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Kointik: Eksplorasi Auditif dan Notasi Grafis dalam Penciptaan Musik Eksperimental Berbasis Bunyi Koin Sulastri, Salas; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3445

Abstract

This study presents an experimental music composition on sound eksploration from a single object: the metal coin. Entitled Kointik (Koin Tekstur Intuitif Komposisi), the work applies an intuitive and purely auditory approach, focusing on the exploration of texture, rhythm, and sound dynamics. The composition is constructed entirely between the body and the coin object. A set of graphic and symbolic notations was developed contextually to represet sound qualities, silences, gestures, and dramaturgical structures. The result reveal that everyday objects like coins possess strong musical and symbolic potential when treated as artistic materials. This work produces not only an immersive listening experience but also opens reflective space in value, social pressure, and the meaning of silence. Kointik contributes to the development of experimental music rooted in sensory experience and the curtular significance of local object.
Transformasi Bunyi Aktivitas Rumah Tangga Menjadi Ekspresi Artistik dalam Karya “Bisikan Cucian” Maharani, Septi Putri; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3448

Abstract

This study explores the creation process of a contemporary music composition entitled “Bisikan Cucian” (“The Whisper of Laundry”), which originates from the sonic exploration of domestic activities, particularly manual laundry routines. Through an experimental and reflective approach, this work transforms everyday household sounds such as water splashes, fabric friction, whispers, and hanger taps into the main elements of its musical structure. The study adopts a qualitative method with an artistic research approach, involving direct observation, sound recording, selection, and composition based on expressive and narrative values. The composition aims to reframe domestic labor as a legitimate artistic space, while presenting emotional narratives and personal reflection through sound and bodily movement. In addition to voicing personal experiences, “Bisikan Cucian” addresses gender issues and body aesthetics, challenging conventional listening spaces by highlighting often-ignored sounds. The result reveals that domestic soundscapes hold strong artistic potential when consciously and contextually processed, and that they can expand the discourse of contemporary sound art in Indonesia through the lens of everyday aesthetics and acoustic ecology.
Rumorwave: Eksplorasi Suara Manusia sebagai Representasi Ketegangan Sosial Indriani, Dini; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3449

Abstract

The work of Rumorwave explores the potential of the human voice as the main ingredient for the creation of contemporary music without the use of traditional instruments. By utilizing whispers, hiss, muttering, and conversation pieces, this work captures the social dynamics of gossip practices that often occur in everyday life. This research aims to explore how sound works in forming an emotional, reflective, and socially meaningful listening experience. Through an explorative-experimental approach, the creation of works is carried out through the stages of sound collection, vocal manipulation, thematic structure, and sound space packaging. The result is a musical work that is not oriented to conventional forms, but to the honesty of expression and openness of interpretation. This work is also a form of catharsis and criticism of incomplete communication patterns in modern life.
Transformasi Bunyi Sehari-hari menjadi Struktur Musikal: Studi Penciptaan Komposisi Musik “Warung Si Mba" Agustin, Rany Ismaya; Setiaji, Deden; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3450

Abstract

This study explores the aesthetic potential of everyday sounds as the primary material in contemporary music composition, using the work “Warung Si Mba” as a case study. The composition employs a musique concrète and soundscape composition approach by incorporating authentic sound recordings from traditional coffee stalls—such as the sound of sipping coffee, clinking spoons, and distinctive vendor calls. Through techniques such as field recording, editing, and layering, these commonly overlooked sounds are transformed into a structured musical narrative imbued with social and cultural significance. The work does not merely document sounds but interprets the cultural context and social interactions embedded within the coffee stall as a communal space for everyday people. This sound exploration broadens the boundaries of contemporary music by utilizing non-traditional sonic materials and creating an auditory experience that is grounded, reflective, and contextually rich. The results demonstrate that the acoustic landscape of daily life can serve as a meaningful source for musical creation, offering artistic innovation while also functioning as social documentation and cultural critique.
Komposisi Musik Katarsis Vokal Hidayat, Tania Rahmawati; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3453

Abstract

This article explores the creation of the contemporary music composition Katarsis Vokal, which utilizes the human voice as the primary instrument. The work was born from the need for emotional expression through the exploration of non-conventional sounds such as humming, heavy breathing, and screaming. The creative process included stages of preparation, vocal exploration, dramaturgical structuring, and verification of the work. The results show that free vocal exploration can serve as both an artistic medium and a space for emotional catharsis for both the creator and the audience. In addition to contributing to the development of contemporary music, this work emphasizes that the human voice is the most authentic instrument for conveying deep emotions.
Pillow Smasher ( Penggebuk Bantal ) Eksplorasi bunyi dan pukulan Penciptaan Musik Ekspresimental Bunyi Nurpebia, Vera; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3454

Abstract

Pillow Smasher is an experimental performance art exploration that combines sound, body movement, and everyday objects, especially pillows, as a medium for emotional expression. Departing from the need for a cathartic space, especially among teenagers and students facing psychological stress, this work utilizes the act of hitting a pillow as a symbol of releasing pent-up feelings. With a performative approach and unconventional sound aesthetics, Pillow Smasher displays emotional dynamics through rhythm, beats, and spontaneous movements. This work is not only artistic, but also educational and therapeutic, and serves as an alternative art learning that is inclusive, reflective, and based on personal experience. This project emphasizes that art can be a powerful medium for expressing emotions, reflecting inner states, and creating a space for honest and safe expression.
Dialog Galon Februarto, Dito; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3466

Abstract

This article explores the use of water gallon containers as an alternative instrument in contemporary music composition. Inspired by daily experiences, the work 'Dialog Galon' investigates the unique sonic potential of plastic gallons through various playing techniques. The methods used include experimental sound exploration, qualitative observation, and performance practice. The result shows that plastic gallons produce distinctive acoustic textures, offering rich sonic diversity and ecological value in music creation. This work contributes to the expansion of musical vocabulary and supports sustainable creative practices.