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All Journal Gelar : Jurnal Seni Budaya Lakon Jurnal Pengkajian & Penciptaan Wayang
asmoro, purbo
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Arts Humanities Education

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Nilai Kehidupan Dalam Penciptaan Karya “Darmaning Satriya Pinandhita” Wijaya, Indra Danar; Asmoro, Purbo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Anoman or Hanuman is a popular figure from the great epic Ramayana who is known by many groups. He took the form of a white monkey with extraordinary powers that were once said to be able to burn down the Alengka Kingdom and lift a mountain. Not only in the Ramayana, the character Anoman also appears in the Mahabarata stories. As told in the Mahabarata, Anoman met his apprentice brother, Raden Werkudara or Bima, who was also a student of the wind god, Batara Bayu. In the Javanese Pedalangan story, Anoman’s story even continues until the Middle Ages, namely the era of the Pandava descendants in the Kingdom of Kediri. It is said that Anoman, who was elderly by the name of Resi Mayangkara, tried to reconcile the Pandawa descendants until he met his death. The work methods used are orientation, exploration and observation. The data collection technique used is literature study. The concept used to compile this work is the concept of solid packaging. The result of this work is a work entitled Darmaning Satria Pinandhita.
The aesthetics of virtual wayang performances during the covid-19 pandemic Sunardi, Sunardi; Rianto, Jaka; Sulastuti, Katarina Indah; Harpawati, Tatik; Asmoro, Purbo; Sugihartono, Ranang Agung
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4571

Abstract

This paper discusses the aesthetics of virtual wayang performances by puppeteers. The problems studied are: (1) why puppeteers have a new tendency to perform virtual wayang; and (2) the aesthetic style of the virtual wayang performances. Data collection methods by interviews with puppeteers, literature studies about virtual wayang, and observations of wayang virtual performances by puppeteers were analyzed by aesthetic theory. The study results showed that puppeteers used digital platforms to maintain their profession's continuity and economic living conditions. The tendency of virtual wayang to give rise to an aesthetic style of digital puppets is known as aesthetics of taste, with the orientation of wayang performance to meet public tastes. The conclusion results state that the aesthetic style of the virtual wayang performance: (1) the camera as a representation of the audience's eyes; (2) puppeteers are required to be creative, innovative, and productive; (3) the audience has the freedom to determine their tastes; and (4) the importance of collaboration that must be carried out by the puppeteer.
Nilai Kehidupan Dalam Penciptaan Karya “Darmaning Satriya Pinandhita” Wijaya, Indra Danar; Asmoro, Purbo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Anoman or Hanuman is a popular figure from the great epic Ramayana who is known by many groups. He took the form of a white monkey with extraordinary powers that were once said to be able to burn down the Alengka Kingdom and lift a mountain. Not only in the Ramayana, the character Anoman also appears in the Mahabarata stories. As told in the Mahabarata, Anoman met his apprentice brother, Raden Werkudara or Bima, who was also a student of the wind god, Batara Bayu. In the Javanese Pedalangan story, Anoman’s story even continues until the Middle Ages, namely the era of the Pandava descendants in the Kingdom of Kediri. It is said that Anoman, who was elderly by the name of Resi Mayangkara, tried to reconcile the Pandawa descendants until he met his death. The work methods used are orientation, exploration and observation. The data collection technique used is literature study. The concept used to compile this work is the concept of solid packaging. The result of this work is a work entitled Darmaning Satria Pinandhita.
Co-Authors Rianto, Jaka Sugihartono, Ranang Agung Sulastuti, Katarina Indah Sunardi Sunardi Tatik Harpawati Wijaya, Indra Danar