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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Lakon : Jurnal Kajian Sastra dan Budaya Simulacra JURNAL PUSTAKA KOMUNIKASI Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies Multikultura
Mina Elfira
Faculty Of Humanities, Universitas Indonesia
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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GEGAR BUDAYA PERANTAU DALAM SASTRA LISAN MINANGKABAU MALIN KUNDANG Elfira, Mina
JURNAL PUSTAKA KOMUNIKASI Vol 3, No 1 (2020): Accredited by Kemenristekdikti RI SK No. 28/E/KPT/2019
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/pustakom.v3i1.982

Abstract

The aim of this paper is to  investigate how migration (marantau) culture is constructed in oral literature of Minangkabau, the world?s largest matrilineal society. A well known Malin Kundang oral literature is used as a source of analysis.  By using literature sociological approach, and descriptive-criticism method, analysis of the texts, produced by Minangkabau matrifocal society,  shows the weak relationship between  a mother and her son. Moreover, it is used as educative media for Minangkabau people, who have implemented migration concepts as a part of the implementations of  their matrilineal Adat (customary laws).The text also contains advices for Minangkabau migrants to never forget the Adat and native land despite the fact that their have migrated and adapted to rantau culture. The punishment for  Malin Kundang, the main character of this oral literature, which has been cursed into stone by his own mother, can be taken as a representation of motherland?s punishment for the migrants who have faced cultural shock, and forgotten the main purpose of their migration mission. It is expected by the Adat that Minangkabau men do marantau activities just for temporarily in order  to gain prosperity and wisdom before going back to participate in developing their the homeland.
The changing meaning of Taylagan Festival for contemporary Russia Buryat society: An adaptation of tradition Rania Ayu Shila Febriani Adari; Mina Elfira
SIMULACRA: JURNAL SOSIOLOGI Vol 4, No 2 (2021)
Publisher : Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/sml.v4i2.10527

Abstract

Festival is a product of a culture that develops according to the needs and times, including the Taylagan Festival. Taylagan Festival is one of the most important annual rituals for the Russian Buryat Shamans. In the contemporary era, this festival has also been performed for tourists. By using Roland Barthes’s semiotic theory, this research explores the impact of the changes of Taylagan Festival meanings for Russian Buryat contemporary society. At the same time, Eric Hobsbawm’s “The Invention of Tradition" (1992) is used to investigate the inventory of Taylagan Festival traditions, based on qualitative data collected through intensive interviews for selected informants. By using the descriptive analysis method, the research result shows that the change in the sacred values of the Russian Buryat Shamans in the Taylagan Festival has been started since the presence of Neo-shamans as a form of cultural adaptation during the Contemporary Era, which is known to be more modern and active in social and cultural activities.
GEGAR BUDAYA PERANTAU DALAM SASTRA LISAN MINANGKABAU MALIN KUNDANG Mina Elfira
Jurnal Pustaka Komunikasi Vol 3, No 1 (2020): Accredited by Kemenristekdikti RI SK No. 28/E/KPT/2019
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/pustakom.v3i1.982

Abstract

The aim of this paper is to investigate how migration (marantau) culture is constructed in oral literature of Minangkabau, the worlds largest matrilineal society. A well known Malin Kundang oral literature is used as a source of analysis. By using literature sociological approach, and descriptive-criticism method, analysis of the texts, produced by Minangkabau matrifocal society, shows the weak relationship between a mother and her son. Moreover, it is used as educative media for Minangkabau people, who have implemented migration concepts as a part of the implementations of their matrilineal Adat (customary laws).The text also contains advices for Minangkabau migrants to never forget the Adat and native land despite the fact that their have migrated and adapted to rantau culture. The punishment for Malin Kundang, the main character of this oral literature, which has been cursed into stone by his own mother, can be taken as a representation of motherlands punishment for the migrants who have faced cultural shock, and forgotten the main purpose of their migration mission. It is expected by the Adat that Minangkabau men do marantau activities just for temporarily in order to gain prosperity and wisdom before going back to participate in developing their the homeland.
Inter-ethnic relations in Padang of West Sumatra; Navigating between assimilation and exclusivity Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 13, No. 2
Publisher : UI Scholars Hub

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Abstract

This article contributes to the discussion on how inter-ethnic relations challenge cultural boundaries, in this case Minangkabau matrilineal-Islamic culture in Padang of West Sumatra, Indonesia. This paper will focus on how Minangkabau people establish relationship with other ethnic groups in Padang, a multi-ethnic city. The paper argues that matrilineal principles (descent and inheritance through the maternal line) and Islam are the defining aspects to be considered by Minangkabau people in maintaining relationship with other ethnic groups. Moreover, there is some interplay between the need to protect Minangkabau Islamic-matrilineal adat in maintaining inter-ethnic relations by Minangkabau people and their assimilation and exclusivity interests.
Cora Vreede-De Stuers, Sejarah perempuan Indonesia; Gerakan dan pencapaian. Translated by Elvira Rosa, Paramita Ayuningtyas, and Dewi Istiani. Depok: Komunitas Bambu, 2008, xxvi + 322 pp. [Originally published as The Indonesian Woman; Struggles and achiev Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 11, No. 2
Publisher : UI Scholars Hub

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Vasilisa Maligina karya A.M. Kollontai; Sebuah rekonstruksi atas konsep maskulinitas Rusia Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 10, No. 1
Publisher : UI Scholars Hub

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This article is a literary analysis on Aleksandra Mikhailovna Kollontai' Vasilisa Maligina (1923) by using a feminist approach. Issues on masculinity are the focus of the analysis. The main argument of this article is that through the main character of this story - Vasilisa Maligina - Kollontai tried to expose the new image of Russian women by reconstructing the concept of Russian traditional masculinity in Russian society under former Uni Soviet communist government based on patriarchal culture.
Membedah Keterlibatan Negara dan Masyarakat Rusia dalam Persoalan Gender, Seks, dan Famili pada Masa dan Pasca Uni Soviet Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 9, No. 1
Publisher : UI Scholars Hub

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Maturity Process of Vladimir's Character; The Use of Points of View in "Pervaya Lyubov" Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 1, No. 2
Publisher : UI Scholars Hub

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Minangkabau mothers and daughters in contemporary "rantau" society; Regaining power with modified matrilineal principles and patriarchal "rantau" norms Elfira, Mina
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 2
Publisher : UI Scholars Hub

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Abstract

The action of pai marantau (emigrating) is usually associated with the Minangkabau, the world’s largest matrilineal society, and one of the most fervently Islamic societies in Indonesia – the country with the largest Muslim population in the world. Once, it was mainly men who migrated, but more recently, women have also been emigrating. One consequence of emigrating from the matrilineal heartland in West Sumatra is that women lose some of the privileges conferred by the matrilineal adat, especially those pertaining to inheritance. Using qualitative fieldwork methods and Kandiyoti’s theory of the patriarchal bargain (1988), this paper explores how these women reconstitute matriliny in the contemporary rantau – in the multi-cultural society of the mega-city of Jabodetabek – by modifying it, and negotiating the terms of patriarchal norms. By exploring the mother-daughter relationships of emigrant Minangkabau women, the conclusion is that they have successfully exercised their agency, adapting to social changes, and regaining their power by using modified matriliny, and taking advantage of patriarchal norms.
SLIPPING INTO THE SHADOWS OF KYAI’S FIGURES: WOMEN PARTICIPATION IN INDONESIAN PESANTREN’S WEB OF POWER Elfira, Mina
International Review of Humanities Studies Vol. 4, No. 2
Publisher : UI Scholars Hub

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Abstract

This paper explores women‟s efforts in challenging male authority within Indonesian pesantren (Islamic education institution). Historically, pesantren tradition did not involved women in its social and religious affairs, and the full authority was in the hand of Kyai (owner and leader of Pesantren). Later on, women, through figures of Nyai (wife, or daughters of Kyai), have started to get involve in pesantren‟s life by helping Kyai in managing pesantren‟s daily life, especially, in taking care of female santri (students). The paper investigates what kind of negotiations, conducted by these women, in dealing with pesantren‟s patriarchal attitude so they can more participate in its „public” and authority matters. Based on a qualitative research data, collected from fieldwork in selected pesantren around Indonesia, this paper argues that in order to maximize their contribution in pesantren web of power, pesantren women as Nyai actively try in any ways to change patriarchal concepts, to empower themselves, and to negotiate social changes.
Co-Authors Aldini, Dera Fazrin Alfatih, Voja Anggita, Kumara Apriola, Arini Chetiska, Annisa Dita Esther, Rouli Fandra Febriand Febriand, Fandra Lubis, Aprina Luzti Nasution, Muhad Alfianda Prinandatama, Dzulfiqar Patriot Ramadan, Riski Rania Ayu Shila Febriani Adari Rouli Esther Pasaribu Vennesa Naomi Wayoan Wang, Ying Wibawarta, Bambang