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All Journal Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Penelitian Agama Hindu Dharma Sastra ANUBHAVA: Jurnal Ilmu Komuniksi Hindu
I Wayan Wastawa
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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KOMUNIKASI TRANSENDENTAL DALAM PEMENTASAN TARI SANG HYANG LEGONG KERATON LASEM PADA UPACARA TUMPEK WAYANG DI BANJAR ABIANNANGKA KAJA DENPASAR I Putu Gede Buda Mardiksa Putra; I Wayan Wastawa; I Gusti Ngurah Pertu Agung
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 2 (2021): Strategy and Role of Communication Media
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/anubhava.v1i2.1077

Abstract

Dance is one of the arts that is quite easy to find in Bali, because many dances are performed as entertainment and are used in religious ceremonies in Bali. One of the classical dances that is sacred and performed during the tumpek wayang ceremony at Banjar Abiannangka Kaja is the Sang Hyang Legong Dance at the Lasem Keraton . Banjar Abiannangka Kaja believes that the dance performance can bring prosperity and is a way of communicating with Ida Sang Hyang Widhi Wasa, who in this case manifests as Ratu Ayu Alit Mas Suci who resides at the Banjar Temple. The formulation of the problem in this article is (1) the existence of the Sang Hyang Legong dance at the Lasem Keraton at the Tumpek wayang ceremony (2) the form of transcendental communication in the Sang Hyang Legong dance performance at the Lasem Keraton (3) the implications of transcendental communication on people's lives after performing the Sang Hyang Legong dance. Keraton Lasem The theories used to analyze the three problem formulations in this study are (1) Theory of Religion, (2) Theory of Extraordinary Powers and (3) Theory of Symbolic Interaction. This study uses a qualitative method. The results of this study indicate several things, such as: First, this Legong dance performance still survives today because it is believed to expel negative forces and can bring prosperity. Second, there are two forms of transcendental communication in this dance performance, namely the type of verbal communication (Pedudusan Sang Hyang Dedari singing, sesontengan and mantra) and the type of nonverbal communication (banten and dance movements). In this type of verbal and non-verbal communication, there is transcendental communication between humans and God from every meaning contained in songs, mantras, offerings and movements, both expressed and implied. Third, the implications for people's lives such as in religious life, social life, culture and the teachings of Tri Hita Karana.
KOMUNIKASI TRANSENDENTAL DALAM RITUAL PARISUDHA VAYU DI PASRAMAN KAYU MANIS LATA MAHOSADHI DESA TEGALMENGKEB TABANAN Putu Mia Kusuma Dew; I Wayan Wastawa; Ni Made Yulian
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 2 (2021): Strategy and Role of Communication Media
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/anubhava.v1i2.1078

Abstract

An interesting phenomenon at this time in Bali, Hinduism begin to make rituals of cleansing themselves not only as a spiritual activity but also as a life style. This study aims to one of them is the Parisudha vayu ritual, which means cleansing oneself by the wind power of Lord Vayu and is a method of activating oneself to connect with the energy of the universe. A sacred knowledge of Balinese ancestors stored in the natural silence of the village of Tegalmengkeb. This study focuses on the discussion of The process of transcendental communication in the implementation of the Parisudha vayu ritual at Pasraman Kayu Manis Lata mahosadhiforms of transcendental communication in the implementation of the Parisudha vayu ritual at Pasraman Kayu Manis Lata mahosadhi. The research objective is to develop transcendental communication in society. The results of this study indicate several things. First, ). the transcendental communication process goes through 3 stages in the parisudha vayu ritual, including: the preparation stage, namely establishing oneself and preparing the activation equipment, the implementation stage, namely the process of purifying the hands (karosodhana), the bhuwana chakra mudra movement and the activation of parisudha vayu and the final stage of giving three passwords. for the implementation of the next ritual. Second, the form of transcendental communication in the Parisudha vayu ritual is divided into two, namely verbal communication patterns (meaning in prayer in Parisudha vayu ritual) and nonverbal communication patterns (meaning in each movement in the Parisudha vayu ritual), respectively. -Each people practice. It is at this point that the private area of transcendental communication in the parisudha vayu ritual occurs (communication between humans and God. Third, the impact that is felt on Hindu religious life, Hindu community life and Hindu community life.
Co-Authors I Dewa Ketut Wisnawa I Gusti Ngurah Pertu Agung I Gusti Ngurah Sudiana I Ketut Sudarsana I Nyoman Ananda I Nyoman Yoga Segara I Putu Gede Buda Mardiksa Putra I Wayan Anggara I Wayan Sedia I Wayan Suwadnyana Komang Dyah Setuti Ni Made Yulian Putu Mia Kusuma Dew Renata Lusilaora Siringo Ringo Tjokorda Istri Bintang Kencana Dewi