Garuda - Garba Rujukan Digital

p-Index From 2021 - 2026

3.457

P-Index

This Author published in this journals

All Journal INFORMASI Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi Asian Journal of Innovation and Entrepreneurship (AJIE) MetaCommunication; Journal Of Communication Studies Communication Avant Garde Jurnal Abdimas Madani dan Lestari (JAMALI) Communications in Humanities and Social Sciences International Journal of Media and Communication Research Mediator: Jurnal Komunikasi Jurnal Mahasiswa Komunikasi Cantrik Komunikatif : Jurnal Ilmiah Komunikasi Proceedings National Conference Sisi Indonesia

Sumekar Tanjung

Program Studi Ilmu Komunikasi, Universitas Islam Indonesia, Yogyakarta, Indonesia

Author-ID : 2416576

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

Published : 30 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3

BUSHIDO PADA PEREMPUAN JEPANG: MEMAKNAI NILAI-NILAI BUSHIDO PADA PEREMPUAN JEPANG DALAM FILM RUROUNI KENSHIN (2012) DAN MYU NO ANYO PAPA NI AGERU (2008) ISADI, RENATA PERTIWI; TANJUNG, SUMEKAR
Communication Vol 5, No 2 (2014): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Fokus penelitian ini untuk mengkaji pemaknaan nilai-nilai Bushido pada perempuanJepang dalam Rurouni Kenshin (2012) dan Myu no Anyo Papa ni Ageru (2008). Keduafilm merepresentasikan nilai-nilai Bushido dan kehidupan perempuan Jepang. Makapertanyaan penelitian yang diajukan adalah bagaimana representasi praktik signifikasinilai-nilai Bushido pada perempuan Jepang dalam kedua film tersebut? Penelitimenggunakan semiotika Barthes untuk menjawab pertanyaan tersebut. Terdapat tujuhtemuan yang dihasilkan, yakni integritas (Gi), pengasih (Jin), keberanian (Yu),penghormatan (Rei), kejujuran (Makoto), martabat (Meiyo) dan kesetiaan (Chungi).

Pemaknaan Maskulinitas pada Majalah Cosmopolitan Indonesia Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Nowadays, the position of men and women has no difference. Men and women are treated equally as a commodity. The phenomenon of hegemonic masculinity have been well understood, despite the fact that media especially magazine, is a medium for the contest between masculinity and femininity. This study focuses on how masculinity of man is represented in Cosmopolitan Indonesia Magazine (August, September, October and December 2011 editions).

Analisis Framing Dugaan Korupsi Anas Urbaningrum dalam Kasus Wisma Atlet pada Harian Kompas dan Jawa Pos Tesa Herowana; Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

In 2012, Indonesian Corruption Eradication Comission (KPK) investigate further to Nazaruddin statement about Anas Urbaningrum’s corruption assessment on the sport center case. The frame analysis is used to look how Jawa Pos and Kompas Daily cover Anas Urbaningrum corruption assessment. This study concerns on Jawa Pos and Kompas Daily Januari editions 2012 about this news. It find that Jawa Pos Daily presents the Anas Urbaningrum’s news with resolute. While Kompas Daily presents that news with irresolute.

Konsepsi Kematian a la Jawa Sumekar Tanjung
Jurnal Komunikasi Vol. 8 No. 1 (2013): Volume 8, Nomor 1, Oktober 2013
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

This articles describes important side about death in Java, especially Bejikarto society, in Yogyakarta. They looking at death is not the opposite of life. For them, death as a manifestation of the body’s extinction and the new life’s genesis that is eternity. In the Javanese culture, all of the life and death’s process had the concept and control. This article consist of four parts. First is introduction, describes the construction and an understating of God in their belief. Second, describes about death in Javanese people concept. Third is conceiving the causation of death in terms illness and medical. Fourth, is discussion about how Javanese people preserve the tradition in celebration of death.

SEMIOTICS OF BORDER (ANALYSIS OF BATAS, A FILM OF RUDI SOEDJARWO) Sumekar Tanjung; Indra Ramanda
Informasi Vol 49, No 1 (2019): INFORMASI
Publisher : Universitas Negeri Yogyakarta

This research was conducted to explain the presentation of the boundary meanings presented by Batas film through their character. The border becomes the front face of a country. The social conditions of people who are still lagging behind and far from infrastructure development make the people living in the border vulnerable to various problems. As a message delivery medium, meanings are represented by character in film. The author analyzed five scenes on each character in Batas film. These are, Ubuh’s character is threatened by the bad people who chase her in the middle of the forest, Arif’s character as a police officer who looking for the information in the community, Jaleswari’s character who cares about education problems at the border, Adeus’s character who has great desire for the advancement of the people at the border but get threats from individuals who do not want the people on the border to get a high education, the character of the Panglima who has power in the Dayak tribe community. This study uses a critical paradigm with a qualitative approach. The process describes the meaning of signs into denotations, connotations, and myths. The results of this study indicate that meanings are defined as areas that have complex problems. Access to transnational crime is still very easy as security is needed in the area. Despite the increase in technology and technology, the region must have the slightest education, strive to advance the regions, without prioritizing their own interests without ignoring the cultural values of their ancestors. Penelitian ini dilakukan untuk menjelaskan reperesentasi makna batas yang dihadirkan oleh pembuat film Batas melalui karakter tokohnya. Perbatasan menjadi wajah terdepan dari suatu negara. Keadaaan sosial masyarakat yang masih tertinggal dan jauh dari pembangunan infrastruktur, membuat masyarakat suku Dayak yang tinggal di pedalaman rentan terhadap berbagai permasalahan. Sebagai medium penyampai pesan, film ini penting dikaji untuk menjelaskan bagaimana makna batas direpresentasikan melalui masing-masing karakter. Peneliti melakukan analisis terhadap lima scene pada masing-masing karakter dalam film Batas. Kelima scene tersebut adalah, karakter Ubuh yang terancam dengan adanya orang-orang jahat yang mengejar di tengah hutan, karakter Arif sebagai aparat penegak hukum yang mencari informasi di tengah masyarakat, karakter Jaleswari yang peduli terhadap masalah pendidikan yang terjadi di perbatasan, karakter Adeus yang memiliki keinginan besar demi kemajuan masyarakat di perbatasan namun mendapatkan ancaman dari oknum yang tidak ingin masyarakat di perbatasan mendapatkan pendidikan yang tinggi, karakter Panglima yang memiliki kuasa di masyarakat suku Dayak. Penelitian ini menggunakan paradigma kritis dengan pendekatan kualitatif. Proses analisis yang dilakukan adalah semiotika model Roland Barthes yang menjabarkan makna tanda menjadi denotasi, konotasi, dan mitos. Hasil penelitian ini menunjukkan bahwa makna batas dimaknai adalah daerah-daerah yang memiliki masalah kompleks. Akses kejahatan transnasional masih sangat mudah, sangat diperlukan pengamanan di daerah tersebut. Meskipun terjadi peningkatan teknologi dan teknologi, wilayah harus tetap memiliki pendidikan sekecil apapun, berjuang memajukan daerah, tanpa mementingkan kepentingan sendiri tanpa mengabaikan nilai budaya leluhurnya.

PEREMPUAN TERPANDANG DALAM FILM INDONESIA Nurmalita Natia Dewi; Sumekar Tanjung
Metacommunication: Journal of Communication Studies Vol 5, No 1 (2020): MARET
Publisher : Universitas Lambung Mangkurat

This research originated from a phenomenon of women in the mass media which initially served as a satisfaction for the audience with their body shape, but now has begun to fade. Women in the media are the subject and are not underestimated especially in the film media. So as to make the female figure in the film the main character in the storyline which is constructed through the existing reality. And the woman's figure seemed authoritative and classified as a honorable woman who could have a big influence on the people. That way the phenomenon attracted the attention of researchers, because researchers wanted to know how the identity of the honorable women in the film Marlina Si Pembunuh Dalam Empat Babak, 3 Srikandi and Jilbab Traveler: Love Sparks In Korea. With Roland Barthes's semiotic method that reveals the meaning of verbal and non verbal signs with two stages, namely denotations and connotations and associated with myths that develop in society. Then analyzed based on critical views found the identity of respectable women in Indonesian films. The results showed that the identity of a woman in the three films included in the category of social identity. Where the identity is formed due to the influence of interaction in the family and community.

IDENTIFIKASI STRATEGI REPRESENTASI MASKULINITAS PADA MAJALAH TRANSNASIONAL DI INDONESIA SUMEKAR TANJUNG
Communication Vol 6, No 2 (2015): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Penelitian ini bertujuan menjelaskan strategi representasi maskulinitas pada majalahtransnasional di Indonesia. Media selalu mengeksploitasi tubuh sebagai tanda sekaligus strategimeraup laba. Tubuh memiliki makna dalam masyarakat. Ada berbagai mekanisme yangdigunakan media untuk mengeksploitasi tubuh supaya berfungsi dan berpotensi sebagai tanda.Sedangkan ilustrasi yang digunakan merupakan konsep kelelakian yang dimiliki oleh masyarakatBarat. Sebagai salah satu kajian budaya populer, penelitian ini menggunakan semiotika sebagaimetode analisis teks. Terdapat tiga strategi representasi maskulinitas yang dilakukan oleh mediaini. Pertama, media merepresentasikan tubuh laki-laki sebagai consumer bodies. Kedua, tubuhlaki-laki direpresentasikan sebagai instrumental bodies. Yang terakhir, laki-laki dihadirkansebagai objectified bodies. Dengan kekuasannya, media mengendalikan citra tubuh masyarakatdengan tujuan memperoleh keuntungan secara samar melalui realitas sosial yang semu.

POTRET PEREMPUAN PARANGTRITIS DALAM FILM SITI Efri Khoirunnisa Hartoyo; Sumekar Tanjung
Avant Garde Vol 6, No 1 (2018): Avant Garde
Publisher : Fakultas Komunikasi & Desain Kreatif - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/avg.v6i1.784

This study aims to explain the representation of Parangtritis women in the Siti movie. Coastal women plays an important role in economic activities on the land. The system of division of labor in coastal communities requires women to be involved in the public sphere. Through the semiotic method of Roland Barthes, this research reveals the repre- sentation of coastal women through the four shots shown. There are three findings in this study. First, coastal women are inseparable from the devotion to the husband and family. Second, helping their husband's income in the public space. Third, self helplessness which resulted in limited area of work in public space. These three findings are not a research effort to generalize the portraits of coastal women. With the dual roles, eventually coastal women cannot escape from their domestic responsibilities due to economic distress.

Superiority and Mimicry in Korea Reomit Sumekar Tanjung
International Journal of Media and Communication Research (IJMCR) Vol. 3 No. 2 (2022): International Journal of Media and Communication Research
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/ijmcr.v3i2.9368

This study aims to describe the hegemonic relationship between Jang Hansol and the other who initiate superiority and mimicry issues on the Korea Reomit channel. Jang Hansol's popularity clearly complements the hegemonic discourse of Korean colonialism in Indonesia, as obviously seen in the form of hybrid culture. The importance of this research lies in the absence of previous studies that examined the relationship between the colonized and the colonizer on YouTube. The researcher sees the presence of binary opposition between Jang Hansol and three content creators who play a role in their respective areas of subordination. This study uses a qualitative descriptive method by dissected three collaborative videos between Jang Hansol and Jerome Polin Sijabat, Alphiandi, and Natya Shina. It is readily apparent that the three videos serve as Jang Hansol's colonial strategy in maintaining his power as the superior while at the same time subjugating the position of the colonized. The findings show two hegemonic relations. First, the hierarchical relation shows that the colonizer expresses speech through native languages to strengthen his position as superior. Second, conflicting relations of the other show that the attempts to imitate the colonizer only produce imperfect imitation. These two relations show the Korean hegemony that has been built between Jang Hansol and the other along the surgin Korean Wave.

Tonight Show dan Humorously Masculine Johari Saputra; Sumekar Tanjung
Jurnal Mahasiswa Komunikasi Cantrik Vol. 1 No. 2 (2021): Volume 1, No. 2, November, 2021
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol1.iss2.art2

Television is a form of development of information and communication technology media. Television broadcasts various programs, including the Tonight Show. Television broadcasts various programs, including the Tonight Show. The Tonight Show that was brought by Vincent and Desta was able to present funny and entertaining humor. Vincent and Desta always look masculine in every episode. This study aims to find out how the masculinity of Vincent and Desta's humor is displayed on the Tonight Show. The study used qualitative analysis. The results showed that Vincent and Desta's humorous masculinity was displayed with cognitive and affective differences in men, and humorous masculinity was displayed in affiliative (positive) and aggressive (negative) forms.Keywords: Television, Tonight Show, Semiotics, Humor, Masculinity

Co-Authors Adithiya Zaky Aminullah Anas, Dweysa Wahabi Araf Nasya Vianida Arza, Rezca Utama Asmaí, Ahmad Fattah Azrial, Muhammad Ghozi Britania Widya Sista Hapsari Hapsari Chyntia Devi Efri Khoirunnisa Hartoyo Ega Riadiska Ida Nuraini Dewi Kodrat Ningsih Indra Ramanda ISADI, RENATA PERTIWI Johari Saputra Muhammad Chamdan Husein Mutia Dewi Nadira, Shalma Nadra - Alfiati Nastiyar, Firdaus Algim Nurmalita Natia Dewi Pandu Bagus Pratama Paulus, Lani Diana Ponang Limpad Wirawan Prameswari, Andyra Puji Rianto Rini Asmiyati Tesa Herowana

Title

Found 30 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 30 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 30 Documents
Search