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All Journal International Journal of Science and Environment Jurnal Netnografi Komunikasi CHANNEL: Jurnal Komunikasi
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AKTIVITAS MENDUKUNG VIRTUAL FAN ACCOUNT FANDOM NCT DALAM BERMEDIA SOSIAL X Dewi, Ririn Novita; Abidin, Zainal; Ema; Murni Kaddi, Sitti; Fahrianoor
Jurnal Netnografi Komunikasi Vol. 3 No. 2 (2025): JNK National Accredited Rank. SINTA 5 based on SK KemdiktiSaintek RI No.10/C/C3
Publisher : Communication Science Department - Faculty of Social and Political Sciences, Universitas Satya Negara Indonesia (USNI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59408/jnk.v3i2.50

Abstract

Fandom NCTzen merupakan nama penggemar dari boygrup K-Pop NCT yang berasal dari Korea Selatan, memiliki daya tarik sehingga membentuk penggemar. Sekelompok penggemar melakukan aktivitas dalam skala global, tanpa batasan dalam fan account. Tujuan penelitian ini untuk mengetahui aktivitas mendukung apa saja yang dilakukan oleh pengguna fandom NCT dimedia sosial X. Metode yang digunakan penelitian ini adalah kualitatif menggunakan pendekatan netnografi. Teori yang digunakan konvergensi simbolik, istilah yang digunakan untuk menimbulkan fantasi akibat dari aktivitas bermedia social X. Hasil penelitian ini bahwa aktivitas yang biasa dilakukan fan account ialah memberikan voting, streaming, membeli marchendise, membagikan freebies dan mengadakan give away dalam perayaan ulang tahun member.
Exploring the Role of Social Media in Disaster Management: A Case Study of the 2021 South Kalimantan Flood Hidayat, Muhammad Nizar; Fahrianoor; Siswanto
CHANNEL: Jurnal Komunikasi Vol. 12 No. 2 (2024): CHANNEL: Jurnal Komunikasi 25th Edition
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/channel.v12i2.847

Abstract

The emergence of social media has opened huge potentials for the risk mitigation in disaster management. However, the big flood in 2021 that swept almost entire South Kalimantan territory has left some questions about the relations of social media and risk mitigation despite the prevalence of social media users in the region. This article sought to describe the utilization (or lack thereof) of social media in the disaster management in the South Kalimantan especially in Banjar Regency, Hulu Sungai Tengah Regency, and Tabalong Regency before, during and after the big flood. The data are gathered by conducting systematic interviews with stakeholders, observation, and collecting related information from the internet. For the result, it was evident that social media platforms like Facebook, WhatsApp, and Instagram played critical roles where traditional communication systems failed or were nonexistent. In Banjar, external volunteers utilized these platforms to coordinate aid and disseminate crucial information, in contrast, the initial disregard for digital communications in HST highlighted the challenges of media literacy and trust in digital platforms, while the case of Tabalong serves as a model for other regions, demonstrating how leveraging local knowledge and social media can create a resilient and responsive community.
Cultural Hybridity in the Korean Wave Phenomenon Message on the TikTok Account @Kpopchartofficial (An Ethnographic Study for the Internet by Christine Hine) Cintana Dinda Arlita; Fahrianoor
International Journal of Science and Environment (IJSE) Vol. 6 No. 2 (2026): May 2026
Publisher : CV. Inara in Colaboration with www.stie-sampit.ac.id

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51601/ijse.v6i2.672

Abstract

The account @kpopchartofficial began gaining public attention on Instagram in 2012 and started operating on TikTok around 2020, along with the increasing consumption of Korean popular culture content through short-video-based social media platforms. The account currently has more than 2.2 million followers, follows approximately 435 accounts, and has gained over 175 million likes. This study aims to analyze cultural hybridity in the messages of the Korean Wave phenomenon on the TikTok account @kpopchartofficial, examine the role of the account as a third space facilitating the hybridization process between Korean culture and Indonesian local culture, and explore how users interpret and negotiate the mixture of Korean and Indonesian local cultures within the messages shared on the account. This study employed a qualitative approach using Christine Hine’s ethnography for internet method. The data collection techniques included observation, documentation, literature study, and interviews. The data were analyzed qualitatively and interpretatively based on the ethnography for internet approach proposed by Christine Hine. The theories applied in this research include cultural hybridity theory, social construction theory, and symbolic interactionism theory. The findings reveal that cultural hybridity in the messages of the Korean Wave phenomenon on TikTok occurs through content adaptation, localization of meaning, and active audience participation. The forms of cultural hybridity identified include integrative, negotiative, and agonistic hybridity, reflecting the dynamic interaction between global and local cultures. The TikTok account @kpopchartofficial functions as a digital cultural space that mediates this process, where audiences actively interpret and negotiate meanings. Therefore, the Korean Wave on TikTok is not merely consumed, but also reconstructed by audiences within their local cultural context.
Co-Authors Cintana Dinda Arlita Dewi, Ririn Novita Ema Hidayat, Muhammad Nizar Siswanto Sitti Murni Kaddi Zainal Abidin