Garuda - Garba Rujukan Digital

Pengaplikasian Teknik Anyaman Pada Busana Muslim Bergaya Casual Sporty Perangin Angin, Dede Ananta Kurniawan
ATRAT: Jurnal Seni Rupa Vol 8, No 3 (2020): MOTIF, MAKNA, DAN MEDIA DALAM TEKNIK KARYA RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v8i3.1606

Kajian Androgyny Karya Deden Siswanto Dede Ananta Kurniawan
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3785

Androgyny is a concept that refers to gender and gender, where the tendency of masculine and feminine traits is seen from the dominant feature in a person. The androgynous style by designer Deden Siswanto applies this style in his design collection. This study aims to analyze the androgyny style developed by Deden Siswanto and its application to his design collection. This study uses a descriptive-analytical method with a qualitative approach with data collection through field observations, interviews with resource persons, documentation studies of fashion design collections by Deden Siswanto. Based on the results of data analysis, the application of the androgynous style in Deden Siswanto's collections can be seen in the clothing sections, such as fashion silhouettes, colors, types of clothing, and their mixes. Thus Deden Siswanto designed his collection with adjustments to the target market and the character of the design. Thus Deden Siswanto designed his collection with adjustments to the target market and the nature of the design. For this reason, the idea and creativity of androgynous styles, both masculine and feminine in a designer's work, tend to be developed and adapted differently according to the designer's character.

INOVASI PRODUK FASHION DENGAN MENERAPKAN KARAKTER VISUAL CHIAROSCURO MENGGUNAKAN TEKNIK CETAK TINGGI CUKIL KAYU BLOCK PRINTING Mochammad Sigit Ramadhan; Kikit Nur Yulianti; Dede Ananta
Gorga : Jurnal Seni Rupa Vol 11, No 1 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i1.33052

The peculiarities of conventional techniques in textile processing make a significant contribution to the artwork’s value in terms of aesthetics and originality. The woodcut relief printing technique, also known as block printing, is a conventional surface design textile technique with its characteristics in terms of technical work and the resulting visual effects. The visual character of chiaroscuro can be built with the composition of color values with different intensities through the printing plate or matrix printing process in the block printing area. The primary purpose of this study is to determine the opportunities for textile materials to be processed using relief woodcut block printing with chiaroscuro visual characteristics in craft-based fashion product design. This study uses a qualitative method to analyze the studies' results based on data collection and application theories from literature and observations. So, it is possible to develop through experiments and analyses following research objectives. The research results include the visualization of motifs in the form of stylized images of fire and sky on sheets of ATBM woven cloth with kenaf and hemp fibers using a relief woodcut block printing with the multi-block method. Then it is implemented into a menswear fashion collection consisting of 5 (five) fashion design looks with a focus on placing motifs on the tops of shirts, jackets, and bomber jackets. Keywords: chiaroscuro, block printing, craft, fashion. AbstrakKekhasan teknik konvensional dalam pengolahan tekstil memberikan sumbangan yang signifikan bagi nilai sebuah karya baik dari segi estetika maupun orisinalitas. Teknik cetak tinggi cukil kayu atau disebut juga block printing merupakan salah satu teknik surface design textile konvensional yang memiliki karakteristik tersendiri dalam hal teknis pembuatan karya maupun efek visual yang dihasilkan. Karakter visual chiaroscuro dapat dibangun dengan komposisi nilai warna dengan intensitas berbeda melalui proses pencetakan plat cetak atau matriks pada bidang cetak block printing. Tujuan utama penelitian ini adalah untuk mengetahui peluang material tekstil yang diolah menggunakan teknik cetak tinggi cukil kayu block printing berkarakter visual chiaroscuro pada perancangan produk fashion berbasis kriya. Pada penelitian ini metode kualitatif digunakan sebagai panduan di mana analisis atas hasil kajian berdasarkan pengumpulan data, penerapan teori, serta observasi yang menunjang sehingga dapat dilakukan pengembangan melalui eksperimen dan analisis sesuai tujuan penelitian. Hasil penelitian diantaranya adalah visualisasi motif berupa stilasi image api dan langit pada lembaran kain tenun ATBM serat kenaf dan rami dengan menggunakan teknik cetak tinggi cukil kayu block printing metode multi-block. Kemudian diimplementasikan menjadi satu koleksi fashion menswear yang terdiri dari 5 (lima) look rancangan busana dengan fokus penempatan motif berada pada bagian atasan berjenis kemeja, jacket dan bomber jacket.Kata Kunci: chiaroscuro, block printing, kriya, fashion. Authors:Mochammad Sigit Ramadhan : Universitas TelkomKikit Nur Yulianti : Universitas TelkomDede Ananta : Institut Seni Budaya Indonesia Bandung References:Asosiasi Perancang Pengusaha Mode Indonesia. (2003). Ragam Busana Pria. Jakarta: Gramedia Pustaka Utama.Barnard, M. (2002). Fashion as Communication. USA: Routledge.Buckland, J. W. (1973). Etching and Engraving, Techniques and Modern Trend. USA: Dover Publication Inc.Budiyono. (2008) Kriya Tekstil Jilid 3. Jakarta: Departemen Pendidikan Nasional.Bunka Fashion College. (2009). Fundamental of Garment Design. USA: Bunka Fashion College.Darmaprawira, S. W. (2008). Warna: Teori dan Kreativitas penggunaannya. Bandung: Penerbit ITB.Dumamika, T. A., & Ramadhan, M. S. (2021). Pengaplikasian Teknik Block Printing dengan Material Kayu Bekas Kebakaran Hutan Kalimantan Barat pada Pakaian Ready to Wear. Gorga : Jurnal Seni Rupa, 10(02), 277–286. https://doi.org/https://doi.org/10.24114/gr.v10i2.27154Frings, G. S. (1987). FASHION: From Concept to Consumer. USA: Prentice-Hall.Gnann, A., Eskerdjian, D., & Foster, M. (2014). Chiaroscuro: Renaissance Woodcuts from Collections of Georg Baselitz and the Albertina, Vienna. USA: Royal Academy of Arts.Hughes, A. & Morris, H. V. (2008). PRINTMAKING Traditional and Contemporary Techniques. USA: RotoVision.Kamal. (2022). Menswear Market Size 2021 | Industry Share, Growth, Trends And Forecast 2026. ZNews Africa. https://znewsafrica.com/news/90777/menswear-market-size-2021-industry-share-growth-trends-and-forecast-2026/Kemenparekraf. (2014). Ekonomi Kreatif: Kekuatan Baru Indonesia Menuju 2025. Jakarta: Kementrian Pariwisata dan Industri Kreatif RI.Kudiya, K. (2019). Kreativias dalam Desain Batik. Bandung: ITB Press.Perangin Angin, D. A. K. (2020). Pengaplikasian Teknik Anyaman Pada Busana Muslim Bergaya Casual Sporty. Jurnal ATRAT, 8(3), 111–120. https://doi.org/http://dx.doi.org/10.26742/atrat.v8i3.1606Ramadhan, M. S. (2018). Penerapan Metode Reduksi pada Penciptaan Karya Seni Grafis Cetak Tinggi Cukil Kayu Chiaroscuro. Jurnal Rupa, 3(1), 1–13. https://doi.org/10.25124/rupa.v3i1.1330Riyanto, A. A. (2003). Teori Busana. Bandung: Yapemdo.Yulianti, N. A. (1998). Busana Pria. Yogyakarta: FPTK IKIP Yogyakarta.

Discovering advancement in technology and mass media influence on gen Y male fashion consciousness Arie Indra Gunawan; Adila Sosianika; Wahyu Rafdinal; Dede Ananta
Diponegoro International Journal of Business Vol 5, No 2 (2022)
Publisher : Department of Management | Faculty of Economics and Business | Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/dijb.5.2.2022.146-157

The growth of fashion development among male consumers in Indonesia is not supported by the increasing study on the male fashion segment. Therefore, it is necessary to understand the Generation Y male buying intention towards fashion products since Gen Y is the most prospective market. This study aims to investigate the factors that influence fashion consciousness among males in Indonesia by using self-identity, social media influence, changes in work practices, advancement in information technology, mass media influence variables, and the impact of fashion consciousness on buying intention. By employing quantitative research, the data collected uses a self-administered online questionnaire. The samples of this research are 227 respondents of Gen Y males with their profile data. This study uses partial squares structural equation modeling analysis with the smart PLS application to test the hypothesis. The findings of this study show that self-identity, social media influence, and mass media influence have a significant impact on fashion consciousness. Also, fashion consciousness has significant results on buying intention.

A Language of Children with Disabilities in Digital Pattern Design Dede Ananta K Perangin-angin; Martien Roos Nagara
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2696

Visual Language of Children with Special Needs in Digital Motif Design. This article aims to understand the designs made by children with special needs in the form of digital motifs done on adobe photoshop softweat. Data collection is done through direct observation, literature study and practice. This problem is analyzed using qualitative methods with a design thinking approach whichincludes empathize which is the initial stage carried out personally to children with special needs to get the right action, define the selection of tools or software that can help realize visual works in the form of digital design, ideate the stage of producing ideas in theform of moodboards which are set as a reference for realizing digital motif designs, prototype the initial design of digital motifs that stilllook static and can be used as the main sample of the creative process so that it can measure the suitability of the designed designconcept, and test is the final stage of testing carried out as a process of understanding from children with special needs using Adobe Photoshop softwear so as to produce digital motifs that look dynamic and in accordance with the designed concept. The result of this research is the visualization of digital motifs that have character and characteristics through hand strokes and sense or art owned bychildren with special needs and add to the diversity of design work, especially in the field of fashion in making digital motifs as an effort to raise the value of art and creativity created by children with special needs.

PERSPECTIVE OF GENERASI Z FASHION AS MANIFESTATION OF SOCIAL CONSTRUCTIONISM Ananta, Dede; Falah, Asep Miftahul
Moda : The Fashion Journal Vol. 5 No. 2 (2023)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v5i2.4113

This study explores Generation Z's view of fashion as a manifestation of social constructionism. This research attempts to answer questions about how Generation Z understands and responds to fashion trends and how fashion trends play a role in the social construction of their identities. The research problem studied is the role of fashion in shaping self-perception and how social views influence the acceptance and interpretation of fashion trends by Generation Z. The basic design of this study uses qualitative methods with a phenomenological approach. Data was collected through observation and distribution of questionnaires with several participants from Generation Z, who represented various social and cultural backgrounds. The collected data is then analyzed thematically to identify key trends and emerging findings. The analysis shows that Generation Z sees fashion as a means to express their identity and build a social image with community groups. Fashion for them is not only about personal style but also a form of expression of their culture and social values. The main trend found is that Generation Z tends to be more inclusive and accepting of differences in fashion, rejecting stereotypes and rigid social norms. The interpretation of the results of this study shows that fashion for Generation Z is not just a tool to follow trends, but also a form of self-expression and social identity. In addition, they tend to reject social boundaries and fight for inclusivity in fashion.

Inovasi Produk Suvenir Destinasi Wisata Kearifan Lokal Sebagai Peluang Usaha Masyarakat Adat Ai Juju Rohaeni; Dede Ananta K P
PANGGUNG Vol 34 No 3 (2024): Kreativitas, Seni Kontemporer, dan Pariwisata Berkelanjutan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i3.3563

ABSTRAK Inovasi produk suvenir berwawasan budaya lokal masyarakat adat, memberikan peran penting untuk mempertahankan dan mewariskan juga turut mempromosikan kearifan lokal masyarakat adat ke dunia luar. Kearifan lokal ini merujuk pada nilai-nilai tradisi lokal dan filosofi yang menjadi kekuatan positif pelestarian budaya. Hal tersebut menjadi ide dalam pengembangan produk suvenir khas. Inovasi bahan, teknik, fungsi, desain, dan motif produk suvenir digali dari ikon masyarakat adat Mahmud Kabupaten Bandung Provinsi Jawa Barat dan Masyarakat Adat Cinta Dame Batak Toba Sumatera Utara, menjadi perpaduan dua budaya, dalam upaya membuka peluang usaha baru dan peningkatan ekonomi bagi masyarakat adat dan pemerintah daerahnya. Tujuan dari penelitian ini untuk menambah kreatifitas yang berkelanjutan, agar produk suvenir menjadi daya tarik bernilai jual untuk kebutuhan pariwisata. Metode Kualitatif deskriptif dalam penelitian ini, dengan pengumpulan data survey, wawancara, eksperimen dan produksi membuat Model produk suvenir. Hasil akhir dari penelitian ini memberikan alternative model produk khas yang melalui pengkajian dari kearifan lokal dua masyarakat adat, untuk dikembangkan berbagai usaha yang dapat meningkat kesejahteraan dan ekonomi. Kata Kunci: Inovasi Produk Suvenir, Ikon Kearifan lokal, Pariwisata, Peluang Usaha

Recognizing the Character of Children with Special Needs Through Digital Motif Design Using the Visual Language Method Martien Roos Nagara; Dede Ananta K Perangin-Angin
Mudra Jurnal Seni Budaya Vol 40 No 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i2.3081

Every individual, including children with special needs, possesses creative potential that can be continually developed. This creativity is often expressed through visual media, such as images, which serve as a means of communication to convey messages, emotions, and thoughts. However, children with special needs often face unique challenges in expressing themselves, such as difficulties with verbal communication, limited motor skills, and cognitive barriers. Therefore, an inclusive and adaptive approach is essential to ensure that these children can fully express their creativity. One promising method for fostering creativity is the use of digital technology, such as Adobe Photoshop, to create digital motif designs. Through digital motif design, children with special needs can not only express themselves visually but also explore various shapes, colors, and compositions without limitations. This research aims to analyze digital motif works created by children with special needs using a visual language approach. The focus is on the objects depicted (wimba) and how they are arranged within a field (tata ungkap). Through this research, we hope to identify the personality traits of children with special needs through the interpretation of their digital motif designs. This analysis may also support the classroom learning process, provide stimulation, and enhance motivation. As a result, children’s communication, emotional expression, and abilities can be further explored. The findings of this research indicate that the use of digital media facilitate creative expression in a more inclusive and adaptive way. Thus, the artworks produced by children with special needs are not only unique and interesting but also reflect their ability to adapt and innovate despite challenges.

Recognizing the Character of Children with Special Needs Through Digital Motif Design Using the Visual Language Method Martien Roos Nagara; Dede Ananta K Perangin-Angin
Mudra Jurnal Seni Budaya Vol 40 No 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i2.3081

Every individual, including children with special needs, possesses creative potential that can be continually developed. This creativity is often expressed through visual media, such as images, which serve as a means of communication to convey messages, emotions, and thoughts. However, children with special needs often face unique challenges in expressing themselves, such as difficulties with verbal communication, limited motor skills, and cognitive barriers. Therefore, an inclusive and adaptive approach is essential to ensure that these children can fully express their creativity. One promising method for fostering creativity is the use of digital technology, such as Adobe Photoshop, to create digital motif designs. Through digital motif design, children with special needs can not only express themselves visually but also explore various shapes, colors, and compositions without limitations. This research aims to analyze digital motif works created by children with special needs using a visual language approach. The focus is on the objects depicted (wimba) and how they are arranged within a field (tata ungkap). Through this research, we hope to identify the personality traits of children with special needs through the interpretation of their digital motif designs. This analysis may also support the classroom learning process, provide stimulation, and enhance motivation. As a result, children’s communication, emotional expression, and abilities can be further explored. The findings of this research indicate that the use of digital media facilitate creative expression in a more inclusive and adaptive way. Thus, the artworks produced by children with special needs are not only unique and interesting but also reflect their ability to adapt and innovate despite challenges.

Title

Found 9 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 9 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 9 Documents
Search