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All Journal Abdi Seni Journal of Music Science, Technology, and Industry (JOMSTI) Melodious : Journal of Music
Sri Wiyati, Wahyu
Institut Seni Indonesia Denpasar
Arts Humanities Education Social Sciences Other

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RUTIN Atmojo, Joseph Peter; Sumerjana, Ketut; Wiyati, Wahyu Sri
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3127

Abstract

Rutin is a composition inspired by the anxiety felt by the creator. This restlessness results from activities or work that are carried out repeatedly, causing a feeling of boredom and ultimately this feeling can be eliminated by no longer doing activities or work as before. Using the concept of modern music, namely music that uses instruments and technology. The instruments used in Routin's work consist of 3 electric guitars, electric bass, and drums. The artist uses a guitar playing technique with the addition of a delay effect which produces a repetition of the sound of what is played and utilizes the results of the repetition of the sound so that the resulting sound seems different to what is actually played. In order for Routine compositional works to be created academically, the creator refers to one creation method written down by the Arts Consortium, namely: (1) preparation, (2) elaboration, (3) synthesis, (4) realization of the concept, and (5) completion into the final form artworks. Some of the works that the creator used as references include, (1) Rob Scallon's work entitled Rain, (2) Ewan Dobson's work entitled Time 2, (3) Steve Reich's composition work entitled Electric Counterpoint, (4) Steve Reich's composition work entitled 2x5, (5) Work from the band Netral or NTRL entitled Flying Sink and Pertermpuran Hati, (6) Work from the band The Temper Trap entitled Sweet Disposition, (7) Work from the band Animal as Leaders entitled Red Miso.
INPUT, PROSES, OUTPUT PEMBUATAN MUSIK BUMPER: PADA PROGRAM ACARA KUIS PAKIS BALI DI BALI TV Luthfiansyah, Muhammad Raihan Luthfiansyah; Wiyati, Wahyu Sri; Ardini, Ni Wayan
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3288

Abstract

Bumper is an opening animation in a television program, serving as a short animation to depict the identity of a show or institution. Every TV program typically features a bumper to showcase its identity. During the internship in the MBKM 2023 program at Bali TV, I had the opportunity to create bumper music for the quiz show "Kuis Pakis Bali." I am grateful for this opportunity as it allows me to channel my passion for music and apply the knowledge gained in previous semesters to craft the bumper music for the "Kuis Pakis Bali" program. The process involved several stages: introduction, observation, music creation, and mixing/mastering. The introduction stage involved discussing the music bumper with Bali TV. The observation stage included analyzing existing bumper videos to create the musical accompaniment. In the music creation stage, I began composing the music for the bumper. Lastly, in the mixing and mastering stage, I merged the video and music, refining the sound to achieve balance and a pleasant listening experience.
PROSES PRODUKSI LAGU “PEACE” DI CITRANALA ART STUDIO Halawa, Apostolikum Kristian Halawa; Wiyati, Wahyu Sri; Irawan, Ricky
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3445

Abstract

This research aims to find out the procedures, processes and utilization of tools in the production process of the song "Peace" at Citranala Art Studio. According to Sawyer and Golding, music production has 3 general stages, namely: (1) Pre-production (2) Production, (3) Post-production is the last stage which includes the process of editing, balancing, mixing-mastering so that it can present a song that is ready to be presented. The method in this research uses qualitative methods and the data collection techniques are observation, interviews, and documentation. All stages that have been described can be integrated with each other, so that the production completion mechanism on Peace music can be completed properly.
Analisis Konsep Seni dan Kreativitas dalam Konser Hologram “Glenn Fredly: 25 Years of Music” Prasetyo, Guntur Eko; Sidjabat, Yedija Remalya; Wiyati, Wahyu Sri
Journal of Music Science, Technology, and Industry Vol. 7 No. 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Tujuan: penelitian ini berfokus pada eksplorasi konsep seni dan kreativitas dalam konser hologram “Glenn Fredly: 25 Years of Music.” Tujuan utama dari penelitian ini adalah untuk memahami bagaimana seni dan kreativitas diwujudkan dalam konteks konser hologram, khususnya dalam mengenang mendiang musisi Glenn Fredly. Metode penelitian: Metode penelitian kualitatif digunakan dengan menggunakan pendekatan studi kasus deskriptif. Tahapan penelitian meliputi identifikasi penelitian terdahulu, pengembangan kerangka konseptual, observasi dan wawancara dengan pemangku kepentingan, serta analisis konten online. Variabel yang diukur dalam penelitian ini meliputi ekspresi artistik, respon penonton, dan unsur kreatif dalam konser hologram. Hasil dan pembahasan: Penelitian ini dilatarbelakangi oleh adanya tren inovasi dalam industri musik, memperkenalkan pertunjukan hologram sebagai sarana penghormatan dan rekonsiliasi terhadap artis yang telah meninggal. Penelitian ini menghadapi tantangan dalam memahami perpaduan seni dan teknologi dalam konteks pertunjukan hologram. Keunikan penelitian ini terletak pada fokusnya pada konser “Glenn Fredly: 25 Years of Music” yang memadukan unsur seni musik dan teknologi hologram. Implikasi: kontribusi penelitian ini adalah untuk meningkatkan pemahaman tentang interaksi antara seni dan teknologi dalam konteks konser hologram, serta berkontribusi terhadap perkembangan industri musik yang sedang berlangsung.
Born & Die: Proses Penciptaan Komposisi Musik Dengan Konsep Minimalis Satyatma, Dionisius; Sumerjana, Ketut; Wiyati, Wahyu Sri
MELODIOUS : JOURNAL OF MUSIC Vol 4 No 1 (2025): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v4i1.5111

Abstract

Born & Die adalah komposisi musik minimalis yang merepresentasikan siklus kehidupan manusia, mulai dari kelahiran hingga kematian. Terinspirasi oleh refleksi pribadi, karya ini menggunakan piano sebagai instrumen utama dan violin untuk memperkaya warna musik. Proses penciptaannya mengacu pada metode Alma Hawkins: eksplorasi ide, improvisasi pola ritme, melodi, dan harmoni, hingga pembentukan karya utuh. Struktur komposisi terbagi dalam tiga bagian. Bagian A menggambarkan kelahiran dengan perpaduan chord mayor dan minor. Bagian B mencerminkan dinamika kehidupan melalui teknik sinkopasi dan arpeggio. Bagian C melukiskan ketegangan menjelang kematian dengan pola repetitif dan dinamika intens. Karya ini mengajak pendengar untuk menghargai momen kehidupan, sekaligus menghadirkan inovasi dalam musik minimalis dengan pengalaman emosional yang mendalam.
Peningkatan Kemampuan Musikalitas Anak Usia Dini melalui Pelatihan Teknik Vokal Dasar di DeBeat Music Course Setiawan, Clarissa Jessy; Ardini, Ni Wayan; Wiyati, Wahyu Sri
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to develop teaching materials for vocal instructors in order to improve the musicality of early childhood through basic vocal technique training at Debeat Music Course. Research methods: It uses a qualitative method with a case study approach and data collection techniques in the form of participatory observation. This study involved early childhood who participated in the vocal training program at Debeat Music Course as the main subjects. Results and discussion: With the right and structured teaching standards, children's musical abilities at Debeat Music Course can develop optimally according to their level of development. This can be seen in the increase in their ability to recognize tones, basic vocal techniques, and musical expression. Implication: This study shows the importance of developing teaching materials that are appropriate to the child's developmental stage and the preparation of a systematic curriculum to support optimal musical development in early childhood.
PEMBINAAN PELATIHAN PAKELIRAN WAYANG JAWA GAYA SURAKARTA BAGI PESERTA DIDIK SANGGAR PARIPURNA DESA BONA, KECAMATAN BELAHBATUH, KABUPATEN GIANYAR Dru Hendro; Saptono Saptono; Wahyu Sriwiyati
Abdi Seni Vol. 14 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i2.5496

Abstract

ABSTRAKKeberadaan Sanggar Paripurna semakin eksis dengan berbagai karya seni kreatif dan inovatif tanpa mengabaikan nilai-nilai tradisional budaya Bali sebagaimana ditanamkan oleh I Made Sidja. Hasil-hasil karya Made Sidia bersama Sanggar Paripurna telah ditampilkan dalam berbagai acara penting, baik yang bertaraf lokal, nasional, maupun internasional. Bahwa Sanggar Paripurna tidak hanya mementingkan jenis seni lokal bali saja, namun juga peduli dengan perkembangan seni yang berasal dari daerah lain seperti Jawa. Pada kesempatan tahun ini, pimpinan sanggar paripurna memohon kepada pembina untuk melakukan kegiatan Pengabdian kepada masyarakat dengan materi pakeliran Wayang Jawa untuk membina siswa-siswa dari golongan usia remaja.  Dengan adanya kegiatan ini, dari pihak sanggar sangat antusias karena anak didiknya kembali mengenal Wayang jawa sebagai pembanding secara estetis antara wayang Jawa dan Wayang Bali. Kegiatan ini, disamping kerjasama dengan sanggar paripurna, kami juga melibatkan mahasiswa yang masih aktif, yaitu semester VI prodi pedalangan, yang berdomisili dekat dengan sanggar paripurna, disamping untuk ikut membina, juga menambah perbendaharaan materi dari mahasiswa yang pernah mendapatkan matakuliah Praktek wayang Jawa di kampus ISI Denpasar. Kegiatan PKM ini Pembina menerapkan metode yang sederhana yang mudah dipahami oleh siswa Sanggar Paripurna disesuaikan dengan materi yang akan diberikan pada pelatihan, karena mayoritas siswa ataupun peserta belum memahami pengetahuan mengenai teknik dasar pakeliran wayang Jawa. Adapun metode yang digunakan adalah; metode ceramah, metode imitasi dan demonstrasi, metode evaluasi dan metode Tanya jawab.Kata Kunci; Sanggar Paripurna, Pembinaan, PKM, Pakeliran Jawa ABSTRACTThe existence of Sanggar Paripurna increasingly exists with various creative and innovative works of art without ignoring the traditional values of Balinese culture as instilled by I Made Sidja. Made Sidia's work with Sanggar Paripurna has been displayed at various important events, both local, national and international. That Sanggar Paripurna is not only concerned with local types of Balinese art, but also cares about the development of art originating from other regions such as Java. On this year's occasion, the leadership of the plenary studio asked the supervisors to carry out community service activities with Javanese Wayang puppet material to develop students from the teenage age group. With this activity, the studio is very enthusiastic because their students are getting to know Javanese wayang again as an aesthetic comparison between Javanese wayang and Balinese wayang. In this activity, apart from collaborating with the plenary studio, we also involve students who are still active, namely sixth semester of the puppetry study program, who live close to the plenary studio, in addition to taking part in coaching, also adding to the repertoire of material from students who have received the Javanese wayang practice course on campus ISI Denpasar. In this PKM activity, the supervisor applies a simple method that is easy for Sanggar Paripurna students to understand, adapted to the material that will be provided in the training, because the majority of students or participants do not yet understand the basic techniques of Javanese wayang puppetry. The methods used are; lecture method, imitation and demonstration method, evaluation method and question and answer method.Keywords; Plenary Studio, Development, PKM, Pakeliran Java
Co-Authors - Saptono Abhinaya Farhan Ramadhan Anis Raharjo Atmojo, Joseph Peter Butar Butar, Nisa Elisabet Desak Made Suarti Laksmi Dewi, Ni Made Padma Dru Hendro Halawa, Apostolikum Kristian Halawa I Gede Raditya Yudhistira I Komang Darmayuda I Wayan Suweca I Wayan Suweca Irene Nyoman Esterina Pregie Angga Dewi Isra Mahendra Juaniken Rachel Emmanuella Pusung Ketut Sumerjana, Ketut Kirana, Bunga Flamboyan Luthfiansyah, Muhammad Raihan Luthfiansyah Mahendra, Isra Ni Made Padma Dewi Ni Putu Verenita Sintya Devi Ni Wayan Ardini, Ni Wayan Nisa Elisabet Butar Butar Novenayani, Made Tri Prasetyo, Guntur Eko Pusung, Juaniken Rachel Emmanuella Ramadhan, Abhinaya Farhan Renaldy Christian Santoso Ricky Irawan Sanita, I Gusti Agung Ayu Lia Santoso, Renaldy Christian Satyatma, Dionisius Setiawan, Clarissa Jessy Siregar, Vivi Anita Sudirana, I Wayan Yedija Remalya Sidjabat 1111652013, Yedija Remalya Sidjabat