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Efrizal .
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Arts Education

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PERBEDAAN HASIL BELAJAR APRESIASI SENI RUPA ANTARA METODE ARTIKULASI DENGAN METODE KONVENSIONAL Surya Afriza; Eswendi .; Efrizal .
Serupa The Journal of Art Education Vol 1, No 1 (2012): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (255.679 KB) | DOI: 10.24036/sr.v1i1.382

Abstract

Abstract The purposes of  this were to test different of the students’ result of study of visual art appreciation between articulation method with convensional method in SMP Negeriy 2 Sintuk Toboh Gadang, Pariaman. This research is experiment quacy through Design One Group Pretest - Postest. The Population is all of the student of  7 th of  SMP Negeri 2 Sintuk Toboh Gadang, Pariaman. The technique of sampling was Purposive Sampling. Experimenth class was VII.4 and control  class was VII.3. The result of study can be seen trought the result of study of visual art appreciation. The mean of students’ result of study the experiment class taller than the mean of result of study control class. After  T-tes done, the researcher got count- T  2.520 and table – T 1.669 (count – T > table- T) Katakunci: Apresiasi, Artikulasi, Konvensional, Eksperimen, Kontrol.
BENTUK, PENEMPATAN DAN MAKNA MOTIF UKIRAN BAGAS GODANG DI DESA HUTA GODANG KABUPATEN MADINA SUMUT Fatimah Siregar; Efrizal .; Eliya Pebriyeni
Serupa The Journal of Art Education Vol 1, No 1 (2012): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.604 KB) | DOI: 10.24036/sr.v1i1.358

Abstract

Abstrak The purpose of this study was to determine the shape, placement and meaning carving motifs used in Bagas Godang Huta district Godang Mandailing Natal. The data source is data collected using interviews and documentation. The findings of the study. (1) sun carving placed above the entrance Bagas Godang meaning as enlightening the people, (2) carving ulok (snake) placed in front of the statue of the music room Bagas Godang, (3) engraving podang (sword) was placed on the wall of the music room terrace Bagas Godang, meaning truth and power of the king, (4) pit carved nihorbo (buffalo head, placed on the wall of the music room terrace Bagas Godang, (5) carving siadop-adop (face to face) is placed on a slab patio Godang meaning Bagas protect each other, (6) carving pusuk nirobung (shoots shoots) were placed on a slab patio Bagas Godang, meaning custom Dalihan natolu, (7) carving shrimp placed on a slab patio Botik Bagas Godang, meaning the king's relationship with the community is very closely. Kata kunci: bentuk, penempatan, makna, motif ukiran, Bagas Godang
Co-Authors Eliya Pebriyeni Eswendi . Fatimah Siregar Surya Afriza