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All Journal Corak : Jurnal Seni Kriya Journal of Science and Applicative Technology Jurnal Bahasa Rupa Wisesa: Jurnal Pengabdian Masyarakat Jurnal Bahasa Rupa
Susi Susyanti
Institut Teknologi Sumatera
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mechanical Engineering Social Sciences Other

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WARNA ALAMI DARI EKSTRAK TANAMAN KOPI ROBUSTA Susi Susyanti
Corak : Jurnal Seni Kriya Vol 9, No 1 (2020): MEI 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v9i1.3537

Abstract

Color is a supportive part of visual emotion for connoisseurs and users. Colors can be enjoyed if assisted with good lighting. The color in this study discusses natural dyes. Natural dyes used are natural ingredients robusta coffee plants taken from the plateau of Liwa, West Lampung, Indonesia. Natural dyes that have been obtained then made a group pallet from the extract of coffee plants in the form of liquid and staining to the fabric. The method used is staining with the extraction process and a variation of mordanting using the fixation of alum.  This color palette can be worn and used by anyone to create color branding or a prodak that wants to display robusta coffee images. Also done testing TLW (wet & asam) and the level of the color of the age. It is to know the quality of fabric from the staining if you want to make disposable products such as fashion.Warna merupakan bagian pendukung emosi visual bagi penikmat maupun pengguna. Warna dapat kita nikmati jika dibantu dengan pencahayaan yang baik. Warna pada penelitian ini membahas mengenai pewarna alami. Pewarna alami yang dipakai adalah bahan alam tanaman kopi robusta yang diambil dari dataran tinggi Liwa, Lampung Barat, Indonesia. Pewarna alami yang sudah didapatkan kemudian dibuat palet kelompok dari hasil ekstrak tanaman kopi berupa cairan dan dilakukan pewarnaan terhadap kain. Metode yang digunakan adalah pewarnaan dengan proses ekstraksi dan variasi mordanting menggunakan fiksasi tawas.  Palet warna ini dapat dipakai dan digunakan oleh siapapun untuk membuat color branding maupun suatu prodak yang ingin menampilkan image kopi robusta. Dilakukan juga pengujian TLW (basah & asam) dan tingkat ketuaan warna. Hal tersebut untuk mengetahui kualitas kain dari hasil pewarnaan jika akan dibuat produk pakai seperti fashion. 
REVISUALISASI AKSARA KAGANGA SEBAGAI IDENTITAS LAMPUNG Arif Budiman; PG. Wisnu Wijaya; Muhammad Hajid An Nur; Maria Veronika Halawa; Susi Susyanti
Jurnal Bahasa Rupa Vol. 2 No. 2 (2019): Jurnal Bahasa Rupa April 2019
Publisher : LPPM Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v2i2.344

Abstract

The research and design of the Kaganga Script Revisualization as Lampung Identity or Had Lampung is an attempt to provide aesthetic value to the conventional letter system. The aesthetic aspects that were given derived from Lampung cultural traditions, icons, and other visual idioms, such as ornaments on tapis cloth, carvings, traditional clothing accessories, and the stylization of Lampung's unique flora and fauna. The research method of the Kaganga script re-visualization is using Creative Thinking Process approach of Bryan Lawson, who applies steps in solving visual communication problems through several stages; (1) initial understanding (2) preparation (3) incubation (4) information (5) verification. Data analysis is done by considering several aesthetics factors; legibility, readability and unity. From several design or prototype alternatives that have been tested, the new Kaganga script using the Jungian (ship) motif was selected. This design uses Lampung traditional idioms to stylize the original script, which are the stylization of the Jung / Ship motif and the motif of Gold Thread Embroidery. Furthermore, this design can be continued on to the public testing and introduce it to Lampung public after it has been digitized.
PERSEPSI VISUAL ANAK MUDA BANDAR LAMPUNG TERHADAP MOTIF KHAS LAMPUNG (PUCUK REBUNG DAN KAPAL) Muhammad Hajid An Nur; Susi Susyanti; Arif Budiman
Jurnal Bahasa Rupa Vol. 3 No. 1 (2019): Jurnal Bahasa Rupa Oktober 2019
Publisher : LPPM Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v3i1.394

Abstract

Lampung has many traditional and distinct motifs, one of which is “Pucuk Rebung” and “Kapal”. Both of these motifs are visual elements that we can find on Lampung's weaving, Tapis. As time goes by, these traditional motifs had undergone a shift in terms of production technique, application, and public perception of the motifs. This traditional motif has been developed by creative industries such as several distro in Lampung and applied to fashion products, ranging from accessories, t-shirts, and so on. Research shows a change in traditional motifs (Pucuk Rebung and Kapal), especially on composition and application of motifs, and not on the main visual elements itself. This certainly shifts the visual perceptions of Lampung youth towards the traditional motifs. Research on Lampung youths visual perceptions of traditional motifs will help designers to innovate, especially in utilizing Lampung's distinctive motifs. Research shows that traditional motifs score slightly higher than the new motifs. traditional motifs (both Pucuk Rebung and Kapal) are considered more dynamic, more elegant, (giving) more (sense of) proud, more meaningful, and better.
Classification of Color Pigments of Robusta Coffee Plants with Mordanting Method Applied to Cloth Masks susi susyanti; Okta Amelia; Muhammad Hajid An Nur; PG. Wisnu Wijaya
Journal of Science and Applicative Technology Vol 5 No 2 (2021): Journal of Science and Applicative Technology December Chapter
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM), Institut Teknologi Sumatera, Lampung Selatan, Lampung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35472/jsat.v5i2.316

Abstract

Part of the coffee plant as a whole from the roots until the fruit can produce dye pigment, the coffee plant that is made sample is Robusta coffee plant (Coffee Robusta). The absence of natural color calcification uses one whole plant. So it is made from coffee plants typical of Lampung as a local identity. The mordanting process of the extract results in the parts of the coffee plant on the French cotton fabric, producing pigments that can be used as dyes for textiles. This method is easy to classify the pigment from the parts of the coffee plant. Classifications of colors obtained from warm, soft, and cold color ranges (casual, beautiful, Natural, beautiful, romantic, elegant, classic, clear and cool casual). This research was conducted to classify various colors of Robusta coffee plants, roots, wood, bark, ranting, wet leaves, dried leaves, wet skin, wet bark, dry hard skin, wet seeds, dried seeds, and grain powders with The mordanting process is transferred on the cloth. From the results of the experiment, excellent color absorption resulted from wet fruit skin with a tendency towards warm colors and applied to the mask as an example of the product by means of a brush so that not much wasted color content. way in brushes and applications on this mask is an effort to respond to environmental issues and new normal.
REVISUALISASI AKSARA KAGANGA SEBAGAI IDENTITAS LAMPUNG Arif Budiman; PG. Wisnu Wijaya; Muhammad Hajid An Nur; Maria Veronika Halawa; Susi Susyanti
Jurnal Bahasa Rupa Vol. 2 No. 2 (2019): Jurnal Bahasa Rupa April 2019
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v2i2.344

Abstract

The research and design of the Kaganga Script Revisualization as Lampung Identity or Had Lampung is an attempt to provide aesthetic value to the conventional letter system. The aesthetic aspects that were given derived from Lampung cultural traditions, icons, and other visual idioms, such as ornaments on tapis cloth, carvings, traditional clothing accessories, and the stylization of Lampung's unique flora and fauna. The research method of the Kaganga script re-visualization is using Creative Thinking Process approach of Bryan Lawson, who applies steps in solving visual communication problems through several stages; (1) initial understanding (2) preparation (3) incubation (4) information (5) verification. Data analysis is done by considering several aesthetics factors; legibility, readability and unity. From several design or prototype alternatives that have been tested, the new Kaganga script using the Jungian (ship) motif was selected. This design uses Lampung traditional idioms to stylize the original script, which are the stylization of the Jung / Ship motif and the motif of Gold Thread Embroidery. Furthermore, this design can be continued on to the public testing and introduce it to Lampung public after it has been digitized.
PERSEPSI VISUAL ANAK MUDA BANDAR LAMPUNG TERHADAP MOTIF KHAS LAMPUNG (PUCUK REBUNG DAN KAPAL) Muhammad Hajid An Nur; Susi Susyanti; Arif Budiman
Jurnal Bahasa Rupa Vol. 3 No. 1 (2019): Jurnal Bahasa Rupa Oktober 2019
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v3i1.394

Abstract

Lampung has many traditional and distinct motifs, one of which is “Pucuk Rebung” and “Kapal”. Both of these motifs are visual elements that we can find on Lampung's weaving, Tapis. As time goes by, these traditional motifs had undergone a shift in terms of production technique, application, and public perception of the motifs. This traditional motif has been developed by creative industries such as several distro in Lampung and applied to fashion products, ranging from accessories, t-shirts, and so on. Research shows a change in traditional motifs (Pucuk Rebung and Kapal), especially on composition and application of motifs, and not on the main visual elements itself. This certainly shifts the visual perceptions of Lampung youth towards the traditional motifs. Research on Lampung youths visual perceptions of traditional motifs will help designers to innovate, especially in utilizing Lampung's distinctive motifs. Research shows that traditional motifs score slightly higher than the new motifs. traditional motifs (both Pucuk Rebung and Kapal) are considered more dynamic, more elegant, (giving) more (sense of) proud, more meaningful, and better.
PEMANFAATAN LIMBAH RUMAH TANGGA MENJADI ECO-FRIENDLY PRODUCT DI DESA SIDODADI ASRI Okta Amelia; Susi Susyanti; Maria Veronika Halawa; Dwi Cahyani
Wisesa: Jurnal Pengabdian Masyarakat Vol. 4 No. 1 (2025): WISESA: Jurnal Pengabdian Masyarakat
Publisher : UPT. PKM UB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.wisesa.2025.04.1.9

Abstract

Sampah merupakan satu hal yang banyak dihindari namun dihasilkan setiap waktu dari aktivitas sehari-hari. Sampah adalah berbagai jenis barang yang terbuang karena tidak terpakai. Sampah menjadi sumber masalah lingkungan apabila tidak dikelola dengan baik. Penanganan sampah rumah tangga yang dihasilkan oleh masyarakat desa Sidodadi Asri mengandalkan fasilitas utama dari pengelolaan sampah tersentralisasi yaitu tempat pembuangan akhir. Desa Sidodadi Asri telah memanfaatkan sampah organik menjadi pupuk alami sedangkan pupuk anorganik belum termanfaatkan. Namun umumnya mereka belum mengolah sampah organik tersebut secara efektif dan kontinu. Permasalahan sampah di Desa Sidodadi Asri dikarenakan belum adanya pengetahuan dari warga untuk melakukan pengelolaan sampah. Dalam upaya mengedukasi sekaligus mengatasi permasalahan sampah di Desa Sidodadi Asri. Tim pengusul akan memberikan pelatihan untuk melakukan pemanfaatan limbah rumah tangga. Pelaksanaan pelatihan dilaksanakan dimulai dari meninjau secara langsung kondisi existing wilayah mitra, pembinaan masyarakat, dan workshop pemanfaatan limbah rumah tangga. Melalui program ini diharapkan akan mengubah paradigma dan perilaku terkait pengelolaan sampah dan pemanfaatan sampah. Selain itu akan muncul kesadaran untuk melakukan pemilahan dan pengelolaan sampah organik dan anorganik.
Co-Authors Arif Budiman dwi cahyani Maria Veronika Halawa Maria Veronika Halawa Muhammad Hajid An Nur Muhammad Hajid An Nur Okta Amelia Okta Amelia PG. Wisnu Wijaya PG. Wisnu Wijaya