Article Per Year (5 Year)
p-Index From 2021 - 2026
2.957
P-Index
This Author published in this journals
All Journal Al-Ulum Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Cetta: Jurnal Ilmu Pendidikan Dakwatuna: Jurnal Dakwah dan Komunikasi Islam jurnal syntax admiration FORUM PAEDAGOGIK Meyarsa:Jurnal Ilmu Komunikasi dan Dakwah Komunika: Jurnal Dakwah dan Komunikasi Research Horizon Al'Adalah Shahih : journal of islamicate multidisciplinary Maddah: Journal of Advanced Dawah Management Research ICON Islamic Communication and Contemporary Media Studies Al-Hikmah: Jurnal Ilmu Dakwah dan Pengembangan Masyarakat
Jauhari, Minan
UIN Kyai Haji Achmad Siddiq Jember
Religion Aerospace Engineering Arts Humanities Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
Misuse of Dakwah as Religious Tyranny in the Film Bidaah: A Critical Discourse Analysis Munib, Abd; Humaidy, Mohammad Ali Al; Choliq, Abdul; Jauhari, Minan
Research Horizon Vol. 5 No. 6 (2025): Research Horizon - December 2025
Publisher : LifeSciFi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54518/rh.5.6.2025.847

Abstract

This article explores the tyranny of dakwah in the Malaysian film Bidaah. Dakwah, which should guide audiences toward Sharia, is instead portrayed as a tool of oppression. The study employs critical discourse analysis based on Norman Fairclough’s framework, examining textual elements, discourse practices, and the broader social context that shapes them. The findings highlight three key points. First, dakwah shifts from a spiritual mission to an instrument of social control, evident in how followers are forced to accept teachings uncritically, thus legitimizing violence in the name of religion. Second, dakwah is depicted as a dominant discourse across micro, meso, and macro dimensions. The micro dimension is seen in the rhetorical strategies used by Walid Muhammad to assert absolutism. The meso dimension involves dakwah being structured, closed, and ritualistic, transforming it from a dialogue to domination. At the macro level, the dakwah discourse reinforces unjust and exploitative social structures. Third, the film introduces a counter-discourse that challenges the tyranny of dakwah. Baiduri becomes the central figure who resists injustice and constructs an alternative narrative that confronts Walid’s authority. This study contributes to the scholarly understanding of religious discourse in film, offering a foundation for further research into similar representations in cinema.
Co-Authors Abdul Choliq Al Fajri, Syachirul A’dhom Edy Maskhuri Eva Maghfiroh Faozan, Bagus Ahmad Hayyan Najikh, Ahmad Imaroh, Nurul Jufriyanto, Jufriyanto Lutfiana Ningrum Wardaniati Mohammad Ali Al Humaidy Munib, Abd Rachma Sugihartati Sa’diyah, Umi Lailatus Siti Muflihatur Rohmah Sofyan Hadi Sofyan Hadi Supriyanto Supriyanto Suryandaru, Yayan Sakti Wazis, Kun Widya Sari