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All Journal Journal of Language and Literature Journal of Language Education, Linguistics, and Culture Jurnal Selaksa Makna
Lukman, Diva Sania
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The Roles of Javanese Phonology in Conveying Cultural Valuesin the Short Film Uba Rampe (2025) Maulana, Adam; Anwar, Alifia Nabila Putri; Mabruroh, Siti; Lukman, Diva Sania
Humanitatis : Journal of Language and Literature Vol. 12 No. 1 (2025): Humanitatis: Journal of Language and Literature
Publisher : LPPM Universitas Bumigora Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30812/humanitatis.v12i1.5885

Abstract

This study aimed to examine how the phonological features of the Javanese language represent Javanese culture through the short film Uba Rampe (2025). This study used a qualitative descriptive method; the analysis focused on spoken utterances in the film that reflect elements of Javanese cultural representation. The research applied Chomsky’s theory of sound change to explain how specific phonological adaptations function as markers of cultural identity within the Javanese linguistic system. In addition, Poedjosoedarmo’s theory of linguistic politeness provides a framework for understanding how phonological variation can embody social values, particularly those related to respect and refinement in Javanese speech. The findings revealed several distinctive phonological phenomena, including phoneme alternations, allophonic variations, and aspiration patterns, which symbolize unique culturalcharacteristics of the Javanese language. Moreover, the presence of pre-nasalization in the utterances is a salient indicator of politeness, reflecting the Javanese emphasis on harmonious social interaction and deference. These phonological features were not merely linguistic markers but also served as representations of deeper cultural meanings embedded in everyday communication. Overall, this study demonstrated that the phonological system of Javanese plays a vital role in maintaining and expressing cultural identity, illustrating the intricate intertwining of language and culture within Javanese society.
ANALISIS AFIKSASI DAN MAKNA GRAMATIKAL DALAM ALBUM LAGU ARTI UNTUK CINTA KARYA TIARA ANDINI: KAJIAN MORFOLOGI Anwar, Alifia Nabila Putri; Maulana, Adam; Lukman, Diva Sania; Mabruroh, Siti
JURNAL SELAKSA MAKNA Vol. 1 No. 4 (2025): JURNAL SELAKSA MAKNA
Publisher : PROGRAM STUDI PENDIDIKAN BAHASA LAMPUNG, FKIP UNIVERSITAS LAMPUNG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/selaksamakna.v1i4.1562

Abstract

This study aims to analyse the process of affixation and grammatical meaning found in the lyrics of songs on Tiara Andini's album Arti Untuk Cinta using morphological analysis. The affixation studied includes prefixes, suffixes, and confixes that play a role in forming grammatical meaning in the words of song lyrics. The method used in this study is a qualitative descriptive method with data collection techniques in the form of reading, listening, and note-taking. The research data was obtained from four songs in the album Arti Untuk Cinta, namely Cintanya Aku, Diam-diam, Padamu Luka, and Bahaya. The results showed that there were 36 affixed words, with prefixes being the most dominant type of affixation with 24 data, while suffixes and confixes each amounted to 6 data. The affixation process produced grammatical meanings that served to clarify the meaning, refine the style of language, and strengthen the emotional expression in the song lyrics. Thus, affixation played an important role in building the beauty of language and the message conveyed in the song lyrics on Tiara Andini's album Arti Untuk Cinta.   Penelitian ini bertujuan untuk menganalisis proses afiksasi serta makna gramatikal yang terdapat dalam lirik lagu pada album Arti Untuk Cinta karya Tiara Andini dengan menggunakan kajian morfologi. Afiksasi yang dikaji meliputi prefiks, sufiks, dan konfiks yang berperan dalam pembentukan makna gramatikal pada kata-kata dalam lirik lagu. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan teknik pengumpulan data berupa teknik baca, simak, dan catat. Data penelitian diperoleh dari empat lagu dalam album Arti Untuk Cinta, yaitu Cintanya Aku, Diam-diam, Padamu Luka, dan Bahaya. Hasil penelitian menunjukkan bahwa terdapat 36 data kata berafiksasi, dengan prefiks sebagai jenis afiksasi yang paling dominan sebanyak 24 data, sedangkan sufiks dan konfiks masing-masing berjumlah 6 data. Proses afiksasi tersebut menghasilkan makna gramatikal yang berfungsi memperjelas makna, memperhalus gaya bahasa, serta memperkuat ekspresi emosional dalam lirik lagu. Dengan demikian, afiksasi berperan penting dalam membangun keindahan bahasa dan pesan yang ingin disampaikan dalam lirik lagu pada album Arti Untuk Cinta karya TiaraAndini.
Analisis Tindak Tutur Ilokusi pada Lagu Karya Denny Caknan dalam Minialbum Kalih Welasku (2023): Sebuah Kajian Pragmatik Maulana, Adam; Mabruroh, Siti; Anwar, Alifia Nabila Putri; Lukman, Diva Sania; Ramadhanti, Annisa
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 6 No. 1 (2026): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/j-lelc.2026.26754

Abstract

This study aimed to describe the productivity and functions of illocutionary speech acts in the mini album Kalih Welasku (2023) by Denny Caknan. Using a qualitative approach with descriptive analysis, the study sought to show how utterances in song lyrics built the speaker’s communicative intentions. The data were analyzed based on Searle’s theory of illocutionary speech acts, which classified illocution into five categories: assertive, directive, commissive, expressive, and declarative. This framework was applied to identify the types of utterances that appeared and to interpret the pragmatic functions underlying each line of the lyrics. The findings showed that four types of illocutionary speech acts appeared in the four songs included in the mini-album, namely assertive, directive, commissive, and expressive acts. Among all findings, assertive speech acts were the most dominant, indicating that the lyrics were largely used to state beliefs, describe conditions, or directly express the speaker’s thoughts. Directive, commissive, and expressive acts also appeared, but with lower frequency. Meanwhile, declarative speech acts were not found in the data, suggesting that the song lyrics did not contain utterances that changed social status or reality. These findings illustrated patterns of speech act usage in contemporary Javanese popular music.
Tindak Tutur Ilokusi dalam Lirik Lagu Tanpa Cinta Karya Tiara Andini: Kajian Pragmatik Anwar, Alifia Nabila Putri; Maulana, Adam; Lukman, Diva Sania; Mabruroh, Siti; Ramadhanti, Annisa
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 6 No. 1 (2026): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/j-lelc.2026.26812

Abstract

The objective of this study is to describe the types of illocutionary acts contained in the lyrics of the song Tanpa Cinta by Tiara Andini. A qualitative descriptive method is used to describe in detail the various types of speech acts actualized through the lyrics of the song. Data were obtained from Tiara Andini's official YouTube account related to the lyrics of Tanpa Cinta using the listening and note-taking technique. Using a pragmatic perspective as a framework for analysis, specifically Searle's (1979) theory of illocutionary acts, and based on the data analyzed, the following types of speech acts were found: A pragmatic perspective was used as the analytical framework, specifically Searle's (1979) theory of illocutionary acts. Based on the data analyzed, the types of speech acts found in the lyrics of Tiara Andini's song Tanpa Cinta were assertive, directive, expressive, and commissive. In this case, assertive speech acts dominate over other speech acts, and no declarative speech acts were found. The dominance of assertive speech acts occurs because the lyrics of Tanpa Cinta largely represent the speaker's depiction of the situation, beliefs, and assessments of the relationship they are experiencing, so that the speaker is committed to the truth of what they are saying. This indicates the speaker's effort to convey information or state a condition with a commitment to the truth of the utterance.
Co-Authors Adam Maulana Anwar, Alifia Nabila Putri Mabruroh, Siti Ramadhanti, Annisa