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Redefining The Term of Dukun Sartini Sartini; Heddy Shri Ahimsa-Putra
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Dukun, wong pinter, and other terms, commonly constitutes to the term of shamanism, are often interpreted in the same way. In particular, the dukun and wong pinter are generally understood as persons who have extraordinary or even supernatural powers, are capable of communicating with spirits and understanding the unseen, can generally help resolve issues faced by members of their communities, including illnesses, spiritual disturbances, lost items, unfortunate fates, etc. They are also predicated to charge to the patient and even willing to help witchcraft to harm other people. In fact, not all shamans have negative behaviors. In Temanggung, Central Java, though this general understanding is still common, there is distinction in the specific details and characteristics of the dukun and wong pinter. Dukun are often understood negatively, meanwhile the wong pinter has more positive connotations. Because of the different principle meaning the both terms should not be generalized and used appropriately and wisely. Improper use can cause discomfort in the community, and academically the both term actually refers to a completely different subject characteristics.

Preliminary Study on Worldviews Sartini Sartini; Heddy Shri Ahimsa-Putra
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Worldviews are an important part of human life because they illustrate the ways people think and act. This article aims to review studies conducted by scholars, definitions of the term "worldview", and scientists' explorations of worldviews, and to examine how such categories may be applied to capture reality. This study concludes that worldviews have been the focus of intensive studies since the 1980s. Many scientists have defined the concept of "worldview" and attempted to explain its dynamics. Studies of worldviews can be grouped into several paradigms. Because of the extent of the study area, theoretically worldviews can be classified into several categories based on, for example, views of self and others, time, space, relationships, and causation. In reality, the worldview of a society can be seen in how members of the society live in relation to God, nature, people, and the environment. In examining the worldviews held in social reality, the specific categories mapped by scholars must be made congruent with the realities in the field, because sometimes these categories are interrelated and difficult to understand separately.

KONSEPSI LOKAL-GLOBAL SEBAGAI BASIS KULTURAL BERKESENIAN SANGGAR DEWATA INDONESIA I Gede Arya Sucitra; Sartini Sartini
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 48, No 2 (2020)
Publisher : Fakultas Sastra Universitas Negeri Malang

GLOBAL-LOCAL CONCEPT AS A CULTURAL BASIS FOR ART IN SANGGAR DEWATA INDONESIAAbstract: The face of Indonesian art contains multicultural, intercultural, and diverse values in the dialectics of regional arts and global culture. The rise of local culture is often caused by global cultural friction. The attraction and tension between global culture and local culture results in the 'glocalization' of culture. This article aims to explore the values of locality and global culture as a creative foundation for art in the Balinese diaspora art community, Sanggar Dewata Indonesia (SDI) which is culturally and philosophically insightful. The Balinese diaspora gradually has a new cultural identity as a result of the acculturation of Balinese culture with the local culture. Likewise, in the aspect of the language of art, Balinese diaspora artists in Yogyakarta are accommodative, experiencing visual transformation, syncretic, and contain hybridization of cultural values. This study utilizes qualitative methods with a formal study of cultural philosophy through an interpretive approach. The cultural interpretive approach has resulted that the culture and art process of the SDI art community are symbolically the result of the legacy of the collective conception system both in communicating, perpetuating and developing knowledge to attitudes towards artistic life. The mission and vision of SDI includes the spirit of nationalism, Pancasila nationalism, multiculturalism, in order to achieve the international art world, which is more heterogeneous and competitive. Thus the local-global spirit is accompanied by a process of reinterpretation and re-contextualization of a time that presents a thinking discourse, creative vision through creative dialectics that is filled with local-global acculturation shock power towards world-class global art competition.Keywords: Globalization, Locality values, Multiculturalism, Sanggar Dewata IndonesiaKONSEPSI LOKAL-GLOBAL SEBAGAI BASIS KULTURAL BERKESENIAN SANGGAR DEWATA INDONESIAAbstrak: Wajah seni rupa Indonesia mengandung nilai multikultur, interkultural, serta berbhineka dalam dialektika kesenian daerah dan kebudayaan global. Kebangkitan kebudayaan lokal sering disebabkan oleh gesekan budaya global. Tarikan dan tegangan antara budaya global dan budaya lokal menghasilkan ‘glokalisasi’ kebudayaan. Artikel ini bertujuan mendalami nilai-nilai lokalitas dan kultur global sebagai landasan kreatif berkesenian dalam komunitas seni diaspora Bali, Sanggar Dewata Indonesia (SDI) yang berwawasan budaya serta filosofis. Diaspora Bali lambat laun memiliki identitas kultur baru hasil dari akulturasi kebudayaan Bali dengan kebudayaan lokal setempat. Demikian juga dalam aspek bahasa berkesenian seniman diaspora Bali di Yogyakarta, bersifat akomodatif, mengalami transformasi visual, sinkretis, dan mengandung hibridasi nilai-nilai budaya. Artikel ini diteliti menggunakan metode kualitatif dengan kajian formal filsafat kebudayaan melalui pendekatan interpretatif. Pendekatan interpretatif kebudayaan telah menghasilkan pembacaan bahwa kebudayaan dan proses berkesenian komunitas seni SDI secara simbolik merupakan hasil dari warisan sistem konsepsi kolektif baik dalam mengomunikasikan, mengabadikan dan mengembangkan pengetahuan hingga sikap terhadap kehidupan kesenian. Visi dan misi SDI adalah semangat kebangsaan, nasionalisme Pancasila, multikultur, demi menuju dunia kesenian internasional yang lebih heterogen dan kompetitif. Dengan demikian semangat lokal-global ini disertai proses reinterpretasi dan rekontekstualisasi zaman menghadirkan wacana pemikiran, visi kreatif melalui dialektika kreatif yang penuh daya kejut akulturasi lokal-global menuju persaingan dunia seni global.Kata kunci: Globalisasi, Nilai lokalitas, Multikulturalisme, Sanggar Dewata Indonesia Permalink/DOI: dx.doi.org/10.17977/um015v48i22020p118

Wacana Pragmatis Berbagai Agama Baru di Jepang Sartini Sartini
Jurnal Filsafat "WISDOM" Vol 16, No 2 (2006)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.23210

The meaning of a religion and how to be religious in everysociety lead to different implication. Japanese define religiondifferently from Indonesian. The New Religions of the Japanesepropose new concepts of easy living, practical, optimism and say,worldly and master of their own destiny. To embrace, religionmeans to take advantage from them. Where as the Indonesianunderstand religion as private property with a lot of duties thatbelievers should follow sincerely.

Kontradiksi dalam Asumsi Religiusitas pada Bangsa Jepang: Telaah Filosofis Pergeseran Makna Religi Sartini Sartini
Jurnal Filsafat "WISDOM" Vol 13, No 2 (2003)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.31312

The religion generally creates religious society. The religious society principally could be seen from their attitude that follow religious norms, becouse religion it self guides the people not to do something bad. But in special case, religious Japanese people were founded something unusual and contradict to this ideal values. In the history, the concepts of Geisha, Jugan lanfu, and any sexual harassments had been founded in religious Japanese people. This contradiction may be caused by the change of their religion point of view.

Menggali Kearifan Lokal Nusantara: Sebuah Kajian Filsafati Sartini Sartini
Jurnal Filsafat "WISDOM" Vol 14, No 2 (2004)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.31323

Local genius is local ideas that is characterized such as: wise, full of wisdom, good values, that planted and followed by society. Local genius is also a local wisdom. It stands from the outer culture, that accommodate and intergrate the outer culture into inside and give them the right way. Local genius emerge into: value norm, faith custom, etc. They have special meaning and function. It must be changed because of cross culture and globalization. It gives a challenge to explore and criticize it in scientific ways.

Makna Hidup Berkelompok pada Masyarakat Jepang Sartini Sartini; Djuretna Adi Imam Muhni
Jurnal Filsafat "WISDOM" Vol 10, No 2 (2000)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.31345

The relationship of individual man and society is natural. The individual man will never exist outside his society. The individual can be more dominant than the society or vice versa. In Japan, society or group posseses a stronger role than individual. Japan is well known with its groupism. This sense leads Japan to mastering sciences, technology, and economics fields. The objectives of this research are: a) to know the phenomena of collective life; b) to kwon the dialougue between the conservative collective life and the penetration of the modern values; c) to know Japanese cultural values that bases itself on groupism and leads Japan to be a modern society.This research is a bibbliographical study, using hermeneutics with its three steps: description, interpretation, and philosophical reflection. This research is started with collecting data than describing the groupism phenomena in Japan. The compiled data are analysed and interpreted to find the meaning or values of the groupism of collective life phenomena. Philosophical reflection is used to analysed human and social cost of development. Finally, the result of the research are reported after revision.The result of this study that, first Japanese society is an organizational society. Second, Japanese development and success has changed the society to a complex culture with its pragmatic materialistic, individualistic, and hedonistic attitude. However, the Japanese traditional values have become the root of the development of the Japanese modern corporation that manifested itself on the ethical code of the companies. Third, Japanese groupism with is sense of organization is very accomodative to modern bussiness ethics.

Nilai-nilai Budaya Jepang (Tinjauan Aspek Nilai Progresif dan Ekspresif Kebudayaan dalam Proses Modernisasi Jepang) Sartini Sartini
Jurnal Filsafat "WISDOM" Jurnal Filsafat Seri 29 Juni 1999
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.31670

The goal of developing country is to be a developed one. Country development is influenced by physical, social, and cultural condition. Vice versa, a progress of a country influences them Japan is a developed Asian country. The purpose of this research is to know some Japanese cultural values that support modernization and the impacts of the progress, and to reflect the reality.This research is a bibliograpical study. The material is books and written material about Japanese society. The research starts to look for the Japanese cultural values in progressive and expressive cultural balues. Then, looking at the negative impacts of the modern life will lead to make a reflective and evaluative thinking.The result of this research shows that first, Japanese progress is supported by character and cultural of the society such as hard working, discipline, saving, sincerity, loyality, group working, high dynamic appreciation for time, competitiveness. Second, creativity and productivity of the society can funfill the human need that being higher, but pleasure of life makes many bad impacts. Third, willing of the human being needs strong instution to decide the concept of progress around the country or the world. Progress of the civilization may be comprehended as long as a concept of enough, or as far as ratio of man can do.

Menggali Kearifan Lokal Nusantara: Sebuah Kajian Filsafati Sartini Sartini
Jurnal Filsafat "WISDOM" Vol 14, No 2 (2004)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.33910

Local genius is local ideas that is characterized such as: wise, full of wisdom, good values, that planted and followed by society. Local genius is also a local wisdom. It stands from the outer culture, that accommodate and intergrate the outer culture into inside and give them the right way. Local genius emerge into: value norm, faith custom, etc. They have special meaning and function. It must be changed because of cross culture and globalization. It gives a challenge to explore and criticize it in scientific ways.

Mitos Penciptaan pada Serat Purwakandha Brantakusuman dan Potensi Kajian Filsafatnya Sartini Sartini; Luwiyanto Luwiyanto
Jurnal Filsafat "WISDOM" Vol 30, No 1 (2020)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.43718

This article examines the creation myth in Serat Purwakandha Brantakusuman (SPB), how its characteristics are compared to myths in Indonesia and existing mythical theories, and explains philosophical themes that can be examined from these myths in order to give its theoretical contributions in existing mythical theories. It is a literature study by reviewing books texts, research reports, journals, and other sources. The analysis is done by interpretation, coherence-holistic, description, and analysis-synthesis. The theoretical framework used is the myth theory C A. Van Peursen and Clifford Geertz. The results of the study indicate that the myth of the creation of plants in SPB is based on the story of the death of Dewi Tisnawati who was banished to earth. The study of myths about the origin of plants is new because research examining myths related to agriculture and Dewi Sri, the influence of myths in life and human activities, forms of rituals and socio-cultural activities, and the relationship between myths and art, are more related to origin place. The myths in SPB and myths in Indonesia contribute to supporting myth concepts that have been described by great thinkers. The creation myth and other myths in the SPB can be subject to study from the perspective of the branches of philosophy and its conceptual substances can also be criticized philosophically

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