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All Journal INFORMASI Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi AJIE (Asian Journal of Innovation and Entrepreneurship) MetaCommunication; Journal Of Communication Studies Communication Avant Garde Jurnal Abdimas Madani dan Lestari (JAMALI) Communications in Humanities and Social Sciences International Journal of Media and Communication Research Mediator: Jurnal Komunikasi Jurnal Mahasiswa Komunikasi Cantrik Komunikatif : Jurnal Ilmiah Komunikasi
Sumekar Tanjung
Program Studi Ilmu Komunikasi, Universitas Islam Indonesia, Yogyakarta, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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POTRET PEREMPUAN PARANGTRITIS DALAM FILM SITI Efri Khoirunnisa Hartoyo; Sumekar Tanjung
Avant Garde Vol 6, No 1 (2018): Avant Garde
Publisher : Fakultas Komunikasi & Desain Kreatif - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/avg.v6i1.784

Abstract

This study aims to explain the representation of Parangtritis women in the Siti movie. Coastal women plays an important role in economic activities on the land. The system of division of labor in coastal communities requires women to be involved in the public sphere. Through the semiotic method of Roland Barthes, this research reveals the repre- sentation of coastal women through the four shots shown. There are three findings in this study. First, coastal women are inseparable from the devotion to the husband and family. Second, helping their husband's income in the public space. Third, self helplessness which resulted in limited area of work in public space. These three findings are not a research effort to generalize the portraits of coastal women. With the dual roles, eventually coastal women cannot escape from their domestic responsibilities due to economic distress.
Superiority and Mimicry in Korea Reomit Sumekar Tanjung
International Journal of Media and Communication Research (IJMCR) Vol. 3 No. 2 (2022): International Journal of Media and Communication Research
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/ijmcr.v3i2.9368

Abstract

This study aims to describe the hegemonic relationship between Jang Hansol and the other who initiate superiority and mimicry issues on the Korea Reomit channel. Jang Hansol's popularity clearly complements the hegemonic discourse of Korean colonialism in Indonesia, as obviously seen in the form of hybrid culture. The importance of this research lies in the absence of previous studies that examined the relationship between the colonized and the colonizer on YouTube. The researcher sees the presence of binary opposition between Jang Hansol and three content creators who play a role in their respective areas of subordination. This study uses a qualitative descriptive method by dissected three collaborative videos between Jang Hansol and Jerome Polin Sijabat, Alphiandi, and Natya Shina. It is readily apparent that the three videos serve as Jang Hansol's colonial strategy in maintaining his power as the superior while at the same time subjugating the position of the colonized. The findings show two hegemonic relations. First, the hierarchical relation shows that the colonizer expresses speech through native languages to strengthen his position as superior. Second, conflicting relations of the other show that the attempts to imitate the colonizer only produce imperfect imitation. These two relations show the Korean hegemony that has been built between Jang Hansol and the other along the surgin Korean Wave.
Tonight Show dan Humorously Masculine Johari Saputra; Sumekar Tanjung
Jurnal Mahasiswa Komunikasi Cantrik Vol. 1 No. 2 (2021): Volume 1, No. 2, November, 2021
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol1.iss2.art2

Abstract

Television is a form of development of information and communication technology media. Television broadcasts various programs, including the Tonight Show. Television broadcasts various programs, including the Tonight Show. The Tonight Show that was brought by Vincent and Desta was able to present funny and entertaining humor. Vincent and Desta always look masculine in every episode. This study aims to find out how the masculinity of Vincent and Desta's humor is displayed on the Tonight Show. The study used qualitative analysis. The results showed that Vincent and Desta's humorous masculinity was displayed with cognitive and affective differences in men, and humorous masculinity was displayed in affiliative (positive) and aggressive (negative) forms.Keywords: Television, Tonight Show, Semiotics, Humor, Masculinity
Simbolisme Bromance di Media Sosial Pandu Bagus Pratama; Sumekar Tanjung
Jurnal Mahasiswa Komunikasi Cantrik Vol. 1 No. 1 (2021): Volume 1, No. 1, May, 2021
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol1.iss1.art2

Abstract

Abstract:Bromance is the concept of friendly interactions between men who like each other and even love each other, but have limitations in sexual orientation. This study aims to present an analysis of the Bromance representation between Raditya Dika and Pandu Winoto. The data to be analyzed sourced from the video on Raditya Dika's YouTube Channel. This study uses qualitative methods and Roland Barthes' semiotic analysis techniques. The result of this research is that the researcher found three categories of representation of Bromance in the video, namely in terms of dialogue, action, and appearance. Researchers hope that this research can add insight and literacy in the community, especially Indonesia related to Bromance.
Musik dan Identitas: Analisis Konstruksi Identitas Sosial dalam Album “Menari dengan Bayangan” Karya Hindia Muhammad Chamdan Husein; Sumekar Tanjung
Jurnal Mahasiswa Komunikasi Cantrik Vol. 2 No. 1 (2022): Volume 2, No. 1, May, 2022
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol2.iss1.art3

Abstract

This study will focus on the meaning of personal identity for an album entitled Menari dengan Bayangan (Dancing with Shadows), created by a musician named Daniel Baskara Putra or the stage name Hindia. In the album, which contains 12 songs, Baskara gives implied messages about his identity in the songs on the album that his listeners will listen to. This study uses the semiotic analysis method of Ferdinand de Saussure, which focuses on the signifier and the signified aspects in interpreting each song lyric created by Baskara.
Analisis Resepsi Suku Non Bugis Terhadap Tradisi ‘uang panai’ dalam Film ‘uang panai’ Maha(r)l Britania Widya Sista Hapsari Hapsari; Sumekar Tanjung
Jurnal Mahasiswa Komunikasi Cantrik Vol. 2 No. 2 (2022): Volume 2, No. 2, November, 2022
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol2.iss2.art6

Abstract

The Bugis tribe in South Sulawesi has a tradition that is still being carried out today, namely 'uang panai.' Uang Panai is given to the bride and groom. The purpose of this research is to examine the reception of Maha(r)l's film 'Uang Panai.' This study used qualitative research methods. Data was collected through in-depth interviews. The informants who were the subjects of the study were five people with the criteria of having watched the Maha(r)l film 'uang panai', a non-Bugis ethnic group living in Makassar. The results of the research show that by using Stuart Hall's reception analysis, the five informants' reception of Maha(r)l's ' Uang Panai' film is in a position of negotiation and opposition. None of the informants are in the hegemonic dominant model.
Kartun Mengkritik Dampak Sosial Bencana Alam Ponang Limpad Wirawan; Sumekar Tanjung
Interaksi: Jurnal Ilmu Komunikasi Vol 2, No 2 (2013): July 2013
Publisher : Master of Communication Science Program, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (489.842 KB) | DOI: 10.14710/interaksi.2.2.117-123

Abstract

Abstract :This study was to describe the social reality in expressing media criticism through editorial cartoons. As visual form, editorial cartoons can explain to readers about media opinion and media criticism toward actual phenomenon, especially about Merapi Mount eruption disaster in Kedaulatan Rakyat daily newspaper .This study has three main results. First, there is a tendency of the use of ethics and morality in a criticism to avoid conflict. Second, the editorial cartoons are always trying to connotes an actual topic with ethical value system in a symbolic act of the local society. Third, related to the criticism in editorial cartoons is more neutral with the purpose to giving feedback for government, victims of disasters or even the readers.Keywords: editorial cartoon, social criticism, semiotics, disaster, local newspaperAbstraksi :Kata Kunci:Penelitian ini bertujuan untuk menggambarkan realitas sosial dalam mengekspresikan kritik melalui media kartun editorial. Sebagai bentuk visual, kartun editorial dapat menjelaskan kepada pembaca tentang pendapat media dan kritik media terhadap fenomena yang sebenarnya, terutama tentang Gunung Merapi bencana erupsi di surat kabar harian Kedaulatan Rakyat.Penelitian ini memiliki tiga hasil utama. Pertama, ada kecenderungan penggunaan etika dan moralitas dalam kritik untuk menghindari konflik. Kedua, kartun editorial selalu berusaha untuk berkonotasi topik aktual dengan sistem nilai etis dalam tindakan simbolis dari masyarakat setempat. Ketiga, berkaitan dengan kritik dalam kartun editorial yang lebih netral dengan tujuan untuk memberikan umpan balik bagi pemerintah, korban bencana atau bahkan pembaca.Kata Kunci : kartun editorial, kritik sosial, semiotika bencana, surat kabar lokal
Strategic digital public relations in the Madiun Precinct Police: Insights from a public service perspective Tanjung, Sumekar; Asmaí, Ahmad Fattah
Communications in Humanities and Social Sciences Vol. 4 No. 1 (2024): CHSS
Publisher : Komunitas Ilmuwan dan Profesional Muslim Indonesia (KIPMI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21924/chss.4.1.2024.64

Abstract

This research aims to explain the management of digital PR in the Madiun Precinct Police from the perspective of Phillips and Young. The achievements of the Madiun Precinct Police's PR are inseparable from the demands of digital technology and the capacity of the Madiun Precinct Police as a public service institution. The Madiun Precinct Police's PR utilizes digital PR not only to provide information but also to solidify public communication for the maintenance of public safety and order. With the role of PR and the achievements attained, this poses a challenge for the Madiun Precinct Police's PR in managing digital PR. A qualitative descriptive approach was employed by applying the five fundamental elements of digital PR by Phillips and Young, which include transparency, porosity, the internet as an agent, richness in content, and reach. The research findings indicate that the management of digital PR has been achieved with the readiness of an online system that includes supporting components such as platforms, channels, and context. Public information services are carried out clearly and openly, with information dissemination through the internet being controlled. The transformation of messages from PR to the public does not preclude the possibility of change. In the event of misinformation, PR will follow up incidentally. As public servants, the Madiun Precinct Police's PR is required to be capable of creating creative content and skilled in managing social media.
Fantasy Theme on the Replication of Yang Terdalam on TikTok Tanjung, Sumekar
International Journal of Media and Communication Research Vol. 4 No. 2 (2023): International Journal of Media and Communication Research
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/ijmcr.v4i2.13244

Abstract

This study aims to explain the fantasy theme on the replication of the song Yang Terdalam. The background of this research is the high trend of the replication from December to January 2022 on TikTok. Users on TikTok have their own identity. Identity is an absolute requirement for a user to participate in social networking services. In addition, participation is an indicator of active users in digital culture or a culture where people can produce and consume, distribute and replicate memes in their own way. This shows that users as cultural prosumers do both production and consumption in replicating memes. They dramatize messages into fantasy chains to create effective, fun, entertaining communication and build relationships between users. The author applied a descriptive approach and a conversational analysis method with fantasy theme analysis techniques. User comments are narratives that explain the dramatic message conveyed by the user. The research object is three video replications on TikTok. The results showed three fantasy themes, namely resistance to performance hegemony which was built by two types of fantasy, there are constructive satire on ugliness and metaphors of anime characters, objectification of disabilities, and domestication of women. This suggests that a fantasy can be a situation where the rhetoric is repeated within the group. When fantasy becomes a rhetorical vision, users have created dramatization
Youth Reception of Gender-Based Violence Victim in Soft White Underbelly YouTube Channel Paulus, Lani Diana; Ningsih, Ida Nuraini Dewi Kodrat; Tanjung, Sumekar
Mediator: Jurnal Komunikasi Vol. 17 No. 1 (2024): Mediator: Jurnal Komunikasi (Sinta 2)
Publisher : UPT Publikasi Ilmiah UNISBA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v17i1.2630

Abstract

Soft White Underbelly is a YouTube channel that produces content of interviews with marginalized people in America. It uncovers stories of stigmatized people and reveals the systemic inequality behind their presence. Gender-based violence (GBV) is one of the issues addressed on this channel. It portrays how prostitutes are victims of GBV. The author applied Stuart Hall’s audience reception theory. The theory proposes that media messages are not static. Hall suggested that expectations and prior knowledge influence their text interpretation. This research investigates how young audiences perceive portrayals of GBV victims in Soft White Underbelly's videos on prostitution and explores the factors that influence these perceptions. A qualitative method was adopted, employing audience reception analysis as the approach. Informants were international YouTube users between the ages of 18 and 30. The study finds various receptions, influenced by social factors, media habits, educational levels, personal experiences, and economic factors. Furthermore, this research confirms that Hall's reception theory is evident in today's audience reception. The findings demonstrate how viewers can develop critical awareness, interpret media texts, and disseminate them back into their social environment.
Co-Authors Asmaí, Ahmad Fattah Britania Widya Sista Hapsari Hapsari Chyntia Devi Dweysa Wahabi Anas Efri Khoirunnisa Hartoyo Ega Riadiska Ida Nuraini Dewi Kodrat Ningsih Indra Ramanda ISADI, RENATA PERTIWI Johari Saputra Muhammad Chamdan Husein Mutia Dewi Nadra - Alfiati Nastiyar, Firdaus Algim Nurmalita Natia Dewi Pandu Bagus Pratama Paulus, Lani Diana Ponang Limpad Wirawan Prameswari, Andyra Puji Rianto Rezca Utama Arza Rini Asmiyati Shalma Nadira Tesa Herowana