Article Per Year (5 Year)
p-Index From 2021 - 2026
2.753
P-Index
This Author published in this journals
All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Pendas : Jurnah Ilmiah Pendidikan Dasar Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Ranah Seni: Jurnal Seni dan Desain YASIN: Jurnal Pendidikan dan Sosial Budaya Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) AHKAM : Jurnal Hukum Islam dan Humaniora Jurnal Kajian dan Penelitian Umum Seniman: Jurnal Publikasi Desain Komunikasi Visual Jurnal Mahasiswa Kreatif EduInovasi: Journal of Basic Educational Studies JGEN : Jurnal Pengabdian Kepada Masyarakat Manaruko: Jurnal Pengabdian Masyarakat Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Eliya Pebriyeni
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 22 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 22 Documents
Search

 1   2   3 
PENINGKATAN SDM DALAM PENGEMBANGAN PEMBERDAYAAN EKONOMI MASYARAKAT MELALUI KETERAMPILAN BATIK DI NAGARI KOTO SANI KEC. X KOTO SINGKARAK KAB. SOLOK Pebriyeni, Eliya; Ahdi, San; Erwin, Erwin; Ernis, Ernis
Gorga : Jurnal Seni Rupa Vol 9, No 2 (2020): Gorga : Jurnal Seni Rupa
Publisher : Jurusan Seni Rupa Unimed

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v9i2.20684

Abstract

AbstrakPermasalahan yang dialami oleh ibu-ibu PKK Nagari Koto Sani adalah mereka belum bisa dan belum mampu untuk mengembangkan potensi diri dan mengembangkan keterampilan. Sehingga ibu-ibu PKK belum bisa meningkatkan sumber daya manusia (SDM) guna untuk menambah penghasilan baru, atau untuk meningkatkan kebutuhan hidup sehari-hari. Maka dari itu ibu-ibu PKK Nagari Koto Sani ini membutuhkan pengetahuan, tidak hanya pengetahuan dibidang keterampilan tetapi juga bagaimana hasil yang diperoleh dari keterampilan yang diberikan tersebut dipasarkan kemasyarakat luas. Masalah prioritas yang diselesaikan dilihat dari tiga aspek kegiatan pembelajaran dan keterampilan yang saling berkorelasi, yaitu masalah pada aspek: Pemahaman dan penerapan membuat pola atau mendesain, Penguasaan dan penerapan materi keterampilan membatik, Pengetahuan tentang manajemen usaha sebagai bekal mengembangkan usaha. Metode dan pendekatan yang digunakan adalah: metode ceramah dan tanya jawab, metode demontrasi untuk menjelaskan proses pembuatan batik, metode latihan dan bimbingan dan metode resitasi atau pemberian tugas. Peserta dalam mengikuti pelatihan ini memperoleh dua jenis keterampilan, yaitu  pengetahuan tentang entrepreneur/wirausaha dan mendapatkan keterampilan dalam pembuatan karya dengan menggunakan teknik batik, sekitar 80 % materi dikuasai oleh peserta. Kata Kunci: Sumber Daya Manusia, Batik, Manajemen Usaha.Kata Kunci: sumber daya manusia, batik.AbstractThe problem experienced by PKK Nagari Koto Sani mothers is that they are not yet able and unable to develop their potential and develop skills. So that PKK mothers have not been able to increase their human resources in order to add new income, or to increase their daily needs. Therefore, the women of PKK Nagari Koto Sani need knowledge, not only knowledge in the field of skills but also how the results obtained from the skills provided are marketed to the wider community. The priority problems that are resolved are seen from the three aspects of learning activities and skills that are correlated, namely problems in the following aspects: Understanding and application of making patterns or designing, Mastery and application of batik skills material, Knowledge of business management as a provision to develop a business. The methods and approaches used were: lecture and question and answer method, demonstration method to explain the batik making process, training and guidance methods and recitation or assignment methods. Participants in this training acquire two types of skills, namely knowledge of entrepreneurship / entrepreneurship and gaining skills in making works using batik techniques, about 80% of the material is controlled by participants.Keywords: human resources, batik. 
PEMBERDAYAAN ANAK-ANAK PANTI ASUHAN NANGGALO PADANG DENGAN PELATIHAN KERAJINAN TENUN KARTU Yasrul Sami; Erwin A; Eliya Pebriyeni; Ernis Ernis; Syafwandi Syafwandi
Ranah Seni Vol 11 No 02 (2018): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v11i02.22

Abstract

Most of the children in the Al Ihsan Orphanage and the Aisyiah Nanggalo Orphanage in Padang do not yet have adequate skills, so that if they leave the orphanage they are afraid that they cannot be independent. For this reason, they are fostered by providing various types of skills as a means of life, so that they can leave the institution and can even create new jobs. Unfortunately the skills given in this institution are very limited and not varied. Factors that cause the lack of variety in the types of skills provided or carried out at this orphanage are; 1) lack of experts from various types of skills and 2) lack of funds for implementation, even though there is assistance from the government and the community but not enough. The types of skills that are often carried out are sewing sewing, while the type of crafting skill has never been given. Though most orphanage children (57%) have artistic talent. For this reason, the leadership of the institution hopes that there will be training in the manufacture of handicrafts for their caregivers Based on the above problems, it was agreed with the two leaders of the Orphanage partners, that the priority issues to be resolved were related to the lack of children's skills, especially craft skills. The solution offered to overcome this problem is to do craft skills training. The type of craft given is card weaving craft. The results of this activity are that in general (81.25%) the children of the Al Ihsan and Aisyiah orphanages in Nanggalo Padang District have the ability to make hand-woven card crafts in good categories
PENGEMBANGAN KOMPETENSI BAGI GURU SMPN 22 PADANG DALAM MATERI PEMBELAJARAN SENI RUPA Lisa Widiarti; Eliya Pebriyeni
Ranah Seni Vol 13 No 01 (2019): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v13i01.49

Abstract

The implementation of art education in public schools, especially at the level of secondary education, must be based on the principle that art education is an educational vehicle and builds student creativity. Orientation of Art and Culture / Fine Art subjects in junior high schools is to facilitate emotional, intellectual, physical, conception, social, aesthetic, artistic and creativity experiences for students by conducting creative and creative activities on various products around students that are beneficial to human life. The selection of the right media in creating art for students is the right thing for the creation of creative works and will also make students more interested in learning and will be fun. But in practice, the subject of Cultural Arts is often replaced with other subjects because many teachers do not master the Culture and Arts learning material. The reality in the field, especially learning in the field of Fine Arts and skills, is confronted with various problems, including the quality of the expertise of the teaching staff and the learning time at each meeting in a very short class. This makes it difficult for teachers to finish the material outlined by GBPP: and ultimately results in the problem of learning material being confused because it is often changing. PKM is focused on training the teacher in the matter of mastery of the material and alternative materials that can be used for practicum in Fine Arts learning. One of the efforts in the development of media for work that is fun for students is to make 3-dimensional calligraphy works of paper pulp. In this case the teachers will be taught how to utilize used paper material that is processed into paper pulp, to make mummy or applied artwork that is relatively easy to teach to junior high school students and relatively requires a relatively short amount of time. The determination of priority issues is carried out jointly between the Implementation Team and the Partner Leaders. Problem solving is done by the method: (1) lectures, (2) demonstrations / demonstrations, and (3) training with the guidance of the instructors and ends with questions and answers. The target activity output targets are: (1) publishing training articles (2) increasing partner teacher understanding of understanding, techniques and processes that are quite simple in utilizing pulp, and (3) producing products / works: at least each participant produces two or three Fine art works in the form of 3-dimensional calligraphy.
BENTUK, PENEMPATAN DAN MAKNA MOTIF UKIRAN BAGAS GODANG DI DESA HUTA GODANG KABUPATEN MADINA SUMUT Fatimah Siregar; Efrizal .; Eliya Pebriyeni
Serupa The Journal of Art Education Vol 1, No 1 (2012): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.604 KB) | DOI: 10.24036/sr.v1i1.358

Abstract

Abstrak The purpose of this study was to determine the shape, placement and meaning carving motifs used in Bagas Godang Huta district Godang Mandailing Natal. The data source is data collected using interviews and documentation. The findings of the study. (1) sun carving placed above the entrance Bagas Godang meaning as enlightening the people, (2) carving ulok (snake) placed in front of the statue of the music room Bagas Godang, (3) engraving podang (sword) was placed on the wall of the music room terrace Bagas Godang, meaning truth and power of the king, (4) pit carved nihorbo (buffalo head, placed on the wall of the music room terrace Bagas Godang, (5) carving siadop-adop (face to face) is placed on a slab patio Godang meaning Bagas protect each other, (6) carving pusuk nirobung (shoots shoots) were placed on a slab patio Bagas Godang, meaning custom Dalihan natolu, (7) carving shrimp placed on a slab patio Botik Bagas Godang, meaning the king's relationship with the community is very closely. Kata kunci: bentuk, penempatan, makna, motif ukiran, Bagas Godang
”Sign System” Wisata Puncak Kabun Singgalang Kabupaten Agam Sumatera Barat Fadhil Rahman; Eliya Pebriyeni
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 5 (2023): Oktober : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i5.416

Abstract

West Sumatra is known for its beautiful natural charm with various types of tourism. One of the amazing natural destinations in Agam Regency is Singgalang Mountain Peak. However, the Puncak Kabun Singgalang tourist attraction does not have a Sign system which is an identification, information about attractions and Signs as directions. The Puncak Kabun Singgalang tourist attraction is still included in the category of tourist objects that provide little information to visitors. This fact is proven by the absence of a sign system that provides information regarding directions, location maps, as well as security aspects. Therefore, it is necessary to design a sign system at the Puncak Kabun Singgalang tourist destination that is efficient, attractive, full of information, and able to communicate well, making it easier for visitors to explore the Puncak Kabun Singgalang tourist attraction. In this design using the Glassbox method obtained through observation, interviews and documentation. The analytical method used in the design is SWOT analysis. Strengths owned by tourist attractions, Weaknesses owned by tourist attractions, Opportunities (opportunities) from the existence of these tourist attractions, Threats (threats) to tourist attractions. From the results of the design, the author uses the main media Sign system in the form of Information sign. Supporting media include sign systems in the form of regulatory signs, sign systems in the form of signage, tickets, brochures, mugs, posters and stickers.
Visualisasi Bunga Teratai Sebagai Objek Dalam Karya Batik Tulis Dikombinasi Dengan Teknik Sulam Yuni Mairiza; Eliya Pebriyeni
Jurnal Kajian dan Penelitian Umum Vol. 2 No. 1 (2024): Februari: Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v2i1.843

Abstract

The aim of making the final work is to visualize the beauty of lotus flowers with various colors in the form of women's clothing, the idea of which comes from the type of lotus flower. The technique that the author uses to make this clothing is a combination of written batik and embroidery techniques. Currently, MSMEs in West Sumatra are increasingly selling hand-written batik clothing. This is the driving force for the author in creating craft works in the form of clothing using different techniques. The combination of written batik and embroidery techniques is also an idea for business people in West Sumatra in promoting local products. The creation method in this final work is carried out in stages, namely: the preparation stage is an observation related to the initial idea of the author's interest, elaboration is the in-depth stage and displays the beauty of the lotus flower as viewed from the internet site, a collection of images and field surveys, synthesis is the creation of an idea for a work, concept realization is a stage of the work process and completion or finishing of the work. Based on the method used, works were created in the form of women's clothing with lotus flower motifs using written batik techniques combined with embroidery techniques. The author created seven works in the form of clothing with the titles: Nymphaea Padma, Nymphaea tropical, Nymphaea stellate, Nymphaea caerulea, Nymphaea heudeloti, Nymphaea capensis, Nymphaea mexiana.
Visualisasi Bunga Mawar Dengan Teknik Batik Tulis Pada Selendang Retno Yuliyandra; Eliya Pebriyeni
Jurnal Kajian dan Penelitian Umum Vol. 2 No. 1 (2024): Februari: Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v2i1.865

Abstract

The purpose of creating this final work is to visualize the shapes of roses into the words of batik in the form of scarf cells, whose ideas came from the types of roses. The methods used in the creation of written batik buds have several stages, ranging from the preparation stage, by observing plants around, namely the author observing the rose flowers, then the elaboration stage is the observation stage carried out, the author directs the observation of roses to be used as a piece of batik, namely the stage of getting the idea, where the author's idea gets the author of the rose type of rose, then preparing the concept stage, namely preparing batik, the phase and designing for working on batik, the final method of writing is.Based on the method the author created, seven kinds of scarf with, created using a batik technique entitled: Rose Double Delight, Rose Talitha, Rose Sunsprite, Red Rose, Rose Tea Hybrid, Rose Knock Out, Black Roses.
Redesign Visual Identity Freesound Band Karya Akhir Jaka Gagantara; Eliya Pebriyeni
Jurnal Mahasiswa Kreatif Vol. 1 No. 6 (2023): November : Jurnal Mahasiswa Kreatif
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/jmk-widyakarya.v1i6.1533

Abstract

This visual identity redesign aims to produce a redesign of the visual identity design that depicts the character of the Freesound band, as well as providing more selling points for the Freesound band apart from the work of the Freesound band's songs. The problems that can be identified are that the visual identity of the Freesound band is not yet optimal, so it is not widely known by the audience and the visual identity of the Freesound band is less attractive, so it has less selling value when applied to supporting media. In solving this problem, the glass box method is used, where this method has several stages, namely starting from the Preparation Stage, Incubation, Illumination, then Verification. This method begins with preparing all the tools and requirements for designing the design, then preparing yourself to process various reference ideas that will be used to design the visual identity design. The results of the redesign of the visual identity design were expressed in the main media, namely the manual book. With the redesign of this visual identity design, it is hoped that it will become something that sells for the Freesound band apart from its songs, such as publishing merchandise or posters for the Freesound band.
Lebah Madu Dalam Karya Batik Lukis Dan Sulam Dini Sritika; Eliya Pebriyeni
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 2 No. 2 (2023): Oktober : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v2i2.1632

Abstract

The purpose of making this final work is to create a work of art of batik painting and embroidery whose idea comes from the life of honey bees that can be exemplified by humans in everyday life. The method of creation in this final work is carried out in stages, starting from the preparatory stage of observing phenomena that occur directly, then elaboration (the stage of exploring), the synthesis stage (the creation of ideas), then the realization of the concept of preparing maps, materials, tools, and the process of working on the work. Finally, the completion or finishing stage of the work. All works use the methods of written batik and embroidery. Each work has a different size, based on the theme of nature conservation with the idea of honey bee life in everyday life with the titles, "Queen Bee", "Fight for Throne", "Metamorphosis", "Building a Hive", "Communication", "Sucking Sari", "Sharing", "Hard Work", "Not Destructive", "Threatened".
E – Katalog Official Honne Payakumbuh Monica Kirana Utomo; Eliya Pebriyeni
SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei :  Jurnal Publikasi Desain Komunikasi Visual
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/seniman-widyakarya.v1i1.990

Abstract

Official Honne is a fashion brand that sells Muslim fashion products such as dresses and hijabs which was pioneered by Azzahra Sukma Rusita. This Muslim fashion brand was founded in 2019 which is located in Payakumbuh. The Muslim fashion products produced by Honne are limited edition products that are not widely available on the market with elegant and luxurious designs created by the owner making these products in great demand by Muslim consumers. Official Honne does not yet have a promotion that contains complete product information. After conducting an interview with the owner of the Official Honne, the owner of the Official Honne business finds it very helpful if there is an attractive promotion for the products offered by Honne. Seeing the business conditions of Official Honne which have been established since 2019, it is necessary to design attractive and appropriate promotional media and information to promote Official Honne Muslim fashion products.
Co-Authors Adila, Triana Ahdi, San Ary Ramadhan Asa, Ferdian Ondira Attia Martina Devyana Devyana Dini Sritika Efrizal . Ernis Ernis Ernis, Ernis Erwin A Erwin Erwin fadhil rahman Fatimah Siregar Febrina, Suci Friyatmi Friyatmi Friyatmi Jaka Gagantara Jermaina, Nina Kencana, Dwi Kharisma, Maltha Lisa Widiarti Monica Kirana Utomo Mughni Arrifman Agus Resiana, Zelin Retno Yuliyandra Siti Aisyah Susi Evanita Susi Evanita Syafei Syafei Syafwandi Syafwandi Yasrul Sami Yofita Sandra Yuni Mairiza