Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

3.492

P-Index

This Author published in this journals

All Journal INFORMASI Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi AJIE (Asian Journal of Innovation and Entrepreneurship) MetaCommunication; Journal Of Communication Studies Communication Avant Garde Jurnal Abdimas Madani dan Lestari (JAMALI) Communications in Humanities and Social Sciences International Journal of Media and Communication Research Mediator: Jurnal Komunikasi Jurnal Mahasiswa Komunikasi Cantrik Komunikatif : Jurnal Ilmiah Komunikasi

Sumekar Tanjung

Program Studi Ilmu Komunikasi, Universitas Islam Indonesia, Yogyakarta, Indonesia

Author-ID : 2416576

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

Published : 27 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3

BUSHIDO PADA PEREMPUAN JEPANG: MEMAKNAI NILAI-NILAI BUSHIDO PADA PEREMPUAN JEPANG DALAM FILM RUROUNI KENSHIN (2012) DAN MYU NO ANYO PAPA NI AGERU (2008) ISADI, RENATA PERTIWI; TANJUNG, SUMEKAR
Communication Vol 5, No 2 (2014): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Fokus penelitian ini untuk mengkaji pemaknaan nilai-nilai Bushido pada perempuanJepang dalam Rurouni Kenshin (2012) dan Myu no Anyo Papa ni Ageru (2008). Keduafilm merepresentasikan nilai-nilai Bushido dan kehidupan perempuan Jepang. Makapertanyaan penelitian yang diajukan adalah bagaimana representasi praktik signifikasinilai-nilai Bushido pada perempuan Jepang dalam kedua film tersebut? Penelitimenggunakan semiotika Barthes untuk menjawab pertanyaan tersebut. Terdapat tujuhtemuan yang dihasilkan, yakni integritas (Gi), pengasih (Jin), keberanian (Yu),penghormatan (Rei), kejujuran (Makoto), martabat (Meiyo) dan kesetiaan (Chungi).

Pemaknaan Maskulinitas pada Majalah Cosmopolitan Indonesia Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Nowadays, the position of men and women has no difference. Men and women are treated equally as a commodity. The phenomenon of hegemonic masculinity have been well understood, despite the fact that media especially magazine, is a medium for the contest between masculinity and femininity. This study focuses on how masculinity of man is represented in Cosmopolitan Indonesia Magazine (August, September, October and December 2011 editions).

Analisis Framing Dugaan Korupsi Anas Urbaningrum dalam Kasus Wisma Atlet pada Harian Kompas dan Jawa Pos Tesa Herowana; Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

In 2012, Indonesian Corruption Eradication Comission (KPK) investigate further to Nazaruddin statement about Anas Urbaningrum’s corruption assessment on the sport center case. The frame analysis is used to look how Jawa Pos and Kompas Daily cover Anas Urbaningrum corruption assessment. This study concerns on Jawa Pos and Kompas Daily Januari editions 2012 about this news. It find that Jawa Pos Daily presents the Anas Urbaningrum’s news with resolute. While Kompas Daily presents that news with irresolute.

Konsepsi Kematian a la Jawa Sumekar Tanjung
Jurnal Komunikasi Vol. 8 No. 1 (2013): Volume 8, Nomor 1, Oktober 2013
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

This articles describes important side about death in Java, especially Bejikarto society, in Yogyakarta. They looking at death is not the opposite of life. For them, death as a manifestation of the body’s extinction and the new life’s genesis that is eternity. In the Javanese culture, all of the life and death’s process had the concept and control. This article consist of four parts. First is introduction, describes the construction and an understating of God in their belief. Second, describes about death in Javanese people concept. Third is conceiving the causation of death in terms illness and medical. Fourth, is discussion about how Javanese people preserve the tradition in celebration of death.

SEMIOTICS OF BORDER (ANALYSIS OF BATAS, A FILM OF RUDI SOEDJARWO) Sumekar Tanjung; Indra Ramanda
Informasi Vol 49, No 1 (2019): INFORMASI
Publisher : Universitas Negeri Yogyakarta

This research was conducted to explain the presentation of the boundary meanings presented by Batas film through their character. The border becomes the front face of a country. The social conditions of people who are still lagging behind and far from infrastructure development make the people living in the border vulnerable to various problems. As a message delivery medium, meanings are represented by character in film. The author analyzed five scenes on each character in Batas film. These are, Ubuh’s character is threatened by the bad people who chase her in the middle of the forest, Arif’s character as a police officer who looking for the information in the community, Jaleswari’s character who cares about education problems at the border, Adeus’s character who has great desire for the advancement of the people at the border but get threats from individuals who do not want the people on the border to get a high education, the character of the Panglima who has power in the Dayak tribe community. This study uses a critical paradigm with a qualitative approach. The process describes the meaning of signs into denotations, connotations, and myths. The results of this study indicate that meanings are defined as areas that have complex problems. Access to transnational crime is still very easy as security is needed in the area. Despite the increase in technology and technology, the region must have the slightest education, strive to advance the regions, without prioritizing their own interests without ignoring the cultural values of their ancestors. Penelitian ini dilakukan untuk menjelaskan reperesentasi makna batas yang dihadirkan oleh pembuat film Batas melalui karakter tokohnya. Perbatasan menjadi wajah terdepan dari suatu negara. Keadaaan sosial masyarakat yang masih tertinggal dan jauh dari pembangunan infrastruktur, membuat masyarakat suku Dayak yang tinggal di pedalaman rentan terhadap berbagai permasalahan. Sebagai medium penyampai pesan, film ini penting dikaji untuk menjelaskan bagaimana makna batas direpresentasikan melalui masing-masing karakter. Peneliti melakukan analisis terhadap lima scene pada masing-masing karakter dalam film Batas. Kelima scene tersebut adalah, karakter Ubuh yang terancam dengan adanya orang-orang jahat yang mengejar di tengah hutan, karakter Arif sebagai aparat penegak hukum yang mencari informasi di tengah masyarakat, karakter Jaleswari yang peduli terhadap masalah pendidikan yang terjadi di perbatasan, karakter Adeus yang memiliki keinginan besar demi kemajuan masyarakat di perbatasan namun mendapatkan ancaman dari oknum yang tidak ingin masyarakat di perbatasan mendapatkan pendidikan yang tinggi, karakter Panglima yang memiliki kuasa di masyarakat suku Dayak. Penelitian ini menggunakan paradigma kritis dengan pendekatan kualitatif. Proses analisis yang dilakukan adalah semiotika model Roland Barthes yang menjabarkan makna tanda menjadi denotasi, konotasi, dan mitos. Hasil penelitian ini menunjukkan bahwa makna batas dimaknai adalah daerah-daerah yang memiliki masalah kompleks. Akses kejahatan transnasional masih sangat mudah, sangat diperlukan pengamanan di daerah tersebut. Meskipun terjadi peningkatan teknologi dan teknologi, wilayah harus tetap memiliki pendidikan sekecil apapun, berjuang memajukan daerah, tanpa mementingkan kepentingan sendiri tanpa mengabaikan nilai budaya leluhurnya.

Produksi Shrimp River Magz Sebagai Upaya Penguatan Eksistensi Komunitas Skateboarder di Yogyakarta Dweysa Wahabi Anas; Sumekar Tanjung
Asian Journal of Innovation and Entrepreneurship Vol 2 No 03 (2017): September 2017
Publisher : UII

Show Abstract | Download Original | Original Source | Check in Google Scholar

This article aims to explain the production process of Shrimp River Magz in an effort to strengthen the existence of skateboarder community in Yogyakarta. The lack of media reviewing skateboarding in Indonesia has become one of the causes of skateboarding in Indonesia. The method of project creation is carried out through five stages: creative planning, technical planning and equipment, planning of supporting resources, budget planning, and implementation stage. The author also conducted an interview on the skateboarder community to fill the article rubric in the magazine. Based on the results of magazine production, the authors hope that the skateboarder community in Yogyakarta more exposed. The author can also deepen the ability to do design and editing in a magazine production.Â

OPTIMIZATION OF CYBER PR AT PRIVATE UNIVERSITIES IN YOGYAKARTA Mutia Dewi; Sumekar Tanjung; Shalma Nadira
Asian Journal of Innovation and Entrepreneurship Volume 04, Issue 02, May 2019
Publisher : UII

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to explain the optimization of cyber PR at private universities in Yogyakarta. High internet penetration in the community forces public relations to utilize communication technology. Thus, this research was conducted at five universities in Yogyakarta based on webometrics rank of 2016/2017 i.e., UII, UMY, UAD, UAJY, and Amikom through observation, interview, and physical and online document search. It is revealed that the public relations in universities not only connect institutions and students or government but also form the universities’ positive image to attract the public's attention. There are eight components played by private universities in their activities: credibility, context, content, clarity, channel, continuity and consistency, capability of the audience, and connectivity. Communication is the most influential key element in cyber-PR activity. Consequently, this should be managed maximally by universities to create a positive image.

Memaknai Poster Penyelamatan Satwa WWF Rezca Utama Arza; Sumekar Tanjung
Asian Journal of Innovation and Entrepreneurship Volume 05, Issue 01, January 2020
Publisher : UII

Show Abstract | Download Original | Original Source | Check in Google Scholar

The purpose of this study was to describe various messages contained in poster visual design on creative campaigns carried out by the World Wildlife Fund. In this study, researchers used semiotic analysis with a descriptive qualitative approach developed by Charles S. Pierce, where researchers classified the signs on the poster of the World Wildlife Fund into three parts, namely icons, index, and symbols. There are two visual poster designs analyzed. The results of the study showed that the poster designs made by the World Wildlife Fund discuss several important aspects that have relevance to this case. The first is the aspect of criticism of the government that criticizes the government's attitude towards the environment of wildlife damage. The second aspect is the social and cultural aspects that cause environmental damage because people still hold local culture and traditions in their hometown. The last aspect is the aspect of environmental preservation which is at the core of all movements carried out by the World Wildlife Fund to show that the animal extinction rate is even bigger and encourage the community to preserve the environment for the survival of animals.

PEREMPUAN TERPANDANG DALAM FILM INDONESIA Nurmalita Natia Dewi; Sumekar Tanjung
Metacommunication Journal of Communication Studies
Publisher : Universitas Lambung Mangkurat

This research originated from a phenomenon of women in the mass media which initially served as a satisfaction for the audience with their body shape, but now has begun to fade. Women in the media are the subject and are not underestimated especially in the film media. So as to make the female figure in the film the main character in the storyline which is constructed through the existing reality. And the woman's figure seemed authoritative and classified as a honorable woman who could have a big influence on the people. That way the phenomenon attracted the attention of researchers, because researchers wanted to know how the identity of the honorable women in the film Marlina Si Pembunuh Dalam Empat Babak, 3 Srikandi and Jilbab Traveler: Love Sparks In Korea. With Roland Barthes's semiotic method that reveals the meaning of verbal and non verbal signs with two stages, namely denotations and connotations and associated with myths that develop in society. Then analyzed based on critical views found the identity of respectable women in Indonesian films. The results showed that the identity of a woman in the three films included in the category of social identity. Where the identity is formed due to the influence of interaction in the family and community.

IDENTIFIKASI STRATEGI REPRESENTASI MASKULINITAS PADA MAJALAH TRANSNASIONAL DI INDONESIA SUMEKAR TANJUNG
Communication Vol 6, No 2 (2015): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Penelitian ini bertujuan menjelaskan strategi representasi maskulinitas pada majalahtransnasional di Indonesia. Media selalu mengeksploitasi tubuh sebagai tanda sekaligus strategimeraup laba. Tubuh memiliki makna dalam masyarakat. Ada berbagai mekanisme yangdigunakan media untuk mengeksploitasi tubuh supaya berfungsi dan berpotensi sebagai tanda.Sedangkan ilustrasi yang digunakan merupakan konsep kelelakian yang dimiliki oleh masyarakatBarat. Sebagai salah satu kajian budaya populer, penelitian ini menggunakan semiotika sebagaimetode analisis teks. Terdapat tiga strategi representasi maskulinitas yang dilakukan oleh mediaini. Pertama, media merepresentasikan tubuh laki-laki sebagai consumer bodies. Kedua, tubuhlaki-laki direpresentasikan sebagai instrumental bodies. Yang terakhir, laki-laki dihadirkansebagai objectified bodies. Dengan kekuasannya, media mengendalikan citra tubuh masyarakatdengan tujuan memperoleh keuntungan secara samar melalui realitas sosial yang semu.

Co-Authors Asmaí, Ahmad Fattah Britania Widya Sista Hapsari Hapsari Chyntia Devi Dweysa Wahabi Anas Efri Khoirunnisa Hartoyo Ega Riadiska Ida Nuraini Dewi Kodrat Ningsih Indra Ramanda ISADI, RENATA PERTIWI Johari Saputra Muhammad Chamdan Husein Mutia Dewi Nadra - Alfiati Nastiyar, Firdaus Algim Nurmalita Natia Dewi Pandu Bagus Pratama Paulus, Lani Diana Ponang Limpad Wirawan Prameswari, Andyra Puji Rianto Rezca Utama Arza Rini Asmiyati Shalma Nadira Tesa Herowana

Title

Found 27 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 27 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 27 Documents
Search