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All Journal Capture : Jurnal Seni Media Rekam ARTISTIC : International Journal of Creation and Innovation Humantech : Jurnal Ilmiah Multidisiplin Indonesia
Harsakya, Cahya Surya
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health

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DISIMILARITAS RESEPSI ANTARA KERIS TEMPA DAN KERIS COR (CASTING) Harsakya, Cahya Surya
Humantech : Jurnal Ilmiah Multidisiplin Indonesia Vol. 2 No. 8 (2023): Humantech : Jurnal Ilmiah Multidisiplin Indonesia
Publisher : Program Studi Akuntansi IKOPIN

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Abstract

Penelitian ini bertujuan untuk menjabarkan dan memberikan pengertian terhadap perbedaan ilmu pengetahuan antara antara keris teknik tempa pamor dengan terhadap produksi keris menggunakan teknik cor logam, agar masyarakat dapat mengetahui perbedaan dari karya seni tersebut. Fungsi utama dari keris dulu adalah alat untuk membela diri dari serangan musuh, dan binatang. Namun kemudian fungsi dari keris pusaka itu berubah. Di masa damai, kadang orang menggunakan keris hanya sebagai kelengkapan busana upacara kebesaran dan acara seremonial lain, juga sebagai kebanggaan pemakainya. Lalu, tak urung keris itu menjadi komoditi bisnis yang tinggi nilainya. Pembahasan mengenai Jenis produksi keris antara keris dengan metode teknik tempa logam dengan keris yang diproduksi dengan teknik cor (casting) mempengaruhi segi disimilaritas resepsi diantara pemakainya. Disimilaritas tersebut terjadi karena pengaruh proses pembuatannya. Kwalitas antara keris tempa pamor dengan keris cor, baik itu dari resepsi pemaknaan maupun dari pandangan estetisnya.
STRUKTUR DRAMATIK DAN ESTETIK FILM ANIMASI THE LITTLE KRISHNA Harsakya, Cahya Surya
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (674.641 KB) | DOI: 10.33153/capture.v7i2.1695

Abstract

The focus of this research is dramatic structure and animation film aesthetic,The LittleKrishna. The study of this animation uses estetic interpretation analysis, while the type ofresearch is descriptive qualitative with fourth processes in collecting the data, namely datacollection, reduction, data analysis, and conclusion.The result shows that applying dramaticstructure (exposition, inciting-action, conflication, crisis, climax, resolution, and conclusion) inthe The Little Krishna describes the story well,whereas colour and genre as a point of interest inthis film.In addition,unity appears in the first segment telling not only about Krishna who lives inVrindavan village but also in the rural area itself. On the other hand, complexity seems in thirdsegment with multiple conflicts where Krisna was against both King Kamsa and God Indra.Besides, intensity appears in the last segment tells about Krishna who was serious in Vrindavanvillage to prevent the Kaliya snake attacks.Keywods : Animation,The Little Krishna,dramatic structure,dan aesthetic
THE ROLES OF TRADITION AS AN IDEA FOR THE DOCUMENTARY FILM ‘MAPPADEKKO’ WITH EXPOSITORY DIRECTING STYLE Annisa, A.Mulya; Harsakya, Cahya Surya; Kurniawan, Donie Fadjar; Nugrahaning Widhi, Dwi Putri
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i1.5405

Abstract

The Mappadekko Documentary Film is a form of cultural preservation that raises the issue of the role of traditional leaders in preserving a nearly extinct annual tradition in Camba District. Mappadekko is a form of gratitude to God Almighty for the success of planting rice. The narrative structure of this film employs the 5W+1H framework for storytelling. The film employs an expository directing approach. The expository directing approach primarily documents the involvement of traditional leaders in the Mappadekko tradition through the use of narration and interviews. This style prioritizes informal shooting activities to convey the message directly to the audience, minimizing the potential for other interpretations. The Mappadekko documentary film conveys a message that urges the audience, particularly the younger generation, to prioritize cultural awareness and preservation
STRUKTUR DRAMATIK DAN ESTETIK FILM ANIMASI THE LITTLE KRISHNA Harsakya, Cahya Surya
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v7i2.1695

Abstract

The focus of this research is dramatic structure and animation film aesthetic,The LittleKrishna. The study of this animation uses estetic interpretation analysis, while the type ofresearch is descriptive qualitative with fourth processes in collecting the data, namely datacollection, reduction, data analysis, and conclusion.The result shows that applying dramaticstructure (exposition, inciting-action, conflication, crisis, climax, resolution, and conclusion) inthe The Little Krishna describes the story well,whereas colour and genre as a point of interest inthis film.In addition,unity appears in the first segment telling not only about Krishna who lives inVrindavan village but also in the rural area itself. On the other hand, complexity seems in thirdsegment with multiple conflicts where Krisna was against both King Kamsa and God Indra.Besides, intensity appears in the last segment tells about Krishna who was serious in Vrindavanvillage to prevent the Kaliya snake attacks.Keywods : Animation,The Little Krishna,dramatic structure,dan aesthetic
Co-Authors Annisa, A.Mulya Kurniawan, Donie Fadjar Nugrahaning Widhi, Dwi Putri