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All Journal Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Melayu Arts and Performance Journal Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Harun, Afrizal
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media

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Legusa Festival: Membangun Jalan Humanitas Melalui Kreatifitas Putra, Roni; Harun, Afrizal
Melayu Arts and Performance Journal Vol 7, No 1 (2024): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v7i1.4663

Abstract

This research discusses the Legusa Festival as a means of building humanity through creativity in Nagari Tanjung Haro Sikabu-Kabu Padang Panjang. The main objective of this study is to explore the role of creativity as a path to humanity, which is the essence of human existence. The method used is action research, which involves planning, observation, and reflection to create a tangible social impact. The research results show that the Legusa Festival, with its various artistic and cultural activities, successfully connects the concept of creativity with humanity. This festival not only serves as a medium for artistic expression but also as a tool for producing and communicating local knowledge. The creativity generated by this festival is reflected in various art forms, ranging from music to film, involving collaboration between local artists and the community. The Legusa Festival also successfully creates an interactive space that brings together residents, thereby enhancing their ability to accept differences and build dialogue. Thus, this festival has become a means of humanization that promotes togetherness, understanding, and appreciation of cultural and social diversity.
Penyutradaraan Teater Musikal 'Pesta Para Pencuri' dengan Pendekatan Epik Bertolt Brecht Lovend, Casandra Dwi; Soeryana, Dharminta; Harun, Afrizal
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 1 (2023): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bcdk.v7i1.4766

Abstract

Penelitian ini mengkaji proses penyutradaraan teater musikal "Pesta Para Pencuri," adaptasi dari karya Jean Anouilh oleh Rahman Sabur, dengan pendekatan epik Bertolt Brecht. Pendekatan ini dipilih untuk menciptakan pertunjukan yang tidak hanya menghibur tetapi juga menyadarkan penonton tentang realitas sosial di sekitarnya. Metode Verfremdungseffekt (V-Effect) atau efek alienasi digunakan untuk memisahkan penonton dari peristiwa di panggung, sehingga mereka dapat melihat pertunjukan secara kritis dan tidak hanya sebagai hiburan semata. Dalam proses penyutradaraan ini, pengkarya menerapkan berbagai tahap, mulai dari pemilihan naskah, pembentukan tim produksi, hingga latihan intensif bagi para aktor dan penari. Hasil dari penyutradaraan ini menampilkan pertunjukan yang tidak hanya memiliki nilai estetika tinggi tetapi juga sarat dengan kritik sosial, menggambarkan perbedaan kelas di masyarakat. Dengan demikian, teater ini berfungsi sebagai media pendidikan dan pencerahan bagi penonton. Pertunjukan ini diharapkan dapat menjadi referensi bagi penyutradara lain yang ingin menggarap teater dengan pendekatan serupa, serta menginspirasi penerapan metode Brecht dalam konteks teater modern.
Aesthetics of the Babuai Dance and the Transformation of Tradition at the Singo Barantai Traditional Arts Institute, Padang Nofa, Yosi; Yuliarni, Yuliarni; Harun, Afrizal; Asril, Asril; Pramayoza, Dede
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5886

Abstract

Babuai dance is one of the traditional Minangkabau dances that developed at the Singo Barantai Padang Traditional Arts School. This dance is one of the unique traditional dances. Because the movements of this dance depict agility, softness, firmness and sharpness. In every movement is full of accents (movement jerks) besides that there is also acceleration and deceleration. This dance is used for body exercise for a silat athlete before they carry out silat training. The object of this research uses Dance as its formal object, "Babuai Dance" as its material object. This research uses a qualitative method with a descriptive analytical approach. This research was conducted at a silat school, namely the Singo Barantai Padang City Traditional Arts School, which is located in Lubuk Leetah, Kuranji District, Padang. Singo Barantai Traditional Arts College is one of the non-formal educational institutions engaged in the field of arts and culture, where the activities or materials taught at this College include traditional martial arts with the SilekPauh flow, randai, traditional dance, traditional Minangkabau music, and traditional pasambahan speeches. This journal examines the tradition of challenging change in the study of dance aesthetics. Babuai dance is viewed using aesthetic studies with the aim of revealing and exploring in depth everything related to the beauty of the Babuai Dance and changes in the development of the babuai dance at the Singo Barantai Traditional Arts College. In this study, the author was actively involved in the Singo Barantai Traditional Arts College, namely as a participant observer, which means that the author directly enters and is involved in the membership of the Singo Barantai College
Postdramatik: Dramaturgi Teater Indonesia Kontemporer Harun, Afrizal; Zaitun, Kurniasih; Susandro, Susandro
Dance and Theatre Review Vol 4, No 2: November 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (755.156 KB) | DOI: 10.24821/dtr.v4i2.6450

Abstract

Postdramatic: The Dramaturgy of Contemporary Indonesian Theater. The research attempts to explain a new possibility in theatre practice in Indonesia, which was initially formed through the power of words in the form of dialogue depicted in drama scripts. Since then, there was another tendency which was a matter of fact, in the early 1920s, for which Antonin Artaud initiated. Various terms have been used to describe new trends in the dramaturgy of Indonesian theatre since the 1970s up to now, such as cutting-edge theatre, avant-garde theatre, experimental theatre, body theatre, visual/visual theatre, postmodern theatre, contemporary theatre, and so on. Therefore, the appearing terms show doubts in determining the identity of the currently developing Indonesian theatre. This study aims to explain the potential for postdramatic theatre works that have been performed by Indonesian theatre directors, such as WS Rendra, Putu Wijaya, Boedi S. Otong, Dindon WS, Rahman Sabur, Yudi A Tajudin, including Yusril with a Postdramatic theatre approach. This research method is dominated by literature studies that take references such as books, journal-based articles, and online and printed media. The results of the study indicate that postdramatic dramaturgy in the practice of theatre in Indonesia is necessary from the spirit of the times that formed it, including the possibility of creating a new form of post-dramatic theatre developing in the current era of the Covid-19 pandemic.Keywords: postdramatic; dramaturgy; theatre; Indonesia; contemporary
Co-Authors ASRIL ASRIL Dede Pramayoza Dharminta Soeryana Kurniasih Zaitun Lovend, Casandra Dwi Nofa, Yosi Roni Putra Susandro, Susandro Yuliarni Yuliarni