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Kerajinan Payung Cukup dan Payung Lunas di Desa Bukian Payangan Gianyar I Made Suparta; I Nyoman Suardina; I Wayan Mudra
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 9 No. 2 (2021): November
Publisher : Institut Seni Indonesia Denpasar

Kecamatan Payangan terdiri dari 9 desa memiliki sumber daya alam subur serta potensi seni yang patut dikembangkan. Payung cukup dan lunas memiliki keindahan bentuk yang unik dan nilai ekonomi menjanjikan. Kerajinan yang terdapat di desa Bukian Payangan terbuat dari rangkaian susunan bilah-bilah bambu terlihat alami dan langka. Seiring perkembangan jaman, payung tradisional tidak bertangkai mayoritas digunakan petani dan peternak tidak banyak dikenal kaum melineal. Rangkaian bilah bambu yang tersusunan vertical-horizontal memberi daya tarik tersendiri untuk dilakukan penelusuran lebih lanjut terhadap penomena yang terdapat pada payung Payung cukup maupun payung lunas. Penelitian ini menggunakan metode porposive sampling, Validitas data lapangan maupun pustaka didasarkan pada metode ilmiah, pengumpulan dan analisis data serta alat ukur yang digunakan. Kompilasi dan tabulasi data dikoreksi dan dikonstruksikan secara logis dan sistematis. Adapun luarannya berupa publikasi ilmiah yang dimuat pada jurnal terakreditasi yaitu Mudra ISI Denpasar atau jurnal Imaji terbitan UNY (Universitas Negeri Yogyakarta). Dan bahan ajar. Target capaian penelitian ini untuk mengetahui pengertian payung cukup dan lunas, bahan dasar, dan keberlanjutannya.

JENIS HIASAN TATAHAN BADE I Made Suparta
Imaji Vol 8, No 1 (2010): IMAJI FEBRUARI
Publisher : FBS UNY

Penelitian tentang Jenis Hiasan Tatahan Bade bertujuan untuk mengetahu: (1) jenis motif pepatran maupun kekarangan yang diterapkan untuk menghias bangunan bade, serta urut-urutannya pada setiap palih/embakan karang; (2) jenis teknik ukiran/tatahan yang dipakai pada setiap motif pepatran/ kekarangan; dan (3) persaman dan perbedaan hiasan maupun tatahan yang ada pada setiap daerah yang dapat dijadikan sebagai ciri khasnya. Motif hias yang beragam dan dijadikan motif bagian pada bangunan bade, tetap memiliki nilai sakral dan akan berlanjut semasih warna/kasta mentaati tradisi leluhurnya serta kewenangan yang diberikan oleh Dalem (raja). Dengan kata lain, semasih acara ngaben menggunkan sarana bade, motif hias dengan berbagai jenis dan bentuknya tetap diperlukan. Motif hias yang ada pada bangunan bade, memiliki hubungan hierarkis yang ganda sesuai dengan konsep desa kala patra. Penempatan motif hias yang ada pada bade adalah bentuk hubungan hirarkis horizontal di antara warna/kasta dalam agama Hindu terhadap Dalem (raja) atas penghargaan yang pernah diberikan. Kata kunci: motif hiasan, upacara ngaben, dan tradisi leluhur

PENERAPAN KONSEP REALISME PENATAAN SETTING DAN PROPERTI PADA FILM SURUH AYU Robby Anwar; I Made Suparta; I B Hari Kayana Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 2 No. 1 (2022): Jurnal Calaccitra Maret 2022
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

Show Abstract | Download Original | Original Source | Check in Google Scholar

Film Suruh Ayu menceritakan tentang Ayu, perempuan berumur 19 tahun yang mengalami kebimbangan mengenai apakah dia harus menyampaikan bahwa dirinya sedang hamil disaat acara lamaran atau setelah acara lamaran. Keadaan diperparah dengan tuntutan dari teman – temannya yang harus segera menikah karena ada alasan tersendiri serta perjodohan dari bapak dan ibu Ayu. Tulisan ini akan membahas mengenai bagaimana penerapan konsep realisme penataan setting dan properti pada film Suruh Ayu. Metode yang digunakan yaitu Metode Observasi, kegiatan keseharian manusia dengan menggunakan pancaindra sebagai alat bantu utamanya. Metode Wawancara, merupakan salah satu penelitian yang merupakan proses untuk memperoleh informasi dengan cara tanya jawab antara peneliti dengan subjek yang diteliti. Selama satu semester berproses magang di Luar Kotak Audiovisual, penulis mendapatkan wawasan mengenai alih pengetahuan, keterampilan, dan teknologi. Adanya program Merdeka Belajar Kampus Merdeka, penulis banyak mendapatkan pengalaman dan wawasan langsung dari mitra magang. Penulis mendapatkan bimbingan penuh dari mitra magang, yang dimana penulis sebagai Penata Artistik membuat suatu karya film yang berjudul “Suruh Ayu”. Penulis dibimbing penus oleh mitra magang bagaimana seorang Penata Artistik mampu merealisasikan filmnya dengan penataan setting dan property. Sehingga selama pra produksi, produksi, hingga pasca produksi dapat berjalan dengan lancar. Penulis mendapatkan bimbingan penuh dari mitra magang, sebagai Penata Artistik membuat suatu karya film yang berjudul “Suruh Ayu”. Penulis dibimbing penuh oleh mitra magang bagaimana seorang Penata Artistik mampu merealisasikan filmnya dengan penataan setting dan property. Sehingga selama pra produksi, produksi, hingga pasca produksi dapat berjalan dengan lancar.

Produksi Kerajinan Sarana Upacara Dan Gaya Hidup Religius Masyarakat Gianyar Ni Kadek Karuni; I Wayan Suardana; I Made Suparta
Mudra Jurnal Seni Budaya Vol 34 No 1 (2019): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v34i1.644

Masyarakat Bali adalah masyarakat religius, tiada hari tanpa aktivitas keagamaan. Di bawah kungkungan globalisasi dengan kebebasan yang sangat terbuka tidak bisa menggoyahkan sikap religius masyarakat, bahkan justru menjadi semakin melekat kuat di hati masyarakat. Kuatnya nilai-nilai religius dengan beranekaragam kegiatan adat dan agama menyebabkan rasa ritual menjadi bagian dari gaya hidup masyarakat Gianyar dengan segala aktivitasnya. Untuk mendukung aktivitas tersebut, tentunya membutuhkan berbagai bentuk dan jenis produk sarana upacara dengan segala fungsinya. Meningkatnya kebutuhan akan sarana upacara untuk mendukung ritual menggugah para perajin mengembangkan kreativitas menciptakan karya baru yang lebih artistik dan menarik. Produksi seni kerajinan sarana upacara akhirnya mengalami dinamika yang cukup pesat dengan menawarkan model dan fungsi yang bervariatif. Tujuan penulisan ini untuk mendalami dinamika produksi seni kerajinan sarana upacara dalam mendukung gaya hidup religius masyarakat Gianyar. Mengacu pada metode penelitian kualitatif dengan analisis deskriptif analitik melalui pendekatan perubahan sosial. dengan pengumpulan data melalui observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukan bahwa orientasi kehidupan religius masyarakat masih sangat kental yang terimplementasi pada meningkatnya aktivitas upacara adat dan agama. Ritual menjadi bagian dari gaya hidup masyarakat untuk menunjukan jati diri dan kedudukan sosial yang lebih tinggi, didukung dengan penggunaan sarana upacara yang mewah dan elegan. Selain untuk mempersembahkan yang terbaik dan terindah pada Yang Maha Kuasa, sarana upacara menjadi standar kehidupan sosial masyarakat sebagai seorang yang berbudaya dan beriman. Hal ini berdampak pada dinamika produksi kerajinan sarana upacara semakin meningkat dan dapat menambah ekonomi perajin. Tulisan ini dapat dijadikan sumber referensi berkaitan dengan dinamika produksi seni kerajinan sarana upacara dengan keanekaragaman bentuk dan fungsinya.

P Penerapan Motif Kuta Mesir Dalam Penciptaan Produk Kriya Kayu Studio Tatto I Gede Bagus Arya Kusuma; I Made Suparta; I Nyoman Ngidep Wiyasa
Hastagina : Jurnal Kriya Seni Vol 1 No 02 (2021): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i02.542

Tattoo studio is one of the places that is very much in demand by foreign guests, the general public and teenagers as a place for tattoos. In addition, the tattoo studio must also have good standards if you want to receive guests comfortably when visiting the studio for tattoos. In the process of making tattoos, apart from tools or tattoo machines, there are also several supporting products to support the needs of tattoo artists while working. Some of the supporting products found in the tattoo studio such as beds, chairs, tables to put tattoo equipment, and lamps mostly use aluminum which looks simple. This need for novelty is very interesting to be reviewed and realized in the form of works using wood by applying kuta mesir motifs as a source of inspiration in order to create a new atmosphere. The problems to be solved in the creation of this final project are: (1) about are the processes and techniques for the realization of the tattoo studio wood craft produc (2) kuta mesir decorative motifs will be applied to the tattoo studio's wood craft products (3) the process of finishing the tattoo studio craft product, The method used in the creation of this work uses SP theory. Gustami are the three pillars of creation including exploration, design and realization. The result of this creation process is a bed, chair, and lamp. This work was created aiming to add diversity to the design of the tattoo studio product.

HARMONY AS A CONCEPT OF CREATION BONE BASED ACCESSORIES AT PT. KIRANA'S IMAGINATION HOUSE, JIMBARAN, BADUNG, BALI Widhi Adnyana, I Wayan; I Made, Suparta; I Nyoman, suardina
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3482

The creation of accessories made of bone with the concept of harmony is one of the answers to the phenomenon that occurs in the fashion world, where the fashion world sometimes overrides accessories in its manifestation. In fact, accessories and the fashion world have a relationship and dependence on each other, so accessories have an important role in the fashion world to add to the perfection of the appearance of fashion works. This phenomenon is interesting to reveal by creating a set of fashion accessories products with the concept of harmony taking the shape of roses as an exploration space that is in harmony with the shape of roses that have harmony, unity of shape, color and fragrance forming an amazing harmony frame. Through the creation of this fashion accessories product, it is hoped that it will provide a further understanding for fashion designers as well as the general public that accessory products can raise the dignity and value of fashion itself. The creation process uses the method proposed by Sp Gustami (2007:329) through three stages and six steps, namely exploration, design, and embodiment. Exploration includes exploration activities to explore creative sources. The design is built based on the acquisition of items from the results of the analysis formulated in the visualization of the idea of sketch form as a design reference. The embodiment of making a model according to the selected sketch becomes a prototype model until the perfection of the desired product shape is found. The result Based on exploration, experimentation of techniques, materials, innovations and using carving techniques with a tuner drill produced five sets of accessories with the titles Urn of Life, Compassion, Life Cycle, Charisma, and Three Brothers, which have applicative power in the world of fashion design.

Teknik Pembuatan Gelungan Tari Topeng Panca Di Sanggar Seni Citra Kara Gus Adi, Kadek Bagus Adi Setiawan; Suparta , I Made; Agung Jaya CK, I Gusti Ngurah
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4311

The internship/work practice activities of the Independent Learning Independent Campus program were carried out by the author in Batuan Village, Sukawati District, Gianyar Regency, where most of the population is engaged in the field of art, both fine arts and performing arts. All forms of art have existed since ancient times and have been passed down from generation to generation. Citra Kara Art Studio is a studio located in Batuan Village, which produces mask art products and skin inlays, so it is considered to be able to provide new experience and knowledge about how and techniques of skin carving in making panca mask crown . Knowledge of tools and materials such as the use of chisels, the use of modern technology to speed up the assembly process. Knowledge of the type of chisel and the use of materials as well as the application of technology to accelerate the process of making products, especially the crown of the panca mask. From an academic point of view, the author gained knowledge such as the types of Balinese dance crown, the parts contained in , and the ornaments applied to the crown. The method used in the Independent Learning Independent Campus activity uses method tracing, observation, interviews, literature studies, and documentation. The headdress or crown that the author makes is in the form of a girdle of the panca mask or pajegan which is a wali or sacred dance that is staged at every religious event and has different characters such as, a gentle and weak character, a person with a hard character, a parent character, a wise character, and a person with a funny character

HARMONY AS A CONCEPT OF CREATION BONE BASED ACCESSORIES AT PT. KIRANA'S IMAGINATION HOUSE, JIMBARAN, BADUNG, BALI Widhi Adnyana, I Wayan; I Made, Suparta; I Nyoman, suardina
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3482

The creation of accessories made of bone with the concept of harmony is one of the answers to the phenomenon that occurs in the fashion world, where the fashion world sometimes overrides accessories in its manifestation. In fact, accessories and the fashion world have a relationship and dependence on each other, so accessories have an important role in the fashion world to add to the perfection of the appearance of fashion works. This phenomenon is interesting to reveal by creating a set of fashion accessories products with the concept of harmony taking the shape of roses as an exploration space that is in harmony with the shape of roses that have harmony, unity of shape, color and fragrance forming an amazing harmony frame. Through the creation of this fashion accessories product, it is hoped that it will provide a further understanding for fashion designers as well as the general public that accessory products can raise the dignity and value of fashion itself. The creation process uses the method proposed by Sp Gustami (2007:329) through three stages and six steps, namely exploration, design, and embodiment. Exploration includes exploration activities to explore creative sources. The design is built based on the acquisition of items from the results of the analysis formulated in the visualization of the idea of sketch form as a design reference. The embodiment of making a model according to the selected sketch becomes a prototype model until the perfection of the desired product shape is found. The result Based on exploration, experimentation of techniques, materials, innovations and using carving techniques with a tuner drill produced five sets of accessories with the titles Urn of Life, Compassion, Life Cycle, Charisma, and Three Brothers, which have applicative power in the world of fashion design.

Teknik Pembuatan Gelungan Tari Topeng Panca Di Sanggar Seni Citra Kara Gus Adi, Kadek Bagus Adi Setiawan; Suparta , I Made; Agung Jaya CK, I Gusti Ngurah
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4311

The internship/work practice activities of the Independent Learning Independent Campus program were carried out by the author in Batuan Village, Sukawati District, Gianyar Regency, where most of the population is engaged in the field of art, both fine arts and performing arts. All forms of art have existed since ancient times and have been passed down from generation to generation. Citra Kara Art Studio is a studio located in Batuan Village, which produces mask art products and skin inlays, so it is considered to be able to provide new experience and knowledge about how and techniques of skin carving in making panca mask crown . Knowledge of tools and materials such as the use of chisels, the use of modern technology to speed up the assembly process. Knowledge of the type of chisel and the use of materials as well as the application of technology to accelerate the process of making products, especially the crown of the panca mask. From an academic point of view, the author gained knowledge such as the types of Balinese dance crown, the parts contained in , and the ornaments applied to the crown. The method used in the Independent Learning Independent Campus activity uses method tracing, observation, interviews, literature studies, and documentation. The headdress or crown that the author makes is in the form of a girdle of the panca mask or pajegan which is a wali or sacred dance that is staged at every religious event and has different characters such as, a gentle and weak character, a person with a hard character, a parent character, a wise character, and a person with a funny character

Produksi Set Meja dan Kursi Teras Rumah Tinggal pada Nave Wood Furniture: Furniture Mamo Antonius Wilibrodus; Mudra I Wayan; Suparta I Made
Hastagina : Jurnal Kriya Seni Vol 6 No 01 (2026): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v6i01.5674

This paper discusses the process of designing and manufacturing a set of tables and chairs for a residential terrace, considering functional, aesthetic, and user comfort aspects. This activity was carried out as part of the Independent Learning Campus (MBKM) program of the Indonesian Arts Institute, Bali, which was implemented at the Nave Wood furniture business partner in 2025. Data collection was carried out using observation, interviews, documentation, and qualitative descriptive data analysis. The design planning, material and tool selection, and production process were carried out directly by the author at the partner's location. The main material used is solid wood, which is resistant to outdoor weather. The result of this MBKM implementation is a table and chair product that not only meets the need for seating on the terrace but also beautifies the appearance of the residence. This activity also provided the author with direct experience as a student in enriching insight into the field of furniture, mastery of woodworking techniques, tool use, and finishing processes. Through this activity, students were also able to develop creative and innovative thinking according to market needs. The final result of this MBKM activity is a table and two chairs made of Dutch teak wood with strong construction and a simple design, according to the user's needs and the character of the terrace space. Additional products created to complement the table include a mineral water container, a cake stand, and a flower vase made from leftover wood.

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