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All Journal Jurnal Studi Jender SRIKANDI Buletin Udayana Mengabdi E-Journal Of Cultural Studies
Ketut Darmana
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Arts Humanities Education

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MAJEJAHITAN DAN WANITA BALI BAGAIKAN MATA UANG DARI PERSPEKTIF PENDEKATAN ETNOSAINS Darmana, Ketut
Jurnal Studi Jender SRIKANDI Vol. 7, No. 1 Januari 2008
Publisher : Jurnal Studi Jender SRIKANDI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (70.303 KB)

Abstract

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DISMANTLING PUBLIC SERVICE PRACTICES IN THE ISSUANCE OF RESIDENT IDENTITY CARD IN TEGAL HARUM VILLAGE, DENPASAR Merta, I Nengah; Anom Kumbara, A.A. Ngurah; Wirawan, A.A. Bagus; Darmana, Ketut
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (738.372 KB) | DOI: 10.24843/cs.2019.v12.i02.p05

Abstract

The Bali bombing tragedy of 12 October 2002 has killed hundreds of souls. The event brought about the impact of major changes for Balinese people. Uncontrolled migrants are regarded as one of the causes of the Bali bomb tragedy. The event then took the policy to control the attendance of migrants (TAMIU) through the decree of the mayor of Denpasar No. 610, the year 2002 that is a concern that migrants living in Denpasar must have a resident identity card Entrants (KIPP). The purpose of this research is to understand and analyze the Praaktik of KIPP's publishing services as a control device of expat resident in Denpasar City based on the spirit of prod Dharma. Data collection methods are performed with observations, interviews, and documentation. Technical data is done qualitatively. The research finds that KIPP's publishing has not been successful as a control device for the number of migrants. KIPP's service practices are inefficient, not transparent and unaccountable. The reason is that the existence of dualism of customary village and the village of Dinas, human resources are still weak, facilities and infrastructure that is not refresentative that implicates to the open opportunities of corruption, collusion and nepotism, public service costs High, the number of unsynced population at the village level, sub-districts, or even provincial-level patents and increasing social pathology. This paper suggests the need for the assertiveness of the rules between the authority of indigenous villages and Dinas, need to increase the quality of human resources, especially the lower level, and the strict action to actors who are not disciplined in carrying out their duties. Keywords: public service, excellent service, the identity of the resident, prod Dharma.
REVITALISASI KERAJINAN SENI PRASI SEBAGAI KARYA SENI DI DESA SIDEMEN KETUT DARMANA; ANAK AGUNG AYU MURNIASIH; NI KETUT SUCI
Buletin Udayana Mengabdi Vol 6 No 1 (2007): Volume 6 No.1 - April 2007
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

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ABSTRACT. Prasi art is categorized into genre (school) of two demensional visual art. According to the view of Sidemen villagers, prasi craftsmanship is called ?komik prasi lontar traditional/traditional comic of palm leaf. The process of prasi craftsmanship is shaped out of hand carving using pengerupak (small knife with pointed and sharp tip) on palm leaf (palmyra). Therefore, it look very unique, complicated, and difficult. The softness and thickness of hand carving indeed gives typicality to prasi craftsmanship that is classic and traditional in nature.Training for prasi craftsman to improve their expertise and resources covers two aspects: (1) practical knowledge about techniqueof making the carve on a palm leaf, and (2) knowledge related to the understanding of text of Hindu?s literature as source (babon) which are used as themes in the prasi such as kekawin and parwa (old Javanese metre), kidung (tengahan metre), and tantri. This is so arranged knowing the fact that prasi is a work of art whose essence constitute transformation of literary text to shadow puppet miniature visuals.The training indeed has its response from prasi craftsman. This is evident from all the activities that were attended regularly and the participants were very serious and involved in discussions anticipating the problems that might arise and are relatable to the products of prasi. The applicative training was realized in the form of practical matters and they were put into practice directly and completed duly although in the choice of themes they were given fredom based on their capability. Besides that, the training can give development to prasi art if looked at from the model of its design that is elaborated with classical and modern art, but it is inseparable form its traditional elements. With respect to its quality, prasi art still needs to have the attention and improvemeent in terms of esthetics (art beauty) so as a work of art it always gives satisfaction and enjoyment to the art lovers themselve.
Co-Authors ANAK AGUNG AYU MURNIASIH Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara I Nengah Merta NI KETUT SUCI