarta, Bambang
Department Of Literature, Faculty Of Humanities, Universitas Indonesia
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Dejima; VOC dan "rangaku" Wibawarta, Bambang
Wacana, Journal of the Humanities of Indonesia Vol. 10, No. 2
Publisher : UI Scholars Hub

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Abstract

Japan and the Netherlands have maintained a special relationship for about 300 years since the adoption of the National Seclusion policy, the so-called sakoku by the Tokugawa shogunate (1603-1867). The Dutch began trading with Japan and engaging with Japanese society in 1600, when a Dutch ship, De Liefde, arrived in Kyushu. The Tokugawa government measures regarding foreign policy included regulations on foreign access to Japan and a prohibition on Japanese going abroad. Between the middle of the seventeenth to the early nineteenth century, Japan was characterized by a stable political pattern in which representatives of the VOC (Dutch East India Company), were the only Europeans with a right to trade in Japan. In the course of this period, the Japanese evaluation of the Dutch changed from regarding them as commercial agents to seeing them as importers of European knowledge. This paper is especially concerned with the influence of the so-called 'Dutch Studies' (rangaku) on the early modernization of Japan, especially with regard to medicine and the natural sciences. This research examines the development of rangaku and the trading between Japan and VOC at Dejima.
Bushido dalam Masyarakat Jepang Modern Wibawarta, Bambang
Wacana, Journal of the Humanities of Indonesia Vol. 8, No. 1
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Bushido is most often translated as the way of the warrior caste in Japan. Bushi refers to warriors in feudal Japan while do means several things including: the correct way, the path, or the road. Another interpretation of Bushido could be the way of preserving peace through the use of force. Bushido comes out of Buddhism, Confucianism, and Shintoism. The combination of these schools of thought and religions has formed the code of warrior values known as Bushido. A key to our understanding of how the concepts of Bushido fit into Japanese modern lives is to understand the historical and societal aspects of Bushido. Today, this meaning can be modernized to include minimizing violent conflict. The code of Bushido, the Samurai's code of honor, upholds loyalty, discipline, total dedication, honor and valor, and numerous examples of these elements can be witnessed today or in recent history.
SHAKESPEARE’S TRAGEDY OF MACBETH AS A STRANGE ATTRACTOR FOR THEATER PERFORMANCES AND CINEMATIC ADAPTATIONS Soenarto, Iswahyudi; Wibawarta, Bambang
International Review of Humanities Studies Vol. 8, No. 2
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Chaos theory explicates how small things can result in big differences. Its basic principles can provide an alternative means for literary and non-literary interpretations. This study will explore how the principles of chaos theory can be utilized, together with commonly used literary theories, as an analytic lens to analyze the dramatic text of Shakespeare. The argument is built upon how Macbeth, viewed as a complex and chaotic system, become a strange attractor for both theater performances and cinematic adaptations, in an effort to understand the interconnection between the play and its reproductions as complex networks. Various elements of the text will be discussed, including its structure, language expressions and character patterning, as well as the choices of action – reaction determined to be taken by the characters in the play.
NARRATIVE OF NATIONALISM IN MISE-EN-SCENE OF BIOPIC SOEKARNO: INDONESIA MERDEKA Gunawan, Eric; Wibawarta, Bambang
International Review of Humanities Studies Vol. 9, No. 1
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This paper examines the national narrative presented in the biographical film Soekarno: Indonesia Merdeka (2014). The analysis employs a film studies approach to explore the interplay between visual and narrative strategies within the framework of Eisenstein's theoretical perspectives. Christian Metz's semiotic theory is utilized to decode the signs embedded throughout the film. The study focuses on the visual and narrative strategies employed in the biopic to elucidate the national narrative, particularly through the portrayal of the character Soekarno and his interactions with other key figures. Visual strategies, encompassing cinematography and mise-en-scene techniques, bring to light signs that are intricately linked to national narratives. Simultaneously, the narrative strategy reinforces the coherence of this narrative through pivotal plot points in the film's storyline. In this biopic, audio is construed as an underpinning element that enhances the information and meaning already conveyed through the visuals. The holistic analysis of visual, narrative, and auditory components provides a comprehensive understanding of how the national narrative is constructed and conveyed in Soekarno: Indonesia Merdeka.
WORKING FROM HOME: WOMEN BETWEEN PUBLIC AND DOMESTIC SPHERES AFTER THE OUTBREAK OF COVID-19 Elfira, Mina; Wibawarta, Bambang; Esther, Rouli; Febriand, Fandra
International Review of Humanities Studies Vol. 6, No. 3
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This study examines how working mothers negotiate her gender role and strategize in facing the condition when domestic and public sphere exist in one space called home after the outbreak COVID-19 pandemic in Indonesia. The research questions are ” how far does working from home give an impact in changing patriarchal gender relation and distribution of work division at home?”, and “to what extends women modify their home functions in coping with COVID 19 pandemic condition and in minimizing patriarchal authority at their own home?” The research uses qualitative methods, including in-depth interviews and questioner filling, and focuses on samples of 30 middle class working women, living in Jabodetabek (Jakarta, Bogor, Depok, Tangerang, Bekasi) area. This study argues that as the impact of Covid pandemic condition, the middle class working mothers, who have been “forced to go back” to their homes, seemingly, use their homes as “struggling places” to renegotiate the old patriarchal role divisions and unequal gender/power relations. Moreover, it is argued that their homes, to some extends, are used as learning sites for gender equality values, and modified to fulfill their extended functions: as domestic, work, and social spheres.
THE INFLUENCE OF MEME CULTURE ON THE PERCEPTION OF JAPANESE MUSIC: A SURVEY OF DOLPHIN IN TOWN-KINGO HAMADA Alfajri, Salsabila; Wibawarta, Bambang
International Review of Humanities Studies Vol. 10, No. 1
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The research aims to explore the influence of meme culture on the perception of Japanese music in the digital era, specifically analyzing the impact of meme culture on the song "Dolphin in Town" by Kingo Hamada. This study utilized quantitative methods, with surveys as the main technique for data collection. The results showed that meme culture plays an important role in introducing songs and artists that may not have previously received attention. The study also highlights the diverse impacts of meme culture on the perception of Japanese music, including its influence on popularizing, accepting, and interpreting music in various ways. The research concludes that meme culture has become a significant force in shaping perceptions of music in the digital age, creating a social network in which music becomes a universal language, connecting people from different backgrounds, and enriching their musical experience.
Co-Authors Alfajri, Salsabila ERIC GUNAWAN Esther, Rouli Fandra Febriand Febriand, Fandra Mina Elfira Rouli Esther Pasaribu Soenarto, Iswahyudi