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All Journal Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Budianta, Melani
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Journal : international review of humanities studies

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THE CINEMATIC OTHERING OF SITTING BULL IN THE ADAPTATION OF BURY MY HEART AT WOUNDED KNEE Nurcahyo, Rachmat; Hapsarani, Dhita; Budianta, Melani; Kristianto, Bayu
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

The marginalization of particular groups or people as a result of the idea that one group or person is better than another is known as the "othering" process. This article discusses how a film adaptation of Dee Alexander Brown’s book on Native American history, Bury My Heart at Wounded Knee (BMHWK) performs this act of othering. First of all, it is done by negatively portraying the heroic figure in the book. Sitting Bull, a Teton Dakota Chief who united the Sioux tribes in North America, the Great Plains, in mid 19th century is reduced in the film into a weak figure. The Native American chief is overshadowed by White figures like Elaine Goodale and Senator Henry Dawes. In the film adaptation, the social hierarchy-building process, which put the Whites on top, educated natives in the middle, and the rest of Native American population in the bottom, serves as a vehicle for a further process of othering. The film represents Native Americans as people who need to be governed and who can only survive if they abide by White people's laws.
TRISUTJI KAMAL'S MUSIC IN FOUR PERIODS Budianta, Melani
International Review of Humanities Studies Vol. 6, No. 2
Publisher : UI Scholars Hub

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This article maps the works of Indonesian female music composer and pianist, Trisutji Kamal, whose career spanned 7 decades. The composer who died in March 2021, was celebrated for the Islamic element of her works. Using the whole oeuvre of her music, personal interviews and historical research, this article argues that the religious element comprises only one period out of the four periods identified in her long career. The article contends that Kamal’s musical style was shaped by European music but tuned into Javanese nuances in its harmony, timbre and dynamic, creating a sense of embellished dissonance. We conclude that this style was brought about by Kamal’s effort in integrating the East and the West, musically as well as culturally. The article fills in the gap in research on Asian composers.
Co-Authors Bayu Kristianto Hapsarani, Dhita Manneke Budiman Nina Alia Ariefa Ningrum, Hanifa Widyas Sukma Rachmat Nurcahyo Yoesoef, M.