Article Per Year (5 Year)
p-Index From 2021 - 2026
2.338
P-Index
This Author published in this journals
All Journal JURNAL SAINS PEMASARAN INDONESIA JURNAL ITENAS REKARUPA Lintas Ruang: Jurnal Pengetahuan dan Perancangan Desain Interior IJCAS (International Journal of Creative and Arts Studies) Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Idealog: Ide dan Dialog Desain Indonesia Suluh: Jurnal Seni Desain Budaya Jurnal Dimensi Seni Rupa dan Desain Jurnal Desain
Rahmawan Dwi Prasetya
Institut Seni Indonesia Yogyakarta
Arts Humanities Civil Engineering, Building, Construction & Architecture Education Other

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
DIALOG SEMIOTIKA IDENTITAS PRODUK: NEGOSIASI SIMBOL TRADISIONAL DALAM DESAIN PRODUK MODERN: DIALOG SEMIOTIKA IDENTITAS PRODUK: NEGOSIASI SIMBOL TRADISIONAL DALAM DESAIN PRODUK MODERN Rahmawan Dwi Prasetya; Sekar Adita; Mochamad Junaidi Hidayat
Ide dan Dialog Desain Indonesia (Idealog) Vol 11 No 1 (2026): Jurnal Idealog Vol 11 No 1
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/idealog.v11i1.10659

Abstract

Abstract: This study examines symbolic negotiation in three-dimensional product design that integrates traditional elements into modern design contexts. Previous studies on cultural artefacts and product design have largely emphasised qualitative narratives, while empirical testing of user perception toward three-dimensional visual units remains limited. Therefore, this research proposes the Symbolic Negotiation Matrix as its main novelty, distinguishing fixed and fluid design elements through morphological decomposition and perceptual validation. This study aims to formulate a systematic framework for the decomposition of three-dimensional geometric units and to validate its impact on user identity recognition. The study applies a sequential exploratory strategy, beginning with a qualitative morphological audit of the Tegal clay teapot as a case object, followed by a quantitative survey using a semantic differential scale involving 85 respondents. The findings show a significant difference in identity recognition across design variables, χ² (3, N = 340) = 42.47; p < 0.001; Cramer’s V = 0.35. Volume proportion achieved the highest recognition rate, reaching 88 percent or 75 out of 85 respondents, followed by construction logic at 74 percent or 63 out of 85 respondents. The study concludes that successful transformation of cultural products does not rely merely on surface ornamentation but on the designer’s ability to preserve morphological structures that function as identity anchors. Keywords: semiotics; product design; traditional symbols; 3D visual units; design negotiation
Co-Authors Andreani,, Aninda Putri Aninda Putri Andreani, Athena, Audrey Audi Firza Mulyana Audrey Athena Bunga Calystasia Endro Tri Susanto Faqih, Izzul Gucci, Revano Mochamad Junaidi Hidayat Muhammad Iqbal Nor Jayadi Nor Jayadi Nor Jayadi R.A. Sekartaji Suminto Revano Gucci Salsabillah Salsabillah Sekar Adita Sekar Adita Utomo, Deki