Article Per Year (5 Year)
p-Index From 2021 - 2026
0.408
P-Index
This Author published in this journals
All Journal ANUBHAVA: Jurnal Ilmu Komuniksi Hindu Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya
I Gusti Ngurah Pertu Agung
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
KOMUNIKASI TRANSENDENTAL DALAM PEMENTASAN TARI SANG HYANG LEGONG KERATON LASEM PADA UPACARA TUMPEK WAYANG DI BANJAR ABIANNANGKA KAJA DENPASAR I Putu Gede Buda Mardiksa Putra; I Wayan Wastawa; I Gusti Ngurah Pertu Agung
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 2 (2021): Strategy and Role of Communication Media
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (306.816 KB)

Abstract

Dance is one of the arts that is quite easy to find in Bali, because many dances are performed as entertainment and are used in religious ceremonies in Bali. One of the classical dances that is sacred and performed during the tumpek wayang ceremony at Banjar Abiannangka Kaja is the Sang Hyang Legong Dance at the Lasem Keraton . Banjar Abiannangka Kaja believes that the dance performance can bring prosperity and is a way of communicating with Ida Sang Hyang Widhi Wasa, who in this case manifests as Ratu Ayu Alit Mas Suci who resides at the Banjar Temple. The formulation of the problem in this article is (1) the existence of the Sang Hyang Legong dance at the Lasem Keraton at the Tumpek wayang ceremony (2) the form of transcendental communication in the Sang Hyang Legong dance performance at the Lasem Keraton (3) the implications of transcendental communication on people's lives after performing the Sang Hyang Legong dance. Keraton Lasem The theories used to analyze the three problem formulations in this study are (1) Theory of Religion, (2) Theory of Extraordinary Powers and (3) Theory of Symbolic Interaction. This study uses a qualitative method. The results of this study indicate several things, such as: First, this Legong dance performance still survives today because it is believed to expel negative forces and can bring prosperity. Second, there are two forms of transcendental communication in this dance performance, namely the type of verbal communication (Pedudusan Sang Hyang Dedari singing, sesontengan and mantra) and the type of nonverbal communication (banten and dance movements). In this type of verbal and non-verbal communication, there is transcendental communication between humans and God from every meaning contained in songs, mantras, offerings and movements, both expressed and implied. Third, the implications for people's lives such as in religious life, social life, culture and the teachings of Tri Hita Karana.
SENI MAJEJAITAN DAN METANDING SEBAGAI ATRAKSI WISATA DI ERA NEW NORMAL Ida Ayu Tary Puspa; I Gusti Ngurah Pertu Agung; I Kadek Ananda Mertayasa
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 5 No 2 (2020)
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (309.766 KB) | DOI: 10.25078/pariwisata.v5i2.111

Abstract

Ceremonies and ceremonies in Hinduism have a special attraction for tourists visiting the island of Bali which is known as the Island of the Gods. Tourists want to have an authentic experience during their trip by joining the majejaitan and metanding program. With expressive emotions, a tourist village can package this majejaitan and metanding as a tourist attraction. This attraction has an artistic function in the form of satisfying human emotions and desires as well as a religious function where this attraction has extraordinary uniqueness so that it will be able to increase insight in connecting with God in a simple way.In this new normal era, even though the Covid-19 pandemic has not yet passed, tourist villages hasnot been able to do much to receive tourist visits, but in the future thistourist attraction can be packaged of course while promoting cleanliness, health and safety. CHS is the new standard of Tourism.
KOMUNIKASI TRANSENDENTAL DALAM PEMENTASAN TARI SANG HYANG LEGONG KERATON LASEM PADA UPACARA TUMPEK WAYANG DI BANJAR ABIANNANGKA KAJA DENPASAR I Putu Gede Buda Mardiksa Putra; I Wayan Wastawa; I Gusti Ngurah Pertu Agung
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 2 (2021): Strategy and Role of Communication Media
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/anubhava.v1i2.1077

Abstract

Dance is one of the arts that is quite easy to find in Bali, because many dances are performed as entertainment and are used in religious ceremonies in Bali. One of the classical dances that is sacred and performed during the tumpek wayang ceremony at Banjar Abiannangka Kaja is the Sang Hyang Legong Dance at the Lasem Keraton . Banjar Abiannangka Kaja believes that the dance performance can bring prosperity and is a way of communicating with Ida Sang Hyang Widhi Wasa, who in this case manifests as Ratu Ayu Alit Mas Suci who resides at the Banjar Temple. The formulation of the problem in this article is (1) the existence of the Sang Hyang Legong dance at the Lasem Keraton at the Tumpek wayang ceremony (2) the form of transcendental communication in the Sang Hyang Legong dance performance at the Lasem Keraton (3) the implications of transcendental communication on people's lives after performing the Sang Hyang Legong dance. Keraton Lasem The theories used to analyze the three problem formulations in this study are (1) Theory of Religion, (2) Theory of Extraordinary Powers and (3) Theory of Symbolic Interaction. This study uses a qualitative method. The results of this study indicate several things, such as: First, this Legong dance performance still survives today because it is believed to expel negative forces and can bring prosperity. Second, there are two forms of transcendental communication in this dance performance, namely the type of verbal communication (Pedudusan Sang Hyang Dedari singing, sesontengan and mantra) and the type of nonverbal communication (banten and dance movements). In this type of verbal and non-verbal communication, there is transcendental communication between humans and God from every meaning contained in songs, mantras, offerings and movements, both expressed and implied. Third, the implications for people's lives such as in religious life, social life, culture and the teachings of Tri Hita Karana.
Co-Authors I Kadek Ananda Mertayasa I Putu Gede Buda Mardiksa Putra I Wayan Wastawa Ida Ayu Tary Puspa