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Implementasi Manajemen Kampanye Anti Narkoba BNNP Riau dalam Diseminasi P4GN pada Masyarakat Nadra - Alfiati; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 8 No. 1 (2019)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v8i1.2030

Abstract

Riau menjadi salah satu kota besar di Indonesia yang semakin banyak memiliki pengguna narkoba dan narkoba, terutama di kalangan remaja. Dari data yang diperoleh, 70 persen pengguna narkoba berasal dari siswa sekolah menengah dan perguruan tinggi, dan sekitar 40 persen orang dewasa. Menghadapi kenyataan ini diperlukan kampanye oleh Badan Narkotika Nasional Provinsi Riau. Penelitian ini bertujuan untuk menjelaskan implementasi manajemen kampanye dalam kampanye anti narkotika di BNNP Riau, dan untuk mendeskripsikan faktor pendukung dan penghambat yang dihadapi oleh Seksi Pencegahan Bagian P2M dalam mengimplementasikan kampanye tanpa narkoba. Penelitian ini menggunakan paradigma konstruktivisme dengan pendekatan kualitatif. Penulis melakukan wawancara terhadap tiga narasumber, dengan sumber utama yaitu Kepala Seksi Pencegahan yang berlokasi di Kantor BNNP Riau. Hasil penelitian ini sesuai dengan teori, yang meliputi perencanaan, pengorganisasian, mobilisasi, dan pemantauan atau evaluasi. Namun, selama fase evaluasi, Bagian Pencegahan kurang melakukan survei kepada khalayak kampanye tanpa narkoba. Ada dua faktor pendukung. Pertama, masyarakat Riau sebagai faktor eksternal, yang memiliki antusiasme terhadap kasus penyalahgunaan narkoba di Riau. Kedua, kekuatan tim kerja sama BNNP Riau sebagai faktor internal. Kurangnya sumber daya manusia menjadi kelemahan dari manajemen kampanye ini.
Gegar Budaya dalam Webtoon Next Door Country Chyntia Devi; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 9 No. 1 (2020)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v9i1.2372

Abstract

This study aimed to explain the cultural shock reaction experienced by foreigner in the context of Indonesian culture, especially in Aditiya Wahyu Budiawan's Webtoon Next Door Country. This research employed Roland Barthes' semiotic analysis to analyze three episodes from mentioned Webtoon series. The findings showed that in Next Door Country Webtoon, foreigners often to use facial expression when dealing with customs and cultural traditions in Indonesia. In this Webtoon, facial expression is used as a form of emotional expression to show the emotions they feel as a result of culture shock phenomenon experienced in the process when experiencing and understanding a new culture. During the process of cultural shock, foreigners as in Webtoon will go through four phases; those are optimistic phase, crisis phase, recovery phase, and adjustment phase. Another finding from this research is that the diverse cultural tradition in Indonesia is the main trigger for these foreigners to experience cultural shock.
Di Balik Teluk Balikpapan: Framing Eksploitasi Korporasi pada Film Dokumenter Gone with The Tide dan Into The Shadow Rini Asmiyati; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 10 No. 2 (2021)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v10i2.3179

Abstract

This study aims to explain the framing of corporate exploitation of fishermen's life and natural damage in Balikpapan Bay through the documentary films Gone with The Tide and Into The Shadow. Corporate exploitation activities are a major source of problems in Balikpapan Bay. Expansive corporate growth but not followed by efforts to save nature is the main highlight of this second film. The choice of research object takes into consideration the function of documentary films as a medium of criticism and awareness to the public. In addition, Gone with The Tide and Into The Shadow present the problems of Balikpapan Bay based on the same director's point of view. The researcher uses the Pan & Kosicki framing method to explain the framing of corporate exploitation through 16 scenes in the second film. Researchers found seven constructions formed in this film, namely, the allusion to the provincial and central government, Balikpapan Bay is a strategic area, cornering the Kariangau Industrial Area, lack of attention to fishermen's welfare, maintaining a balance between industrial and environmental activities, cornering corporate and government over endangerment of marine mammals. Although it does not necessarily change people's awareness, documentary films have provided inspiration for environmental changes.Penelitian ini bertujuan menjelaskan pembingkaian eksploitasi korporasi terhadap Teluk Balikpapan melalui film dokumenter Gone with The Tide dan Into The Shadow. Kegiatan eksploitasi korporasi menjadi sumber utama masalah di Teluk Balikpapan. Pertumbuhan korporasi yang ekspansif namun tidak diikuti dengan upaya penyelamatan alam menjadi sorotan utama kedua film ini. Pemilihan objek penelitian berdasarkan pertimbangan fungsi film dokumenter sebagai medium kritik dan penyadaran kepada masyarakat. Selain itu, Gone with The Tide dan Into The Shadow menyajikan permasalahan Teluk Balikpapan berdasarkan sudut pandang sutradara yang sama. Peneliti menggunakan metode framing Pan & Kosicki untuk menjelaskan pembingkaian eksploitasi korporasi melalui 16 scene dalam kedua film. Peneliti menemukan tujuh konstruksi yang terbentuk dalam film ini yaitu, sindiran bagi pemerintah provinsi dan pusat, Teluk Balikpapan merupakan kawasan strategis, menyudutkan Kawasan Industri Kariangau, kurangnya perhatian atas kesejahteraan nelayan, pentingnya keseimbangan antara kegiatan industri dan lingkungan, menyudutkan pihak korporat, dan kekhawatiran atas terancamnya mamalia laut. Meski tidak serta merta mengubah kesadaran masyarakat, namun film dokumenter telah memberikan inspirasi bagi perubahan lingkungan.
Penerimaan Komunitas Montase terhadap Representasi Ras Asia di Amerika dalam Film Minari Ega Riadiska; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 12 No. 2 (2023)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v12i2.4635

Abstract

Films are able to provide entertainment as well as influence the attitudes and views of the audience. Audience has an important position in receiving messages. This study aims to explain the Montage community's reception of the representation of Asian race in America on the Minari film. The dynamics of adaptation, crisis, and family are closely related to the identity of Asian immigrants trying to reach their hopes in the destination country. The researcher applied Stuart Hall's reception analysis by conducting a thorough observation of Minari's film to determine the encoding and conducting interviews with three informants from the Montase community to conduct the decoding analysis. The results of this study describe two classifications of informant positions, namely dominant position and negotiated position. Differences in background, culture, and knowledge affect the informants' meaning of the representation of the Asian race in Minari.ABSTRAK Film mampu memberikan hiburan sekaligus mempengaruhi sikap dan pandangan audiens. Sebagai penonton, audiens memiliki posisi penting dalam penerimaan pesan. Penelitian ini bertujuan untuk menjelaskan resepsi komunitas Montase terhadap representasi ras Asia di Amerika dalam film Minari. Dinamika adaptasi, krisis, dan keluarga lekat dengan identitas imigran Asia yang berupaya menggapai harapan di negara tujuan. Peneliti mengaplikasikan pendekatan resepsi milik Stuart Hall dengan melakukan pengamatan menyeluruh terhadap film Minari untuk menentukan encoding dan melakukan wawancara terhadap tiga orang informan dari komunitas Montase untuk melakukan analisis decoding. Hasil penelitian ini menguraikan dua klasifikasi posisi informan yakni dominant position dan negotiate position. Perbedaan latar belakang, budaya, dan pengetahuan mempengaruhi pemaknaan informan terhadap representasi ras Asia dalam Minari.
Fandom dan interaksi parasosial dalam TikTok Prameswari, Andyra; Tanjung, Sumekar
Jurnal Mahasiswa Komunikasi Cantrik Vol. 5 No. 1 (2025): Volume 5, No. 1, Mei, 2025
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol5.iss1.art1

Abstract

TikTok is used by K-Pop fans in Indonesia to get the latest information about their idols. Fans even produce K-Pop content to show their favorite groups to other TikTok users. This study aims to describe the parasocial interactions carried out by K-Pop fans from four different fandoms while using TikTok as their main social media. This qualitative study applied purposive sampling and in-depth interview techniques. The findings stated that although the four informants came from different K-Pop fandoms, their processes in carrying out parasocial interactions on TikTok were quite similar, despite having different experiences. In the cognitive response classification, the highest level of parasocial interaction experienced by the four informants was the construction of persona and self relations. In the affective response, it was the empathy/counter empathy process, and in the behavioral response, through non-verbal behavior.
Upaya Peningkatan Kompetensi Guru SMP 2 Cangkringan dalam Menulis Karya Ilmiah: Indonesia Tanjung, Sumekar
Jurnal Abdimas Madani dan Lestari (JAMALI) Volume 06, Issue 02, September 2024
Publisher : UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jamali.vol6.iss2.art1

Abstract

The result of author observations, the most of the teacher's activities at SMP 2 Cangkringan are more oriented towards the mission of education and teaching in the classroom. Meanwhile, scientific vision and mission in the form of scientific writing and publication are often neglected. The implications of this fact, the writing and publication of scientific papers among teachers is still a cause for concern. The solution offered is to provide training in writing scientific papers for Cangkringan 2 Middle School teachers. The output target of this dedication is in the form of training services in the form of information related to writing scientific papers and publishing scientific articles. Through the community service activities that have been carried out, three things have been improved, namely deepening teacher knowledge about scientific writing, introducing and promoting the activity of writing scientific articles in journals to increase professional competence and motivating teachers to start publishing scientific papers in the form of scientific articles in journals. The method used is the method of lectures, discussions, and questions and answers. The result of implementing this community service activity is to provide an understanding of scientific writing, the reasons why teachers have to make scientific papers, the concept of scientific writing, and the process of writing scientific papers. Furthermore, the teachers received material on how to publish scientific papers and their stages.
Representasi Father Involvement Dalam Film Stranger Things Season 2 Nastiyar, Firdaus Algim; Tanjung, Sumekar
Jurnal Mahasiswa Komunikasi Cantrik Vol. 4 No. 1 (2024): Volume 4, No. 1, May, 2024
Publisher : Program Studi Ilmu Komunikasi UII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/cantrik.vol4.iss1.art5

Abstract

The image of masculinity positioning fathers as central figures in earning a living has implications for the lack of paternal involvement in child-rearing, known as fatherlessness or daddy issues. This research uses the film “Stranger Things” (2017) to provide insights into how father involvement is represented. The study aims to understand how elements of father involvement are depicted in the film “Stranger Things” (2017).  The research employs Roland Barthes’ semiotic analysis  method, which examines  the significance of denotation and connotation. The results show that aspects of father involvement represented in the film are divided into four indicators: (1) authoritarian attitude, (2) portrayal of feminist men, (3) role model for children, and (4) temperamental nature. Thus, it can be concluded that father’s involvement in child-rearing can open new windows into breaking the boundaries of the image of masculinity in societal  reality.