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All Journal Jurnal Administrasi Bisnis MES: Journal of Mathematics Education and Science Journal of Language and Literature ARBITRER: Jurnal Pendidikan Bahasa dan Sastra Indonesia Journal of Language Education, Linguistics, and Culture Jurnal Selaksa Makna
Mabruroh, Siti
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Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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IMPLEMENTASI LESSON STUDY DALAM PENGENALAN LAPANGAN PENDIDIKAN UNTUK MENINGKATKAN KUALITAS PEMBELAJARAN MATEMATIKA KELAS XI Maheswari, Sasikirana Zahra; Suparni, Suparni; Mabruroh, Siti
MES: Journal of Mathematics Education and Science Vol 10, No 2 (2025): Edisi April
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/mes.v10i2.10295

Abstract

Lesson Study adalah kolaborasi berkelanjutan oleh pendidik untuk meningkatkan kualitas pembelajaran. Penelitian ini bertujuan meningkatkan pembelajaran matematika melalui penerapan lesson study dalam program Pengenalan Lapangan Pendidikan (PLP). Penelitian dilakukan secara kualitatif dengan melibatkan 5 peserta didik kelas XI SMA Muhammadiyah 6 Yogyakarta tahun ajaran 2024/2025, guru pamong, dan teman sejawat selama dua siklus. Setiap siklus meliputi tahapan plan (perencanaan), do (pelaksanaan), dan see (refleksi). Teknik pengumpulan data melalui observasi dan dokumentasi. Instrumen yang digunakan adalah lembar observasi untuk guru pamong dan teman PLP. Pada siklus pertama, model Student Team Achievement Division (STAD) diterapkan dengan media Lembar Kerja Peserta Didik (LKPD), namun keterlibatan peserta didik masih rendah. Refleksi siklus pertama menghasilkan perbaikan pada siklus kedua, yakni penerapan model discovery learning menggunakan LKPD individu dan aplikasi quizizz. Hasil penelitian menunjukkan peningkatan kualitas pembelajaran. Hal ini terlihat dari antusiasme, partisipasi aktif, dan pemahaman peserta didik yang dibuktikan dengan meningkatnya nilai rata-rata mereka dibandingkan siklus pertama. Media interaktif seperti quizizz juga meningkatkan motivasi belajar sekaligus memanfaatkan perangkat secara positif. Secara keseluruhan, refleksi dan evaluasi berkelanjutan menjadi kunci perbaikan kualitas pembelajaran. Pendidik perlu terus mengembangkan metode dan media yang relevan agar tercipta suasana belajar yang efektif dan menyenangkan.
The Impact of Islamicity Performance Index and Non-Performing Financing on Profitability of Islamic Banking in Indonesia Period 2014-2023 Mabruroh, Siti; Maharany, Indah Dewi
Jurnal Administrasi Bisnis Vol 14, No 2 (2025): In Progress
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jab.v14i2.70987

Abstract

Along with other variables like Non-Performing Financing (NPF), the study's objective is to ascertain how the Islamic Performance Index (IPI), which is represented by the Profit-Sharing Ratio (PSR), Zakat Performance Ratio (ZPR), and Islamic Income vs. Non-Islamic Income Ratio (IsIR) affects Return on Asset (ROA). This study uses purposive sampling and is causally associative in nature. The financial statements of Islamic Business Units (UUS) and Islamic Commercial Banks (BUS) submitted to the Financial Services Authority (OJK) on December 31, 2023, provided the secondary data for the study.  In the meantime, 2014–2023 is the time frame.  Although there are 33 banks in the entire population, a sample of 21 banks was selected using 210 data observations after several criteria were established. According to the study's findings, ROA was unaffected by PSR and IsIR factors. Whereas the NPF variable significantly and negatively affects ROA, the ZPR variable significantly and favourably affects ROA. Those findings reveal that Islamic banks that can distribute zakat are banks with good profitability and financial success. In Islamic banks with increasingly high NPF, the bank loses the opportunity to obtain profit and loses the funds used to cover NPF, thereby reducing profitability.
The Roles of Javanese Phonology in Conveying Cultural Valuesin the Short Film Uba Rampe (2025) Maulana, Adam; Anwar, Alifia Nabila Putri; Mabruroh, Siti; Lukman, Diva Sania
Humanitatis : Journal of Language and Literature Vol. 12 No. 1 (2025): Humanitatis: Journal of Language and Literature
Publisher : LPPM Universitas Bumigora Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30812/humanitatis.v12i1.5885

Abstract

This study aimed to examine how the phonological features of the Javanese language represent Javanese culture through the short film Uba Rampe (2025). This study used a qualitative descriptive method; the analysis focused on spoken utterances in the film that reflect elements of Javanese cultural representation. The research applied Chomsky’s theory of sound change to explain how specific phonological adaptations function as markers of cultural identity within the Javanese linguistic system. In addition, Poedjosoedarmo’s theory of linguistic politeness provides a framework for understanding how phonological variation can embody social values, particularly those related to respect and refinement in Javanese speech. The findings revealed several distinctive phonological phenomena, including phoneme alternations, allophonic variations, and aspiration patterns, which symbolize unique culturalcharacteristics of the Javanese language. Moreover, the presence of pre-nasalization in the utterances is a salient indicator of politeness, reflecting the Javanese emphasis on harmonious social interaction and deference. These phonological features were not merely linguistic markers but also served as representations of deeper cultural meanings embedded in everyday communication. Overall, this study demonstrated that the phonological system of Javanese plays a vital role in maintaining and expressing cultural identity, illustrating the intricate intertwining of language and culture within Javanese society.
KAJIAN DERIVASI PREFIKS BER- DAN TER- DALAM LIRIK LAGU ORISINAL JKT48 RAPSODI (2019) DAN MAGIC HOUR (2024) Maulana, Adam; Anwar, Alifia Nabila Putri; Mabruroh, Siti
Arbitrer : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 7 No 3 (2025): Arbitrer: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Pattimura (Indonesia Language and Literature Education Department, The Faculty of Teacher's Training and Educational Sciences, University of Pattimura)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30598/arbitrervol7no3hlm263-274

Abstract

Akhir-akhir ini terdapat banyak lagu-lagu populer dalam dunia hiburan. Dari hasil observasi, lagu-lagu seperti Rapsodi (2019) dan Magic Hour (2024) yang dibawakan oleh JKT48 mengandung banyak bentuk afiksasi yang menarik untuk dianalisis, terutama dalam hal penggunaan prefiks ber- dan ter-. Selain karena kedua lagu tersebut mengandung banyak bentuk derivasi dengan prefiks ber- dan ter-, lagu Rapsodi (2019) dan Magic Hour (2024) juga menarik untuk dikaji dari segi linguistik. Oleh karena itu, penelitian ini dilakukan untuk menganalisis proses derivasi prefiks ber- dan ter- serta makna gramatikalnya dalam lirik lagu orisinal JKT48 Rapsodi (2019) dan Magic Hour (2024). Dengan berlandaskan pandangan bahwa morfologi tidak hanya membahas struktur kata, tetapi juga makna yang muncul melalui afiksasi. Penelitian ini menggunakan metode kualitatif dengan teknik simak dan catat. Data dianalisis berdasarkan teori pada pembahasan prefix ber- dan ter-. Hasil penelitian menunjukkan bahwa ber- dan ter- tidak hanya membentuk kata, tetapi juga menghasilkan variasi makna gramatikal yang memperkaya struktur dan pesan dalam lirik lagu orisinil JKT48 Rapsodi (2019) dan Magic Hour (2024). Prefiks ber- menciptakan tiga pola derivasi berupa (1) transformasi nomina ke verba aktif, (2) verba bermakna "mengeluarkan sesuatu", dan (3) penambahan makna aktivitas tanpa perubahan kelas kata. Prefiks ter- memiliki dua fungsi primer yang membentuk verba pasif dari nomina dan menandai makna keadaan dari verba. Derivasi ini menggambarkan subjek dalam lirik sebagai pasien atau entitas yang mengalami kondisi tertentu.
ANALISIS AFIKSASI DAN MAKNA GRAMATIKAL DALAM ALBUM LAGU ARTI UNTUK CINTA KARYA TIARA ANDINI: KAJIAN MORFOLOGI Anwar, Alifia Nabila Putri; Maulana, Adam; Lukman, Diva Sania; Mabruroh, Siti
JURNAL SELAKSA MAKNA Vol. 1 No. 4 (2025): JURNAL SELAKSA MAKNA
Publisher : PROGRAM STUDI PENDIDIKAN BAHASA LAMPUNG, FKIP UNIVERSITAS LAMPUNG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/selaksamakna.v1i4.1562

Abstract

This study aims to analyse the process of affixation and grammatical meaning found in the lyrics of songs on Tiara Andini's album Arti Untuk Cinta using morphological analysis. The affixation studied includes prefixes, suffixes, and confixes that play a role in forming grammatical meaning in the words of song lyrics. The method used in this study is a qualitative descriptive method with data collection techniques in the form of reading, listening, and note-taking. The research data was obtained from four songs in the album Arti Untuk Cinta, namely Cintanya Aku, Diam-diam, Padamu Luka, and Bahaya. The results showed that there were 36 affixed words, with prefixes being the most dominant type of affixation with 24 data, while suffixes and confixes each amounted to 6 data. The affixation process produced grammatical meanings that served to clarify the meaning, refine the style of language, and strengthen the emotional expression in the song lyrics. Thus, affixation played an important role in building the beauty of language and the message conveyed in the song lyrics on Tiara Andini's album Arti Untuk Cinta.   Penelitian ini bertujuan untuk menganalisis proses afiksasi serta makna gramatikal yang terdapat dalam lirik lagu pada album Arti Untuk Cinta karya Tiara Andini dengan menggunakan kajian morfologi. Afiksasi yang dikaji meliputi prefiks, sufiks, dan konfiks yang berperan dalam pembentukan makna gramatikal pada kata-kata dalam lirik lagu. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan teknik pengumpulan data berupa teknik baca, simak, dan catat. Data penelitian diperoleh dari empat lagu dalam album Arti Untuk Cinta, yaitu Cintanya Aku, Diam-diam, Padamu Luka, dan Bahaya. Hasil penelitian menunjukkan bahwa terdapat 36 data kata berafiksasi, dengan prefiks sebagai jenis afiksasi yang paling dominan sebanyak 24 data, sedangkan sufiks dan konfiks masing-masing berjumlah 6 data. Proses afiksasi tersebut menghasilkan makna gramatikal yang berfungsi memperjelas makna, memperhalus gaya bahasa, serta memperkuat ekspresi emosional dalam lirik lagu. Dengan demikian, afiksasi berperan penting dalam membangun keindahan bahasa dan pesan yang ingin disampaikan dalam lirik lagu pada album Arti Untuk Cinta karya TiaraAndini.
Analisis Tindak Tutur Ilokusi pada Lagu Karya Denny Caknan dalam Minialbum Kalih Welasku (2023): Sebuah Kajian Pragmatik Maulana, Adam; Mabruroh, Siti; Anwar, Alifia Nabila Putri; Lukman, Diva Sania; Ramadhanti, Annisa
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 6 No. 1 (2026): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/j-lelc.2026.26754

Abstract

This study aimed to describe the productivity and functions of illocutionary speech acts in the mini album Kalih Welasku (2023) by Denny Caknan. Using a qualitative approach with descriptive analysis, the study sought to show how utterances in song lyrics built the speaker’s communicative intentions. The data were analyzed based on Searle’s theory of illocutionary speech acts, which classified illocution into five categories: assertive, directive, commissive, expressive, and declarative. This framework was applied to identify the types of utterances that appeared and to interpret the pragmatic functions underlying each line of the lyrics. The findings showed that four types of illocutionary speech acts appeared in the four songs included in the mini-album, namely assertive, directive, commissive, and expressive acts. Among all findings, assertive speech acts were the most dominant, indicating that the lyrics were largely used to state beliefs, describe conditions, or directly express the speaker’s thoughts. Directive, commissive, and expressive acts also appeared, but with lower frequency. Meanwhile, declarative speech acts were not found in the data, suggesting that the song lyrics did not contain utterances that changed social status or reality. These findings illustrated patterns of speech act usage in contemporary Javanese popular music.
Tindak Tutur Ilokusi dalam Lirik Lagu Tanpa Cinta Karya Tiara Andini: Kajian Pragmatik Anwar, Alifia Nabila Putri; Maulana, Adam; Lukman, Diva Sania; Mabruroh, Siti; Ramadhanti, Annisa
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 6 No. 1 (2026): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/j-lelc.2026.26812

Abstract

The objective of this study is to describe the types of illocutionary acts contained in the lyrics of the song Tanpa Cinta by Tiara Andini. A qualitative descriptive method is used to describe in detail the various types of speech acts actualized through the lyrics of the song. Data were obtained from Tiara Andini's official YouTube account related to the lyrics of Tanpa Cinta using the listening and note-taking technique. Using a pragmatic perspective as a framework for analysis, specifically Searle's (1979) theory of illocutionary acts, and based on the data analyzed, the following types of speech acts were found: A pragmatic perspective was used as the analytical framework, specifically Searle's (1979) theory of illocutionary acts. Based on the data analyzed, the types of speech acts found in the lyrics of Tiara Andini's song Tanpa Cinta were assertive, directive, expressive, and commissive. In this case, assertive speech acts dominate over other speech acts, and no declarative speech acts were found. The dominance of assertive speech acts occurs because the lyrics of Tanpa Cinta largely represent the speaker's depiction of the situation, beliefs, and assessments of the relationship they are experiencing, so that the speaker is committed to the truth of what they are saying. This indicates the speaker's effort to convey information or state a condition with a commitment to the truth of the utterance.
Co-Authors Adam Maulana Anwar, Alifia Nabila Putri Lukman, Diva Sania Maharany, Indah Dewi Maheswari, Sasikirana Zahra Ramadhanti, Annisa Suparni Suparni